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Antonio
VIBRAPHONE
|piano|
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Vivaldi Album - Contralto (VIVALDI ANTONIO)
Alto voice, Piano
[Sheet music]
Ricordi
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une ...
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. \'Vivaldi Album\' est une collection d\'anthologies d\'airs d\'opéra, subdivisée par tessiture vocale, et tirée du corpus de la musique de théâtre d\'Antonio Vivaldi qui a survécu jusqu\'à nos jours. Ce répertoire comprend vingt-quatre drames musicaux, trois sérénades et un grand nombre d\'arias. Chaque volume est composé de douze pièces qui varient en termes de sensibilité et de caractère, illustrant une pluralité de styles et de situations dramatiques. Elles sont classées par ordre chronologique de manière à fournir un échantillon représentatif de l\'ensemble de la carrière de Vivaldi. Ce recueil pour contralto est le deuxième volume disponible dans la collection, la version pour soprano étant sortie il y a quelques semaines. D\'autres volumes pour d\'autres voix suivront bientôt. / Date parution : 2022-09-27/ Recueil / Voix d\'Alto et Piano
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Orlando furioso, opéra(VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavi...
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Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavier
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Concierto En Re M (VIVALDI ANTONIO)
Español
Piano, Guitar (duet)
[Sheet music]
Real Musical
Par VIVALDI ANTONIO. RM154254/ Répertoire / Guitare et Piano
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Vivaldi Antonio - Concerto In D Rv 535 - 2 Oboe, Piano
2 Oboes, Piano
Musica Rara
Composer : Vivaldi, Antonio Instrumentation : 2Ob,Klav Edition : Piano and solo ...
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Composer : Vivaldi, Antonio Instrumentation : 2Ob,Klav Edition : Piano and solo Editor : Block, Robert P. / Lasocki, Da
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Concerto Pour Piano Et Instruments A` Vent
2 Pianos, 4 hands
Simrock
The Concerto for piano and wind instruments, created in the last stage of the li...
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The Concerto for piano and wind instruments, created in the last stage of the life of Antonio Ruiz-Pipó (1934-1997), certainly is one of his most outstanding compositions. Expressive, yet at the same time characterized by great precision and economy of means, the work is written in the tradition of Manuel de Falla. Pianist and ensemble, especially the woodwind players, are equally faced with technical challenges. The present version with the accompaniment of the soloist by a second piano is suitable for duo recitals and makes it possible for musicians to get to know this remarkable piece which was performed by the composer himself as a soloist at the world premiere in 1989. / 2 Pianos
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Vivaldi Album - Tenore
Tenor voice, Piano
[Sheet music]
Ricordi
12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une coll...
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12 arie scelte | Selected Arias. Par VIVALDI ANTONIO. Vivaldi Album est une collection d'anthologies d'airs d'opéra divisées par registre vocal, tirées des ?uvres musicales théâtrales d'Antonio Vivaldi qui ont été préservées. Les sources proviennent de vingt-quatre drames musicaux, de trois sérénades et de nombreux airs individuels. Chaque volume est composé de douze morceaux qui varient en termes de sensibilité et de style, illustrant une large gamme de genres et de situations dramatiques. Elles sont classées par ordre chronologique, de manière à offrir un aperçu optimal de l'ensemble de la carrière de Vivaldi. Découvrez les nouveaux opus de la collection Vivaldi Album, comprenant désormais les voix de ténor et de basse. / Date parution : 2023-07-31/ Recueil / Tenor et Piano
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Concerto (VIVALDI ANTONIO)
2 Clarinettes en Sib et Piano
Alry Publications
Arrangeur: Andrew Seigel. Par VIVALDI ANTONIO. One of Antonio Vivaldi's most oft...
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Arrangeur: Andrew Seigel. Par VIVALDI ANTONIO. One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger. One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger./ Répertoire / 2 Clarinettes en Sib et Piano
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La Dorilla Rv 709 (VIVALDI ANTONIO)
Chant et Réduction Piano
-
Intermediate
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant'Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Réduction Piano
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Il Teuzzone RV 736 (VIVALDI ANTONIO)
Piano, Voice
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
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Piano
Français
Piano solo
[Sheet music]
ID Music
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musi...
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Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Jobim Antonio Carlos Piano de Jobim Antonio Carlos. Cette partition qui est éditée par les éditions ID Music fait partie de la catégorie de la musique Jazz & Blues Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition
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Variaciones Sobre Un Tema Popular Catalán (RUIZ-PIPO ANTONIO)
Piano solo
[Sheet music]
Simrock
Par RUIZ-PIPO ANTONIO. Un thème simple folk-song inspiré le compositeur espagn...
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Par RUIZ-PIPO ANTONIO. Un thème simple folk-song inspiré le compositeur espagnol et le pianiste Antonio Ruiz-Pipó (1934-97) pour écrire des variations de piano 13, dans lequel il reprend la richesse des couleurs, d'humour et de virtuosité d'Albéniz ou Ravel./ Répertoire / Piano
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
-
Intermediate
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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Vivaldi, Antonio : Le Printemps, Extrait des concertos pour violon `Les Quatre Saisons` (Colleciton Anacrouse)
Français
Piano solo
[Sheet music]
EBR Editions Bourges
Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour vi...
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Les quatre saisons (opus 8, n° 1-4) est un ensemble de quatre concertos pour violon soliste et orchestre de chambre à cordes, composé par Antonio Vivaldi, et qui ouvre le recueil La bataille entre l'harmonie et l'invention. Bien qu?édité en 1725 à Amsterdam, la composition de ces quatre concertos est certainement antérieure de quelques années.
Cette ?uvre est l'une des plus représentative du genre Concerto, c'est aussi certainement la composition la plus connue d?Antonio Vivaldi.
Le printemps est le nom que porte le concerto n° 1 en mi majeur (op. 8, RV 269). Il est se compose de trois mouvements : Allegro, Largo, Allegro.
Son introduction, comme le troisième mouvement de l'?uvre (L?Été), sont les passages les plus célèbres de cet opus.
Sur la partition, le compositeur précise les correspondances avec les poèmes, il va même jusqu'à expliciter certains détails (aboiements de chien, noms d'oiseaux : coucou, tourterelle, pinson...). L?ensemble de l??uvre est accompagnée de quatre sonnets décrivant le déroulement des saisons. Voici celui du Printemps :
Allegro
Voici le Printemps,
Que les oiseaux saluent d'un chant joyeux.
Et les fontaines, au souffle des zéphyrs,
Jaillissent en un doux murmure.
Ils viennent, couvrant l'air d'un manteau noir,
Le tonnerre et l'éclair messagers de l'orage.
Enfin, le calme revenu, les oisillons
Reprennent leur chant mélodieux.
Largo
Et sur le pré fleuri et tendre,
Au doux murmure du feuillage et des herbes,
Dort le chevrier, son chien fidèle à ses pieds.
Allegro
Au son festif de la musette
Dansent les nymphes et les bergers,
Sous le brillant firmament du printemps. / Classique / Transcriptions pour piano de David Neyrolles / Partition / Agrafé /
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Vivaldi Album - Soprano (VIVALDI ANTONIO)
Soprano voice, Piano
[Sheet music]
Ricordi
Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologie...
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Par VIVALDI ANTONIO. The ?Vivaldi Album? is a series of operatic aria anthologies subdivided by vocal register, drawn from Antonio Vivaldi?s surviving musical works for the theatre. Its sources include twenty-four musical dramas, three serenades and numerous individual arias. Each volume is made up of twelve pieces which vary in terms of affect and character, illustrating a wide range of styles and dramatic situations. They are arranged in chronological order, so as to provide an optimal cross-section of Vivaldi?s entire career. / Date parution : 2022-06-14/ Recueil / Soprano et Piano
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
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Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
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JoaquÃn Rodrigo: Con Antonio Machado: Voice: Vocal Album
Español
Piano, Voice
[Sheet music]
Unión Musical Ediciones
Con Antonio Machado - Poemas de Antonio Machado by Joaquin Rodrigo for Voice and...
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Con Antonio Machado - Poemas de Antonio Machado by Joaquin Rodrigo for Voice and Piano. Composed 1971.
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Antonio Machado: Album De Leonor: (Antonio Machado) Voice and Piano: Voice:
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Piano, Voice
[Sheet music]
Unión Musical Ediciones
Album De Leonor: (Antonio Machado) Voice and Piano
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
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Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
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Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
Piano, Voice
[Vocal Score]
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Easy
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The ...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi?s La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant?Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant?Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.
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Antonio Carlos Jobim: The Best Of Antonio Carlos Jobim: Piano Vocal Guitar:
Italiano
Piano, Vocal and Guitar
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Intermediate
Carisch
The Best Of Antonio Carlos Jobim
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Sonate Violoncelle/Piano
Cello, Piano
[Sheet music]
Eschig
Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres com...
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Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition SONATE VIOLONCELLE/PIANO vous retrouverez tout le talent de ce compositeur. Ecrite pour Violoncelle et plus précisément pour Violoncelle Et Piano cette partition a été éditée par les éditions Max Eschig sous le numéro ME00438800. / Violoncelle Et Piano / Partition
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La Fida ninfa, opéra, réduction chant et clavier (VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue :...
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Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notamment les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une ?uvre colossale, préservée en grande partie à la bibliothèque de Turin : plus de 450 compositions manuscrites, pour la majorité autographes. Créé à Vérone en janvier 1732, pour l?inauguration du Teatro Filarmonico,cet opéra est tombé dans l?oubli, malgré la beauté et la virtuosité des arias. La redécouverte du manuscrit, conservé à la bibliothèque de Turin, a permis d?en faire une édition complète, inédite, en 2004. Le matériel d'orchestre, 'urtext', a été préparé à partir de ce manuscrit. Il a été revisé par Jean-Christophe Spinosi, directeur musical de l'ensemble Matheus, et Laurence Paugam (premier violon de l'ensemble) et enregistré par cet ensemble en 2008. Le matériel d'orchestre de l'opéra La fida ninfa est disponible en location et en réduction clavier (consulter le site des Editions Buissonnières), ainsi que les airs, individuellement. / Date parution : 2013-05-02/ Répertoire / Chant et Clavier
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