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Cello, Piano
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2 Violins and Basso (13)
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Classical Music For Children
Cello, Piano
Schott
22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras...
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22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano
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Sheku Kanneh-Mason: The Sheku Kanneh-Mason Cello Collection: Cello and Accomp.:
Cello, Piano
Faber Music Limited
The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection...
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The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection combines the artist?s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists.
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The Sheku Kanneh-Mason Cello Collection
Cello, Piano
[Sheet music]
Faber Music Limited
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned perform...
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The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists./ Recueil / Violoncelle et Piano
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Felix Lavilla: Canciones Para Violonchelo Y Piano: Cello: Instrumental Work
Español
Cello, Piano
Unión Musical Ediciones
Félix Lavilla's Canciones Para Violonchelo Y Piano features songs from the po...
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Félix Lavilla's Canciones Para Violonchelo Y Piano features songs from the popular Basque songbook contributed to over many years by Lavilla and his student pianist and researcher Josu Okiñena. This valuable publication is considered Lavilla's last great contribution to the Basque culture and is a continuation of his work recovering Basque musical heritage a project which he started in the 1950s with his wife and prestigious singer Teresa Berganza.
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Broadway Songs for Classical Players-Cello/Piano: Cello and Accomp.:
Cello, Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments-Intermediate level arrangements for so...
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With online audio of piano accompaniments-Intermediate level arrangements for solo instruments and piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.
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East Of The Aegean
Cello, Piano
[Sheet music]
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Schott
Les 21 miniatures pour violoncelle et piano de Mikis Theodorakis, basées sur un...
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Les 21 miniatures pour violoncelle et piano de Mikis Theodorakis, basées sur un de ses fameux cycles de chansons, sont une déclaration d'amour à sa patrie à l'?est de l'Egée?, c'est-à-dire aux îles Chios, Lesbos et Ikaria. Ces pièces pleines de charme app / Violoncelle Et Piano / niveau : Avancé / Partition
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18th Century Sonatas for Cello and Continuo: Cello
Cello, Piano
Ricordi
The six sonatas for cello and basso continuo in this volume all belong to the ?F...
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The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.
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Astor (CHATROU PAUL)
Cello, Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Violoncelle et Piano
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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Easy Concert Pieces
Cello, Piano
[Sheet music + CD]
-
Easy
Schott
For use in lessons or for your first concert performances - Easy Concert Pieces ...
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For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano
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Jean-Baptiste Breval Chinzer: Three 18th-Century Sonatas: Cello: Instrumental
Cello, Piano
Faber Music Limited
A celebration of the development of the Cello which over the period of the 18t...
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A celebration of the development of the Cello which over the period of the 18th century progressed from its status as a continuo instrument and allowed it to fulfil a much more soloistic role. At this same time as these alterations were gradually taking place came a development in the Cello repertoire. The first solo sonatas hass appeared in the late 17th century but it was some hundered years later that a virtuoso repertoire gradually emerged inspired by the artists featured in this collection.
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Les Filles du Forgeron
Cello, Piano
[Sheet music]
Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...
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Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Really Easy Cello Book
Cello, Piano
[Sheet music]
Faber Music Limited
The 21 little performance pieces in The Really Easy Cello Book have been written...
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The 21 little performance pieces in The Really Easy Cello Book have been written and selected with beginners in mind. Despite the technical limitations this imposes, there is plenty of scope for musical interest! The pieces are arranged progressively and the piano accompaniments have been kept as simple as possible. / Instrumental Music / Recueil / Violoncelle et Piano
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Christopher Bunting: Elegy For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
S J Music
Christopher Bunting the cellist and composer has given concerts broadcasts an...
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Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.
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Sheku Kanneh-Mason: Song (KANNEH-MASON SHEKU)
Cello, Piano
[Sheet music]
Faber Music Limited
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for s...
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Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku?s third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach?s I Say a Little Prayer and Parry?s Myfanwy, which is arranged for cello trio. / Date parution : 2022-10-25/ Recueil / Violoncelle et Piano
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Cello Recital Album Volume 2: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Elgar's Treasures
Cello, Piano
[Sheet music + CD]
Fentone Music
This fine collection of little masterpieces for cello and piano forms a showcase...
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This fine collection of little masterpieces for cello and piano forms a showcase for the composer Edward Elgar. There is no great virtuosity needed to do justice to the melodious and sometimes ingenious music from ELGAR`S TREASURES. With the help of the accompanying CD - which can be used at home, as well as for performances - you will gain an understanding of music. / Violoncelle Et Piano
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Francis Poulenc: Souvenirs: Cello: Score and Parts
Cello, Piano
[Sheet music]
Salabert
extrait de la musique de scène pour « Le Voyageur sans bagages »-A prev...
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extrait de la musique de scène pour « Le Voyageur sans bagages »-A previously unreleased piece by Francis Poulenc published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe secretary of the Association des amis de Francis Poulenc [Association of the Friends of Francis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage] which had been premiered in 1937 with music by Darius Milhaud was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère del’Épine a librarian at the Bibliothèque Historique de la Ville de Paris announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs all written for a small instrumental ensemble including Oboe Clarinet Cello and Piano. However at the end of the manuscript the composer echoes the second song – Lent [Slow] – and creates another version for Cello and Piano; curiously the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for Cello and Piano that we have published here as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey accompanied by Jean-François Heisser in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP) during the symposium for the fiftieth anniversary of Poulenc’s death. Given in a dramatic context some elements allow us to get an idea of the character of the piece which Benoît Seringe Poulenc’s beneficiary judiciously chose to name Souvenirs. The main character of Anouilh’s play Gaston is suffering from amnesia at the end of World
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Snowman Suite, The (Cello And Piano) (BLAKE HOWARD)
Cello, Piano
[Sheet music]
Faber Music Limited
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a con...
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Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a construit un bonhomme de neige qui vient à la vie et leurs aventures ensemble, est devenue classique pour les enfants. Sa popularité a été rehaussée par des émissions de télévision fréquentes de la caricature film de primé le bonhomme de neige. Cette combinaison pour violoncelle et piano, compositeur Howard Blake a recréé l'histoire dans les paroles et la musique basée sur les scènes du film. La musique, ce qui comprend la chanson marche dans l'Air, est assez facile à être joué par les pianistes de tous âges et capacités./ Recueil / Violoncelle et Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Hot Cello 2
Cello, Piano
[Sheet music + Audio access]
Schott
16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must...
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16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano
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Endre Lengyel: Violoncello Music for Beginners 2: Cello: Instrumental Album
Cello, Piano
-
Beginner
EMB (Editio Musica Budapest)
Easy concert pieces in first position-A collection of pieces for Cello and Piano...
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Easy concert pieces in first position-A collection of pieces for Cello and Piano attributed to the ABRSM exam syllabus. Intended for beginners these easy concert pieces are all in first position and are suitable arrangements of some fabulous melodies which will inspire invigorate and encourage.
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The Entertainer
Cello, Piano
[Sheet music]
Schott
This volume from the popular 'Cellissimo' series contains 37 popular recital pie...
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This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schönen blauen Donau' by Johann Strauß, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!/ Recueil / Violoncelle et Piano
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Chris Malloy: Fantasy in A for Cello and Piano: Cello & Piano: Instrumental Work
Cello, Piano
Cadenza Music
Fantasy in A for Cello and Piano
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Renata Bratt: Hymns and Gospel Tunes For Cello and Piano: Cello: Mixed Songbook
Cello, Piano
[Sheet music + Audio access]
Mel Bay
This book offers 29 well-known and beloved hymns and spirituals contains inspira...
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This book offers 29 well-known and beloved hymns and spirituals contains inspirational music arranged at beginning and intermediate levels for cello and piano.The cello part is mostly within first position. The bookincludes the text as well as music so that it can be used for the musicians' individual meditation or prayer as well as for congregational and group use.Both the cello part and the piano part are written with ease ofperformance in mind so that the words of the hymns and gospel tunes can also be a part of the player's experience. Book includes audio with the arrangers performing all tunes. Includes access to online audio and separate pianopart PDF.
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Hook J. - 6 Sonatas - Violoncelle Et Piano
Cello, Piano
Emb (editio Musica Budapest)
partition et parties Publié par Pejtsik Árpád Instrument: Violoncello and Pi...
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partition et parties Publié par Pejtsik Árpád Instrument: Violoncello and Piano Instrumentation: vlc, pf - 2 vlc Genre: Classic Pages: 108 pp Date du parution: Février 2004
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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