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Cello, Piano
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2 Clarinets, Piano (38)
Fac-similé (38)
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DVD Opera and Ballets (32)
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Batterie Fanfare En Sib (32)
Flûte à Bec, Guitare et Musi… (32)
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Cordes et Basse Continue (31)
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Baritone Ukulele (28)
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Violon 1 (28)
Duos (28)
Flute, Violin, Piano (28)
Clavier Electronique et Ligne … (28)
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Baritone Saxophone (28)
SATB, (4 InstrumentS Basse et … (27)
Solistes STTBB, Choeur SATB, 2… (27)
Trompette Solo (27)
Solistes SATB, Choeur SATB, 2 … (27)
Clarinet and Strings (27)
Voix (Ou Récitant) Et Instrum… (27)
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Choeur Mixte et Instruments Di… (26)
5 Recorders (26)
Ukulélé Soprano (26)
Solistes STBar, Choeur SATB, 2… (26)
Flute, Violin, Keyboard (basso… (26)
Flûte à Bec Alto et Basse Co… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trombone ensemble (26)
Guitar and Bass Tablatures, Ch… (26)
Trompette en Do ou et Trompett… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Mezzo-Soprano et Orchestre (26)
Timbales (26)
Soprano, Piano (26)
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Ensemble divers instruments (25)
Double Choeur Mixte (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
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Snare drums, Piano (25)
2 Pianos et Orchestre (25)
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5 Parties Mixtes (25)
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Tambour (25)
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Flûte à Bec et Piano (25)
ENS::Ensemble d'cole (25)
3 Tubas (25)
Children choir, Instruments (25)
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Solistes ATB, Choeur SATB, Fl… (24)
Marches de concert (24)
Hautbois et Quatuor à Cordes (24)
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Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte à Bec Alto et Basse Co… (24)
Trompette, Instruments à Cord… (24)
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Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
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Flute, Oboe, Clarinet (trio) (24)
Quatuor à Cordes et Basse Con… (24)
Tuba et Euphonium (24)
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Soli (T (Evangelist), B (Jesus… (24)
2 Tubas et Piano (24)
Instruments Cuivre (24)
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Tenor (23)
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César Cui: Caleidoscopio Op. 50 N. 9 (Kurtz): Cello Duet: Instrumental Work
Cello, Piano
IMC (International Music Co.)
Russian army officer Cesar Cui is best known for his avocational life in music &...
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Russian army officer Cesar Cui is best known for his avocational life in music – as a composer and music critic. Even though Cui composed in almost all genres of his time his status today in therepertoire is considerably small based (in the West) primarily on some of his Piano and chamber music – such as the (originally) Violin and Piano piece Orientale. Part of Kaleidoscope a collectionof 24 miniatures (most of which are now forgotten) Orientale has been a staple on violinists' and cellists' encore lists for more than a century now. The piece is a prime example of Cui’s strongesttalent the crystallization of mood at an instant in his instrumental miniatures. The 6/8 time Allegretto rides along on a tambourine rhythm set up by the soloist in the opening bars with the main tune offered by the Piano andlater taken up “with tenderness” by the Cello. As the name suggests this beautiful miniature carries oriental sounds and motives symbolising the mysterious atmosphere of the desert and with a performance time of under2 minutes is a perfect addition to any cellist’s repertoire.
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Christopher Bunting: Elegy For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
S J Music
Christopher Bunting the cellist and composer has given concerts broadcasts an...
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Christopher Bunting the cellist and composer has given concerts broadcasts and master classes throughout Europe Australasia and the United States. He gave the first BBC Broadcast of the Elegy with the Pianist Ernest Lush and also was the soloist in a broadcast performance of his Concerto for Cello and Strings. His Essay on the Craft of 'Cello Playing is highly valued internationally by teachers and students alike for its detailed discussion of a large range of technical questions.
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Judith Weir: Three Chorales: Cello: Instrumental Work
Cello, Piano
Chester
These three pieces for cello and piano are meditations – personal secular...
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These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
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Cello Recital Album Volume 2: Cello: Instrumental Album
Cello, Piano
-
Easy
Barenreiter
12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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12 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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Cello Recital Album Volume 1: Cello: Instrumental Album
Cello, Piano
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Easy
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming co...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli-Charming collections of easy pieces in first position. Each Cello part is supported by a Piano accompaniment for student performances. Alternately a second Cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. The two volumes are designed as companion publications to the Early Start on the Cello method. However they work equally well as a supplement to any other Cello method. A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen HugoSchlemüller and August Nölck make these publications attractive to teachers and students. The Cello Recital Album Volume 1 can be used as a supplement to the Early Start on the Cello method Volumes 1 and 2 (BA 8996 and BA 8997). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The Cello Recital Album Volume 2 can be used as a supplement to the Early Start on the Cello method Volumes 2 and 3 (BA 8997 and BA 8998). The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the Early Start method Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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Reynaldo Hahn: Pieces For Cello: Cello: Instrumental Work
Cello, Piano
Leduc, Alphonse
For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a h...
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For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus cellist Steven Isserlis in his preface hastens to hail the first modern edition of these two scores which he regularly plays in recital so much does their beauty enchant the audience. Published in 1911 the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). Thesefolk themes come from the collection Songs of Old Ireland published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree the lover begs his beloved in vain to take him in her arms one last time before he lies down lifeless in the shade of the tree. Beyond this sensitive exploration of the Irish soul Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse. In this aria (1660 version: Act IV sc. 6) Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme as noble as it is refined.
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Stepping Stones (COLLEDGE HUGH / COLLEDGE KATHERINE)
Cello, Piano
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Beginner
Boosey and Hawkes
26 Pieces For Cello Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLED...
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26 Pieces For Cello Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. Ce livre Stepping Stones présente les cordes à vide et les notes du premier doigt avec des rythmes simple tandis que sa suite. / Niveau : Très Facile / Recueil / Violoncelle et Piano
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Sonata in E minor for Violoncello and Piano op. 38: Cello: Instrumental Work
Cello, Piano
Barenreiter
The first three movements of Johannes Brahms? E Minor Cello Sonata were composed...
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The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-
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Stephen Sondheim: Sondheim for Classical Players: Cello and Accomp.: Artist
Cello, Piano
[Sheet music + Audio access]
Hal Leonard
This collection features intermediate-level arrangements for cello and piano acc...
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This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
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Favorite Christmas Carols for Classical Players: Cello and Accomp.: Instrumental
Cello, Piano
Hal Leonard
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...
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With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This?
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Leos Janacek: Werke: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...
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Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
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Season of Carols: Cello and Accomp.: Instrumental Album
Cello, Piano
Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...
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Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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William Henry Squire: The Squire Cello Solo Collection: Cello: Instrumental
Cello, Piano
[Sheet music + CD]
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Intermediate/advanced
Carl Fischer
MP3 Download-William Henry Squire was known in his day as a virtuoso Cellist a...
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MP3 Download-William Henry Squire was known in his day as a virtuoso Cellist and also composed many pieces for the instrument. His compositions have become staples of the Cello repertoire the most popular and remembered of which are featured in this collection.The online audio includes professionally recorded backing tracks for all the pieces recorded by Pianist John Walker.
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SteilvorLage (SOLLNER JOHANNES)
Cello, Piano
Holzschuh Musikverlag
Ein Stück - eine Lage. Mit 14 groovigen Stücken zum Lagenprofi am Cello.. Par ...
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Ein Stück - eine Lage. Mit 14 groovigen Stücken zum Lagenprofi am Cello.. Par SOLLNER JOHANNES. / Date parution : 2022-01-14/ Recueil / Violoncelle et Piano
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A New Tune A Day: Performance Pieces: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
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Easy
Boston Music
The celebrated and award-winning series continues with a selection of pieces in ...
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The celebrated and award-winning series continues with a selection of pieces in a wide range of styles and varieties chosen to give you a superb repertoire of music at an early stage.From well-known classical melodies andshowstoppers of the stage to jazz hits folk songs and film themes - the diversity of these accessible arrangements will provide vital early experience in all manner of performance styles. The music includes full accompanimentsfor Piano Keyboard or Guitar making this volume the perfect companion to A New Tune A Day Book 1. Furthermore a professionally produced audio CD packed with stunning recorded accompaniments and demonstrations willallow you to develop your confidence and skills at home as well as offering spectacular backing tracks for your showcase performances.Take your playing to a new level with this superb collection.Voted Best InShow at NAMM 2006 by Music Inc. Magazine.
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Christopher Le Fleming: Air And Dance (Bass Clef): Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Chester
The bass-clef version of two pleasant and pastoral movements by Christopher Le F...
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The bass-clef version of two pleasant and pastoral movements by Christopher Le Fleming for the Cello with a full Piano accompaniment. A treble-clef edition is available with either the Oboe Violin or Flute as the soloist itemcode number CH56275.
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César Franck: Sonata / Mélancolie: Cello: Instrumental Work
Cello, Piano
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Intermediate
Barenreiter
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of t...
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for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734
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Franz Schubert: Ave Maria From Three Melodies: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
Franz Schubert (1797-1828) was an Austrian composer working in the early Romanti...
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Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His ever-popular Ave Maria was composed in 1825 as No.6 of his Op. 52 a setting of seven songs from Sir WalterScott?s epic poem The Lady Of The Lake. The text came from a part of the poem called Ellen?s Song.The melody has been re-used many times and is often set to the Catholic Prayer that starts with the samephrase (?Hail Mary? in English). Most memorably it was adapted by Walt Disney for his 1940 film Fantasia. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of his ThreeMelodies.
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Howard Blake: The Snowman Suite - Cello/Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Easy
Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...
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Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this suite for Cello and Piano composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit song Walking In TheAir
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Lord Of The Rings Instrumental Solos (Le seigneur des anneaux)
Cello, Piano
[Sheet music + CD]
Alfred Publishing
Ce livre fait partie d'une série cordes arrangées pour violon, alto et violonc...
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Ce livre fait partie d'une série cordes arrangées pour violon, alto et violoncelle. Les arrangements sont complètement compatibles les uns avec les autres et peut être joué ensemble ou en solo. Chaque livre propose un accompagnement au piano spécialement conçu qui peut être facilement joué par un professeur ou un étudiant de piano intermédiaire et une partie amovible conçu avec soin complet avec coups d'archet, les articulations, et les touches bien adapté pour le joueur de niveau 2-3. Un CD entièrement orchestrées accompagnement est inclus. Chaque chanson sur le CD comprend une piste de DEMO, qui dispose d'une chaîne de performances live, suivie par la piste Play-Along par lui-même.Ce livre est aussi le cadre d'un Lord Of The Rings séries instrumentales écrites pour flûte, clarinette, sax alto, sax ténor, trompette, cor en fa et le trombone. / Violoncelle Et Piano
27.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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