The creator of some of Transcontinental's most popular pieces and a renowned composer in both the secular and Jewish worlds Alan Naplan has a rare gift for writing melodies that stay with you. This one conjuring feelings of devotion just as a setting of this text should was a Young Composers Award winner and is a natural choice for a Torah service.

What a versatile text this is! It can be performed as a trio (or even as a duet with a bit of careful editing); solo with SA TB or SB; or with your children's choir. Perfect for Chanukah or holiday/winter concerts. Part of theRobbie Solomon Choral Series. For 2-Part Keyboard Flute and Clarinet.

'3 Traditional Chanukah Songs': Chanukah Joyous Feast of Lights Rock of Ages. For 2-Part.

O You Little Candles Bright-Yiddish folk song/Chanukah song. For 2-Part and Keyboard.

A Sabbath evening worship service according to the New Union Prayer Book (Gates of Prayer) of 17 pieces for cantor soprano two-part equal voice choir organ and woodwind quintet (Flute/Piccolo Oboe Bb Clarinet Horn and Bassoon).

Text from the first chapter of the Book of Ruth. Baritone part serves as narrator while SA take soli. For SA/Bari and Keyboard.

This piece has a memorable melody of the sort that we've come to expect from Steve Cohen along with a dash of fun and rhythm. Best of all it's for two-part choir and could easily be learned by a school or synagogue chorus. Level: Easy-Medium

May the Words of My Mouth-2010 American Conference of Cantors honoree Benjie Ellen Schiller is featured in this release with three new pieces for your choir. The first offering her setting of Yih'yu L'ratzon (May The Words of My Mouth) begins tenderly in the true spirit of the prayer and leads the audience through beautiful soaring passages.

We light these lights to remember the miracles... Up-and-coming Ronna Honigman's setting fills a great need for something new and refreshing for Chaunkah yet conveys the uncanny feel of a classic you've sung your whole life. Setfor SA choir and keyboard it's a shoo-in for any treble chorus's holiday concert.

Let the Redemption Come-The text by Shmerke Kaczerginski was written as a response to his post-Holocaust experiences visiting displaced persons camps and meeting with victims of Nazi persecution. Abraham Isaac Cook's melody invokes childlike faith amidst desperate times devoid of hope.

In this Ladino romace a young man expresses his undying passion for his beloved Rozina.

This piece jointly commissioned for Israel's 60th Anniversary by the American Conference of Cantors and the Association of Reform Zionists of America was debuted to acclaim at the Union for Reform Judaism's 2007 Biennial Convention in San Diego. The setting borrows from two prayers which were recently re-introduced by way of the new Mishkan T'filah siddur giving this piece a special place in Reform worship.