Ocho Kandelikas-Everyone loves this Ladino classic by Flory Jagoda and J.A. Kawarsky brings to life a new creative and challenging setting for solo SSA choir and keyboard - and claves thrown in for good measure. Ocho Candelikas is a fun piece for any choir that likes to take slight detours from the beaten path once in a while. Part of the Wesminster Conservatory Jewish Music Series.

From Sing His Praise (A Friday Evening Service for Youth Choir. Psalm 98.Available separately: 3-Part.

A rousing 3-part arrangement of the great Israeli song text from Isaiah 66:10. For SAB and piano.

Part of the Michael Isaacson Folk Series for Choir. A song about war and the fleeting nature of life from the Ladino (Judeo-Spanish) tradition.

From our talented Paris-based composer/arranger Itai Daniel comes a medley of various Chanukah songs mostly from Israel which is perfect for anyone looking for new Chanukah material for women's or children's choir. Includes Kad Chatan Anu Nos'im Lapidim S'vivon Sov Sov Sov Ner Li Shiv'chei Ma'oz and Banu Choshech Legaresh.

A beautiful Isaacson setting of the traditional Sabbath candle blessing set to a Sarajevo melody collected by Flory Jagoda. For SSA and Keyboard.

Ma'Oz Tzur-Conductors of many mixed choirs are already familiar with the very popular SATB version of this piece; composer Ryan Brechmacher now provides a version for treble choir. The sheer beauty of this absolutely gorgeous upliftingpiece alone makes it destined to take its place among and forever alter the canon of Chanukah songs – and beyond. Original English lyrics serve as bookends to the Ma'oz Tzur prayer and lend the piece to a universallyapplicable theme of hope unity and freedom.

Haneirot Halalu and Neis Gadol-For those looking for new Chanukah material for male choir here is a fun setting of traditional Chanukah texts in both Hebrew and English by the well-known and extremely gifted Elaine Broad-Ginsberg.

We Reach This Season-This fun gospel-style piece is arranged for women's choir with solo and keyboard but can also be used with other vocal configurations by assigning the solo and SSA parts to various voices. It begins slow and soulfully themiddle section is fast and driving and the conclusion returns to the opening theme.