Par REGNART JAKOB. Gattungen: Messen, lateinisch - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin / Messe / Date parution : 1998-04-01/ Répertoire / Choeur SATB/SATB

Tonalité : F-Dur -. Par BURCK JOACHIM VON. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Choeur SATB

Par SCHWEIZER ROLF. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion -/ Répertoire / Choeur Mixte

Horn, Paul (Arr.) - Lunn, Jean (Trad.) -. Par BACH JOHANN SEBASTIAN. Gattungen: Kirchenlieder, Sätze, Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche -/ Répertoire / Choeur Mixte

Par SCHUTZ HEINRICH. Gattungen: Motetten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - / Mottet / Répertoire / Choeur Mixte

Par BURGMANN J.HARTMUT. Motetten - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand / Mottet / Répertoire / Choeur SATB

Passio secundum Joannem. Traditionelle Fassung (1739/1749)-J.S. Bach's Johannespassion BWV 245 for SATB and Piano.Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion using the partial autograph score is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns.

Fassung II-J.S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion dem Weihnachtsoratorium dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den übrigen oratorischen Werken hat Bach

aus: Matthäuspassion. Par BACH JOHANN SEBASTIAN. Verwendung / Kirchenjahr: Fastenzeit und Passion -/ Répertoire / SATB

The Gospel of the Passion according to St Mark by John Sanders used in Cathedrals and churches worldwide in Passiontide in Year B. A profound and beautiful setting.

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German giving the individual choir the option of which language to perform in. This book contains a preface by the editor Neil Jenkins and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices ripieno choir 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German giving the individual choir the option of which language to perform in. This book contains a preface by the editor Neil Jenkins and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices ripieno choir 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Bach's St Matthew Passion score. The Passions were Biblical texts set as large-scale musical works and tell the story of Christ's Passion according to the Gospels. The St. Matthew Passion is an introspective and meditative composition. Edited by Denys Darlow.

A complete reconstruction based on the 1731 and 1744 versions of the text-In its various reconstructed and completed version Johann Sebastian Bach’s St. Mark Passion BWV 247 occupies a fixed place in the pre-Easter concert repertoire. As the third of what were originally five Passions not only was it the latest to be written it is also the most enigmatic of the known Good Friday works composed by the Kantor of the Thomasschule. The fundamental approach behind the present version of the St. Mark Passion is to attempt to get as close as possible stylistically to the performed versions of 1731 and 1744. It is hoped that in the service of church music practice this completereconstruction will thus help to transform the third of Bach’s Passion works into a stylistically unified whole.