Tonalité : F-Dur -. Par PRAETORIUS MICHAEL. Messen-Sätze, Motetten - Verwendung / Kirchenjahr: Fastenzeit und Passion - Langue : Allemand / Messe / Répertoire / Choeur SSATTB

O meine Seele schwing dich auf. Par BERNHARD CHRISTOPH. Fastenzeit und Passion, Karwoche, Wei cor achten - Langue : Latin/Allemand/ Répertoire / Choeur SSATTB, 4 Trombones, 4 Altos, ou 2 Violons

Par WAGNER ALEXANDER. Verwendung / Kirchenjahr: Fastenzeit und Passion - Langue : Allemand/ Répertoire / Choeur SSATB

Tonalité : Phrygisch -. Par TOBIAS MICHAEL. Gattungen: Motetten - Verwendung / Kirchenjahr: Ende des Kirchenjahres, Fastenzeit und Passion - Langue : Allemand / Mottet / Répertoire / Choeur SSATB

Adaptation of the motet 'Tristis est anima mea' attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. According to the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted ? most likely by Bach ? with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun into which movements by various other composers including Bach and Telemann were also later inserted. From the research of Diethard Hellmann editor of this edition the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea' which then was adapted?most likely by Bach?with a new text and the addition of insturmental parts.

Par CHILCOTT BOB. for SSA and piano In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience together in a celebration of all that unites us. Also available in its original scoring for mixed voices and piano. / Date parution : 2022-11-08/ Recueil / Choeur SSA et Piano

Renowned composer Rosephanye Powell takes a traditional field shout and presents it with care for an authentic sound. There is great passion in this approach and will provide an excellent opportunity to teach the history of theAfrican American spiritual and its importance.

The Good-Morrow. Composed in 2000 for the highly regarded Cantamus Girls? Choir and their founder, Pamela Cook, The Good-Morrow is Howard Goodall?s stunning setting of the John Donne poem, for upper voices and piano. The universal themes of love, compassion and togetherness are echoed in the music, a reflective and uplifting choral work ideal for concert performance.

This lyrical and passionate work for Treble Choir Cello and Piano features flowing rich harmonies and exhilarating dance-like passages offering the promise of sensual beauty joyful connection and unconditional love.

Rosephanye Powell has taken a passionate poem of love by Georgia Douglas Johnson and given us notes that truly sing. A fitting wedding song it celebrates the moment when love is at its fullest and would fit almost any high school college or community choir concert program. Medium.

De profundis clamavi ad te. Par WALLISER CHRISTOPH THOMAS. De Profundis Clamavi Ad Te/ Répertoire / Choeur SSATTB

Aus: Vier Motetten. Par RHEINBERGER JOSEF GABRIEL. Tonalité : d-Moll - Opus : 133 #2 -/ Répertoire / Choeur SSATTB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. Tonalité : F-Dur - / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. Tonalité : Es-Dur - / Mottet / Répertoire / Choeur SSATB