Par JONES / LINCOLN. Lessons fot the Claveçin (pièces de clavecin) (lp49). Par Jones aux editions Leduc. Partition / Livre de chansons pour Claveçin/ Méthode / Clavecin

Par COUPERIN FRANCOIS / GILBERT. The second volume of Couperin 's Pieces for Harpsichord does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his second volume of Pieces for Harpsichord include, Le Moucheron (The Gnat), L'Adolescente (The Teenager) and La Fringante(The Elegant). Couperin 's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument./ Répertoire / Clavecin

Par SIEGEL RICHARD. Richard Siegel won prizes for the Harpsichord and Chamber Music at the Paris Conservatoire before going on the win first prize in the 1977 International Harpsichord Competition. He has since recorded over 30 CDs and his passion for the instrument has been further apparent in his production of Apprendre à Toucher le Clavecin. As stated in the preface, the study of the Harpsichord has long been reserved, frequently dismissed as an 'old-fashioned' instrument. However, a recent rise in the popularity of early music has rekindled interest in the Harpsichord. In Apprendre à Toucher le Clavecin, volume 1 beingthe first of two helpful volumes to aid student's learning and progression, Siegel enables Harpsichord beginners to learn through repertoire pieces themselves, drawn from the Keyboard masters of the Baroque period. The pupil will be guided towards an understanding of technique and style suited to the Harpsichord. Furthermore, Apprendre à Toucher le Clavecin, which is accompanied by a CD, enables adults who learnt the instrument as a child to return to the instrument and have the instant feeling of making music./ Méthode / Clavecin

Par ROSAZ JEAN-CHRISTOPHE. Inspiré d'une toile de Jérôme Mondésert : quelque part dans une vieille ville, une rue en escalier qui descend : ici le clavecin est l'instrument qui nous aide à plonger dans les méandres du passé, tel un bathyscaphe qui nous conduirait au plus profond de l'océan originel, allégorie de notre moi le plus intime, pour ramener à l'air libre le cristal d'un arpège scintillant au grand jour. / Niveau : Moyen à Avancé / Date parution : 2007-10-01/ Répertoire / Clavecin

Par BALBASTRE CLAUDE / CURTIS. Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C. B Ballastre is a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Hericourt - La Segur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - LaGenty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prelude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d'Esclignac - Marche des Marseillois et l'Air C; a ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ./ Répertoire / Clavecin

Bataïni, Marc. Par LOEILLET JEAN-BAPTISTE. / Niveau : Intermédiaire / Méthode / Clavecin