Creative accessible arranging makes this arrangement a perfect concert opener for your young band's winter concert. The fresh and exciting medley of popular carols will delight your audience and keep all your students engaged and on-task during rehearsal. Even if your band has less than perfect instrumentation HOLIDAY FANTASIE still works beautifully. Careful doubling controlled brass ranges and 'below the break' Second Clarinet parts all help to make this thrilling medley available to almost any young band. Start your winter concert right this year with HOLIDAY FANTASIE.

A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

for Concert Band-If you have a large percussion section Credo might be a perfect piece for your young band. It is very carefully scored and cross-cued so that almost any size band can perform it. Composed in sonatina form it is highly energetic and tuneful and the bass instruments have lots of fun easy things to play. Like Prairie Winds Festival Credo is very safely scored with Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts optional. Ranges are very reasonable the only sixteenth notes in the piece are in the snare drum.

for Concert Band-Prairie Winds Festival is a fast happy-go-lucky opener. It is very carefully scored and cross-cued so that almost any size band can perform it. The Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts are all optional but if you have these instruments it will sound more full.

for Concert Band-Prairie Winds Festival is a fast happy-go-lucky opener. It is very carefully scored and cross-cued so that almost any size band can perform it. The Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts are all optional but if you have these instruments it will sound more full.

Par HIMES WILLIAM. Who but William Himes could have composed this one? Filled with humor, pathos, excitement and surprise, LIFE DANCES is a brilliant and rhythmic overture for the adventurous band. The dauntless contemporary sounds of the opening are contrasted by an almost Medeival character. You’ll traverse many intriguing and unpredictable paths before dazzling rhythmic interplay drives the band to the astonishing ending. Like life, when you first open this “box of chocolates” you truly won’t know what wonderful treats are in store. As a director, if you’ve ever gotten a bit weary of the “same old same old, ” you’ve come to the right place for a change. This one is sure to reinvigorate youand your band as you discover together all the surprises life has to offer. A celebration! / Niveau : 4 / Répertoire / Concert Band ou Harmonie

This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D E G A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro the broad almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more this time broadly while the words ‘Et In Terra... Pax’ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life too.

POD-David Lean's epic film ?Lawrence of Arabia? was nominated for ten Academy Awards and won seven including Best Original Score for Maurice Jarre's masterful musical depiction of the exotic world through which T.H. Lawrence passed. Alfred Reed's setting of the music for concert band available here for the first time in full score with newly edited parts is built on two of the main themes: the Arabian motif with its blazing color and almost-barbaric effects; and the Lawrence theme a haunting poignant melody that reflects both his love of the desert and his internal psychological conflicts.

In this moderately easy suite Jan Van der Roost uses four authentic folk tunes from the Swedish-speaking part of Finland. These are from Nagu Oravais Lappfjärd and Karlebynejden and have been joined together without pauses to form a continuous suite. The work begins with noble almost meditative melodies. Gradually the tempo becomes faster resulting in a brilliant and cheerful folk dance. The melody regularly goes from one band section to another ensuring that the timbre remains varied and there is no question of monotony. This is an attractive suite which is within the range of the majority of concert bands.

Up Where We Belong - Unchain My Heart - With a Little Help - You Can Leave Your Hat On-Joe Cocker is considered the most successful white blues singer; he is especially well-known for his rough striking voice. In 1968 With a Little Help from My Friends became his first number one hit in the UK. With this song he had his great breakthrough at the legendary Woodstock festival in 1969. He can now look back on 40 years of performing and he still is very successful. His records are almost selfselling and his tours easily fill stadiums. Wolfgang Wössner a true Joe Cocker fan from early childhood has collected the singer?s most beautiful and successful songs and arranged them in a great medley for concert band.

Up Where We Belong - Unchain My Heart - With a Little Help - You Can Leave Your Hat On-Joe Cocker is considered the most successful white blues singer; he is especially well-known for his rough striking voice. In 1968 With a Little Help from My Friends became his first number one hit in the UK. With this song he had his great breakthrough at the legendary Woodstock festival in 1969. He can now look back on 40 years of performing and he still is very successful. His records are almost selfselling and his tours easily fill stadiums. Wolfgang Wössner a true Joe Cocker fan from early childhood has collected the singer?s most beautiful and successful songs and arranged them in a great medley for concert band.

The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band

A dynamic concert opener or closer cast almost entirely in the Phrygian mode. The half steps that make this scale mode so unique are celebrated both in a melodic and harmonic sense, with aggressive low brass figures, crisp and rhythmic percussion, and winding passages in the woodwind. (2:50) / Concert Band

Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.