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Concert band
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:: (331)
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CD (268)
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Orgue et Orchestre (220)
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Livret (216)
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Oboe and Orchestra (212)
Accessoire (209)
Voix et Orchestre (206)
Pocket, Study conductor (205)
Flexible Instrumentation (202)
Flute ensemble (199)
Musical dictation (197)
Tenor Saxophone and Piano (195)
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Band Scores (191)
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Dulcimer (190)
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Voix Et Instruments Divers (188)
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Carte Postale (187)
Trumpet, Orchestra (184)
Choral SSAATTBB (183)
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Soli (SATB), Choeur Mixte (SAT… (178)
Violin, Basso continuo (177)
Ensemble (176)
Guitar, Orchestra (163)
4 Guitars (Quartet) (163)
Flute Quartet: 4 flutes (163)
Organ, Trumpet (duet) (161)
Clarinet Ensemble (159)
Recorder Ensemble (153)
Partition de Poche (151)
Violin, Viola (duet) (149)
Partition D'Orchestre (148)
Symphonic Band (148)
String quintet (146)
Flute Trio: 3 flutes (145)
Viola and orchestra (145)
Trio (145)
Travaux Pour Choeurs (145)
Stationery (145)
Nursery rhyme (143)
String Quartet : 4 violas (143)
Euphonium (143)
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Pennywhistle (137)
Chorale (137)
Concert Band/Harmonie (135)
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Bassoon, Orchestra (131)
Harp, Flute (duet) (130)
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Educatif (127)
Choeur Mixte, Soprano et Orche… (127)
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Recorder, Piano (125)
Musique originale (124)
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3 Guitars (trio) (121)
Big Band (121)
Marimba (120)
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ENS::Ensemble (114)
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Timpani (111)
Descent (Soprano) Recorder, Pi… (111)
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Clarinette et Orchestre (110)
Mezzo-Soprano voice (110)
Ensemble Mixte (109)
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3 Recorders (trio) (108)
Ensemble Instrumental (108)
Trombone and Orchestra (107)
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Euphonium, Piano (duet) (106)
Children choir, Piano (105)
Choeur Mixte et Orchestre (105)
Quintette à vent (103)
Percussions (103)
Plectrum Orchestra (101)
Mélodie, Chant Et Piano (101)
2 Flutes, Piano (98)
Guitare Electrique (96)
Cornet (96)
Woodwind Quintet (95)
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Piccolo, Piano (91)
3 Clarinets (trio) (90)
Piano, Guitar (duet) (89)
Tenor voice (89)
Double bass, Orchestra (89)
Vibraphone (89)
Piano Quintet: piano, violin, … (89)
Choral CD (87)
Alto et Orchestre (87)
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Ensemble à Cordes (86)
String Quintet: 2 violins, vio… (86)
Orchestre (86)
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Baritone voice (84)
4 Parties Mixtes (82)
Fanfare Band (82)
Trompette Et Orchestre (82)
Quintette (81)
Soli and Orchestra (80)
Scores (80)
Big Note Piano (79)
Low voice (78)
Voice and Orchestra (78)
Trio à Cordes (78)
Chamber Music (78)
Flute, Basso continuo (78)
2 Trumpets, Keyboard (piano or… (77)
Dobro (77)
Petit Ensemble Contemporain (76)
Flute, Cello, Piano (trio) (76)
Accordéon et Orchestre (76)
Solistes (SATB), Choeur Mixte … (75)
Clarinet, Cello, Piano (trio) (75)
String quartet: 4 violins (75)
2 Violas (duet) (74)
2 Trombones (duet) (74)
Musique Légère (73)
Bass Clarinet (73)
Chant et Guitare (73)
Violon 1 (6 parts) Violon 2 (6… (72)
Piano, Guitar (Chords) (72)
Violon, Cordes Et Basse Contin… (72)
Clavecin (72)
Solistes SATB, Choeur SATB, 2 … (71)
Solistes SATB, Choeur SATB, Fl… (71)
Vocal duet, Piano (70)
Choeur de Femmes (70)
Quintette de Cuivres (70)
1 Piano, 6 hands (70)
High voice (69)
Horn Ensemble (68)
Défilé et parade (68)
Treble (Alto) Recorder, Piano (67)
Drum set and Piano (66)
Cornet and Orchestra (65)
Orchestres à Vent (65)
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Choral, Orchestra (65)
Euphonium en Clé de Fa Do ou … (63)
Trombone or Euphonium (63)
Flûte Et Instruments Divers (63)
2 Violins, Piano (63)
String Trio: 3 cellos (63)
Harp, Orchestra (63)
Musique de film et télévisio… (62)
Lap Steel Guitar (62)
Madrigaux (61)
Saxophone Ténor et Piano (61)
Livre Musical (61)
Xylophone or Marimba or Vibrap… (61)
Quatuor à Cordes ou Orchestre… (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Solistes SAT, Choeur SATB, 2 F… (60)
Solistes SATB, Choeur SATB, 2 … (59)
Trio A Cordes (59)
Ligne Mélodique/Instruments D… (59)
Conducteur et Poche (59)
Batterie et Percussions (58)
A Cappella (58)
Accordion and Orchestra (57)
Trompette ou Cornet à Pistons… (57)
Baryton Et Orchestre (57)
Cajon (56)
Hautbois, Clarinette et Basson… (55)
String Trio: 2 violins, viola (55)
Saxhorn and Piano (55)
Choeur SATB, (4 Instruments, C… (55)
3 Saxophones (trio) (54)
Handbells (54)
Livres (53)
Djembe (53)
Accordion, String(s) (53)
Bass Trombone and Piano (53)
3 Trombones Ténor et 1 Trombo… (52)
Book (52)
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Electric bass, Drums (51)
Orchestre Scolaire (51)
Choeurs (51)
Xylophone (51)
Voix et Orchestre à vent (51)
Choeur et Orchestre (50)
Voix Mixtes (50)
Cello, Guitar (duet) (50)
Voice, Organ (50)
Solistes SBar, Choeur SATB, 2 … (49)
Clavecin Et Instruments A Cord… (49)
Cello Ensemble (49)
2 Hautbois, 3 Trompettes, Timb… (48)
Variétés françaises (48)
Flute and String Quartet (48)
Brass Quartet: 4 trumpets (48)
Soprano (48)
Violoncello, Basso continuo (48)
Clarinet, Violin, Cello, Piano… (48)
Solistes STBB, Choeur SATTBB, … (47)
Brass Quartet: 2 trumpets, 2 t… (47)
Lute (47)
Piccolo (47)
Musique de chambre (46)
Brass Quartet: 2 trumpets, hor… (46)
Choeur SAM (46)
2 Violons Et Orchestre (46)
Violin, Organ (45)
Soprano Saxophone and Piano (45)
Voix et Orff-Instruments (45)
Clarinet Quartet: Clarinet, Vi… (45)
Orchestre de Chambre (Flûte … (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Flûte Traversière, Instrumen… (44)
Hautbois 1 Clarinette en Sib 1… (44)
Viola, Cello (duet) (44)
Violon, Instruments à Cordes … (44)
Trumpet, Trombone (duet) (44)
Quintette Avec Piano (44)
Choeur SSATB, 2 Flûtes Traver… (44)
Marches militaires (44)
4 Parties Solo Et Orchestre (43)
Conga (43)
2 Violins and Basso (43)
Solistes SATB, Choeur SATB, 4 … (43)
Clarinette et Quatuor à Corde… (43)
Solistes SATB, Choeur SATB, 2 … (43)
Chanson (43)
Cor en Fa (42)
Trumpet ensemble (42)
Solistes SATB, Choeur SATB, 2 … (42)
Clavier ou Orgue Electronique (42)
Guitare Flatpick et Plectre (41)
Flûte Traversière(S) Et Autr… (41)
Violon, Violoncelle Et Orchest… (41)
Saxhorn or Euphonium (41)
Choral SSATTB (41)
Voice, String Quartet (41)
Libretto (41)
Lyrics only (41)
Flute and Strings Trio (41)
4 Instruments à Cordes (4 Boi… (40)
Soli (ATB), Choeur Mixte (SATB… (40)
Flûte à Bec Alto ou Flûte T… (40)
Saxophone Et Piano Et/Ou Autre… (40)
2 Bassoons (duet) (40)
Soprano, Choeur Mixte (SATB), … (39)
Violon, Violoncelle et Alto (39)
Piano et Orchestre (39)
Petit Orchestre (39)
Harpsichord and Strings (39)
2 French horns (duet) (38)
4 Cellos (38)
Solistes SATB, Choeur SATB, 2 … (38)
2 Clarinets, Piano (38)
Fac-similé (38)
3 Trombones (trio) (38)
Saxophone and Orchestra (37)
Ensemble Divers (37)
Viola da Gamba (37)
Woodwind Quartet: any 4 woodwi… (37)
Trompette et Orchestre à Vent… (37)
Saxophone Quintet: 5 Saxophone… (37)
Guitare Tablatures Flatpick et… (37)
Orchestre à Cordes et Basse C… (37)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
English horn, Piano (36)
Ensembles de Cordes et Piano (36)
Autoharp (36)
Orgue, 2 Hautbois, Basson Et C… (36)
Soprano Saxophone (36)
Saxophone Baryton (36)
Violin, Horn and Piano (36)
Instruments A Vent (36)
Guitare ou Luth (36)
Piano Trio: Violin, Viola, Pia… (35)
Soliste, Double Choeur Mixte E… (35)
Flute Quartet: Flute, Violin, … (35)
Cello, Organ (35)
Quatuor A Cordes Et Orchestre … (35)
2 Violons, 2 Altos et 2 Violon… (34)
Recorder, Guitar (duet) (34)
Flute, Clarinet, Piano (trio) (34)
Orchestre D'Instruments A Plec… (34)
Voix et Instruments (34)
Instruments Divers (34)
Choeur SATB, 2 Hautbois, 2 Cla… (34)
4 Tubas (34)
Saxophone Soprano, Saxophone A… (34)
4 Violons, Cordes et Basse Con… (33)
3 Trumpets (trio) (33)
Ensemble Moyen Contemporain (33)
Soli (STB), Choeur Mixte (SATB… (33)
String trio (33)
Solistes SATB, Choeur SATB, 2 … (33)
Solistes SATB, Choeur SATB, Ha… (33)
Orff-Instruments (33)
Instruments à Vent (33)
Diverses Formations (33)
2 Flûtes Traversières ou 2 F… (32)
2 Violons, Violoncelle et Orch… (32)
Trombone et Orchestre à Vent (32)
Orchestre D'Harmonie avec Soli… (32)
DVD Opera and Ballets (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Solistes ST, Choeur SATB, Flû… (32)
Batterie-Fanfare (32)
Trompette et Quatuor à Cordes… (32)
Concert Band ou Harmonie et Ba… (32)
Medium Voice (32)
Pop music (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Batterie Fanfare En Sib (32)
Flûte à Bec, Guitare et Musi… (32)
2 Violons, Alto, Violoncelle E… (32)
Solistes SATB, Choeur SATB, 2 … (31)
3 Clarinettes en Sib et Clarin… (31)
Clarinette Et Instruments Dive… (31)
Sextuor à Cordes (31)
Cordes et Basse Continue (31)
Choeur SSATTB, (6 Instruments,… (31)
Quatuor Variable (31)
Violon 2 (31)
Guitare (Fingerpick) (31)
Bugle (31)
Partition D'Orchestre In 8 (31)
2 Trompettes (duo) (31)
Tuba Solo (30)
Flûte Traversière ou Flûte … (30)
Batterie Fanfare En Mib (30)
Trombone et Orchestre (30)
Tuba en Do et Piano (30)
Tuba and Orchestra (30)
Violoncelle et Orchestre de Ch… (30)
Bagpipe (30)
Euphonium and Orchestra (30)
Trio (2 Soli Avec Réduction D… (30)
Solistes SST, Choeur SSAATB, 2… (29)
Descant (Soprano) Recorder, Ba… (29)
Recorder, Bass Continuo (29)
Organ, Piano (duet) (29)
Brass Quartet: 4 horns (29)
Ocarina (29)
2 Violons, Cordes Et Basse Con… (29)
Clarinette, Alto Et Piano (29)
Flûte à Bec F1, C1, 2 Violon… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Trompette ou Flûte à Bec ou … (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Violon, Alto, Violoncelle et C… (28)
Choeur SATB, 2 Flûtes Travers… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Percussions Diverses (28)
Sextuor (28)
C Trumpetor et Trompette Sib/C… (28)
2 Violons, Violoncelle Et Orch… (28)
Baritone Ukulele (28)
Instruments Acoustiques (28)
Violon 1 (28)
Duos (28)
Flute, Violin, Piano (28)
Clavier Electronique et Ligne … (28)
6 Instruments (28)
Baritone Saxophone (28)
SATB, (4 InstrumentS Basse et … (27)
Solistes STTBB, Choeur SATB, 2… (27)
Trompette Solo (27)
Solistes SATB, Choeur SATB, 2 … (27)
Clarinet and Strings (27)
Voix (Ou Récitant) Et Instrum… (27)
Accordion - Piano, Voice, Guit… (27)
Drums-Marching band (27)
Clarinettes Et Autres Instrume… (27)
Violin, Viola and Orchestra (26)
Petit Choeur SATB, Contrebasse… (26)
Concert Band ou Harmonie et Cl… (26)
Saxophone Alto et Orchestre à… (26)
Choeur Mixte et Instruments Di… (26)
5 Recorders (26)
Ukulélé Soprano (26)
Solistes STBar, Choeur SATB, 2… (26)
Flute, Violin, Keyboard (basso… (26)
Flûte à Bec Alto et Basse Co… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trombone ensemble (26)
Guitar and Bass Tablatures, Ch… (26)
Trompette en Do ou et Trompett… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Mezzo-Soprano et Orchestre (26)
Timbales (26)
Soprano, Piano (26)
Solistes SBar, Choeur SSATB, 2… (25)
Ensemble divers instruments (25)
Double Choeur Mixte (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 Hautbois Et Orchestre (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Snare drums, Piano (25)
2 Pianos et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Clarinette, Viola and Piano (t… (25)
5 Parties Mixtes (25)
Bass Clarinet, Piano (25)
Tambour (25)
8 Instruments (25)
Choeur SATB, 2 Violons, Alto e… (25)
Flûte à Bec et Piano (25)
ENS::Ensemble d'cole (25)
3 Tubas (25)
Children choir, Instruments (25)
Flûte à Bec, 2 Violons, Alto… (24)
Solistes ATB, Choeur SATB, Fl… (24)
Marches de concert (24)
Hautbois et Quatuor à Cordes (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Violon (2), Alto et Contrebass… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Solistes SATB, Choeur SATB, Fl… (24)
Hautbois, Instruments à Corde… (24)
Flûte Traversière ou Hautboi… (24)
Flûte Traversière Et Orchest… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte à Bec Alto et Basse Co… (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Flute, Oboe, Clarinet (trio) (24)
Quatuor à Cordes et Basse Con… (24)
Tuba et Euphonium (24)
Oboe, Organ (24)
Hautbois, 2 Violons, Alto, Vio… (24)
Oboe, Bassoon (duet) (24)
Solistes SATTB, Choeur SSATTBB… (24)
Soli (T (Evangelist), B (Jesus… (24)
2 Tubas et Piano (24)
Instruments Cuivre (24)
Flûte A Bec Et Instruments Di… (24)
Guitare Tablatures Electrique (24)
Choeur SATB et Orchestre (24)
SATB, SATB et Orgue (24)
2 Violons, Alto et Violoncelle… (24)
5 Solistes, Choeur(s) Et Orche… (23)
Hautbois Solo (23)
Solistes SST, Choeur SATB/SATB… (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Bass Trombone (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Solistes SSATTB, Choeur SATB, … (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Orgue et Orchestre à Vent (23)
Vocal duet (23)
Ochestre à Cordes (23)
Tenor (23)
Trombone Solo (23)
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Jan Van der Roost: Amazonia: Concert Band: Score
Concert band
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
(+)
This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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Jan Van der Roost: Amazonia: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
This major concert work cosists o five movements.1st movement: La Laguna del Shi...
(+)
This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the ?Laguna del Shimbe? one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It?s a proud beautiful andindependent race which has never succumbed to domination not even from the Incas. They live from everything the forest has to offer: fish fruit plants ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning ?picture? ?soul? ?essence?. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system their own language and an intense social life. At the same time they are master of music andmedicine. ?Everywhere the white man goes he leaves a wilderness behind him? wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites the disruption of most Indian societies began. (In this century alone 80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias in which young boys and girls enter adult life. They are cleansed with water painted with redpaint and covered with feathers after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by amongst others the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez who murdered in 1988 was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
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O Christmas Tree: Concert Band: Score & Parts
Concert band
Gobelin Music Publications
The tradition of the Christmas tree in Western Europe dates back to a time long...
(+)
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These 'living' trees said to be the work of benign spirits were brought into people's houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum' the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
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O Christmas Tree: Concert Band: Score
Concert band
Gobelin Music Publications
The tradition of the Christmas tree in Western Europe dates back to a time long...
(+)
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights so it was believed evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year and therefore became symbols of immortality. These 'living' trees said to be the work of benign spirits were brought into people's houses to ward off evil life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles such as apples and wafers but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum' the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction however it is transformed into a solid rock version and the beat has been changed. In the second part the familiar three-four time is back but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
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Hankus Netsky: Nonantum Bulgar (Score Only): Concert Band: Score
Concert band
BandQuest
I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece f...
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I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA I decided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication the event featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion. A Bulgar is a Romanian Jewish Dance thatwas very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewish ornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The 'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba and percussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majestic conclusion. --Hankus Netsky
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Sylvester Levay Michael Kunze: Elisabeth: Concert Band: Score & Parts
Concert band
[Score and Parts]
Amstel Music
The world premiere of the musical Elisabeth took place in Vienna on September 3 ...
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The world premiere of the musical Elisabeth took place in Vienna on September 3 1992. From the great acclaim with which the musical was received it became clear that the life of the Empress of Austria still appeals to the imagination. Although Elisabeth's life (1837-1898) as an Empress has a fairy-tale-like beginning it takes a gloomy turn. In this production Luigi Lucheni the man who finally takes her life tells her story. Death plays a major role throughout Elisabeth's life. In the musical an equally mysterious and attractive man portrays the phenomenon of death seducing her to the realm of death time after time. Elisabeth's life resembles a fairy tale when shemarries the Emperor Franz Joseph at the age of sixteen. Her mother-in-law Archduchess Sophie does not make it easy on Elisabeth. But it is life itself that puts the Empress to the test. First her youngest daughter dies. Then not long after her son Rudolf is born her happiness is clouded when her mother-in-law decides she must take pity on him. After her husband's unfaithfulness and Sophie's death Elisabeth is so disillusioned that she chooses a travelling existence without realizing her husband and her son Rudolf miss her. Rudolf's loneliness is one of the reasons he commits suicide. The accumulation of disappointments in Elisabeth's life almost drives her into the arms of Death. In the end however it is Lucheni who kills her.
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Hankus Netsky: Nonantum Bulgar: Concert Band: Score & Parts
Concert band
BandQuest
“I wrote The Nonantum Bulgar in response to a request for a klezmer-style ...
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“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky
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Stephen Bulla: Canzone Antica: Concert Band: Score
Concert band
Curnow Music
CANZONE ANTICA translates as ?ancient song?. The dark mystery of the Middle Age...
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CANZONE ANTICA translates as ?ancient song?. The dark mystery of the Middle Ages from plainsong and cowled robes to shrouded medieval architecture permeates a misty atmosphere as your band roams the catacombs in this powerful composition.Steeped in ancient history and opening with a short basso ostinato this is a unique and significant work. Stephen Bulla masterfully weaves a tapestry of mystic percussion sounds enigmatic harmonies that are sometimes open and sometimes dense in a style which evokes ancient choral traditions.If your quest is a truly distinctive work for your next concert or contest your crusade is at an end!
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Stephen Bulla: Canzone Antica: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
CANZONE ANTICA translates as ?ancient song?. The dark mystery of the Middle Age...
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CANZONE ANTICA translates as ?ancient song?. The dark mystery of the Middle Ages from plainsong and cowled robes to shrouded medieval architecture permeates a misty atmosphere as your band roams the catacombs in this powerful composition.Steeped in ancient history and opening with a short basso ostinato this is a unique and significant work. Stephen Bulla masterfully weaves a tapestry of mystic percussion sounds enigmatic harmonies that are sometimes open and sometimes dense in a style which evokes ancient choral traditions.If your quest is a truly distinctive work for your next concert or contest your crusade is at an end!
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The Greatest Orchestral Masterworks Vol.51-75 Box Set
Concert band
Eulenburg
The most important concert and orchestral works from the Baroque era to the Roma...
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Wilco Moerman: Theme Park Fun!: Concert Band: Score
Concert band
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
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In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
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Wilco Moerman: Theme Park Fun!: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
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In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
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Morton Gould: St. Lawrence Suite: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-St. Lawrence Suite was commissioned by the Power Authority of the State of...
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Score-St. Lawrence Suite was commissioned by the Power Authority of the State of New York and the Hydro-Electric Power Comission of Ontario for the ceremony September 5 1958 marking the delivery of commercialhydro-electric power from the joint Robert Moses Power Dam and Robert H. Saunders St. Lawrence Generating Station. At this opening of the great St. Lawrence Power Project the composer conducted the Royal Canadian Ordnance Corpsmilitary band in the first performance of this music.St. Lawrence Suite consists of four commemorative movements. Although folk tunes are not used literally the idiom of the work is simple and folk-like incharacter.I. Dedication: lyrical and atmospheric evoking the open country and waterways.II. Quickstep: gay and implying movement and development.III. Chansonette:simple and song-like with an 'old-world' touch.IV. Commemoration March: vigorous and driving culminating in a transformed exposition of the opening 'Dedication' theme.Throughout the work the composermakes use of two solo Trumpets whose antiphon calls serve to introduce and comment on these movements. They symbolise in a general sense the two host countries on either side of the United States-Canadian border. In the finalmovements these Trumpets blend with the band in fanfares that bring the work to a close.
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Jan Van der Roost: Credentium: Concert Band: Score & Parts
Concert band
De Haske Publications
A spectacular dive via an extended chromatic scale immediately submerges us in a...
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A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
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Jan Van der Roost: Credentium: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
A spectacular dive via an extended chromatic scale immediately submerges us in a...
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A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets horns and trombones resound in rhythmic patterns buttressed by restless motifs in the percussion. A second theme in the woodwinds begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town and people should know about it.There followsa rhythmic turbulent passage: in the course of history Peer has not been spared the ravages of war arson occupation epidemic and other evils. In contrast a slow pastoral lyrical part expresses the periods of peace and prosperity the town has known as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when via a surprising almost chaotic transitional passage we are in effect transported back to our own time. A hopeful festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen the 95 members of the concert band have experienced an extended period of good fortune and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
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Lionel Richie: Kaleidoscope: Hello: Flexible Band: Instrumental Work
Concert band
[Sheet music]
Chester
Kaleidoscope No. 4-(Richie) (Am) Edited by Nicholas Hare. Kaleidoscope will save...
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Kaleidoscope No. 4-(Richie) (Am) Edited by Nicholas Hare. Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination andthese varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders guitars percussion and keyboard as well as with orchestral groupings. Whetherthere are five or fifty players every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a scoreplus around 50 parts each one carefully written to suit the needs of each instrument. For example easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demandingparts too for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-knowntitles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. And don’t forget we have Kaleidoscopebumper carol packs and seasonal gems for your Christmas Concert too!
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Johann Sebastian Bach: A Festive Tribute: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
August lebe lebe König from Cantata 207a-A Festive Tribute (?Hommage festif?...
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August lebe lebe König from Cantata 207a-A Festive Tribute (?Hommage festif?) est le titre de cet arrangement du superbe chœur extrait de la cantate profane BWV 207 écrite par Bach en 1726 mais qui connaîtra un franc succès dans sa deuxième mouture intégrée dans la Cantate BWV 207a Auf schmetternde Töne der muntern Trompeten(?Résonnez éclatantes trompettes !?).Comme à son habitude Bach puise dans des œuvres antérieures. Ainsi à l?exception des récitatifs la Cantate BWV 207a reprend le tissu musical de la Cantate BWV 207 elle-même fortement inspirée des oncertos brandebourgeois La Cantate BWV 207a est une œuvre datée de 1735 et dédiée à Auguste III roi de Pologne et prince électeur de Saxe. Jean-Sébastien Bach a composé plusieurs œuvres pour le nouveau souverain en appui à sa candidature au poste de compositeur de la Cour titre honorifique qu?Auguste III lui accordera finalement en 1736.Si le texte de la cantate est un rien obséquieux la musique est festive et exploite les couleurs luxuriantes de l'orchestration. Bach joue des possibilités du grand orchestre avec trompettes hautbois d?amour et flûtes. Le chœur final August lebe lebe König ! (?Vive Auguste ! Vive le roi !?) nous révèle un Bach hautement cérémoniel.
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Johann Sebastian Bach: A Festive Tribute: Concert Band: Score
Concert band
Anglo Music
August lebe lebe König from Cantata 207a-A Festive Tribute (?Hommage festif?...
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August lebe lebe König from Cantata 207a-A Festive Tribute (?Hommage festif?) est le titre de cet arrangement du superbe chœur extrait de la cantate profane BWV 207 écrite par Bach en 1726 mais qui connaîtra un franc succès dans sa deuxième mouture intégrée dans la Cantate BWV 207a Auf schmetternde Töne der muntern Trompeten(?Résonnez éclatantes trompettes !?).Comme à son habitude Bach puise dans des œuvres antérieures. Ainsi à l?exception des récitatifs la Cantate BWV 207a reprend le tissu musical de la Cantate BWV 207 elle-même fortement inspirée des oncertos brandebourgeois La Cantate BWV 207a est une œuvre datée de 1735 et dédiée à Auguste III roi de Pologne et prince électeur de Saxe. Jean-Sébastien Bach a composé plusieurs œuvres pour le nouveau souverain en appui à sa candidature au poste de compositeur de la Cour titre honorifique qu?Auguste III lui accordera finalement en 1736.Si le texte de la cantate est un rien obséquieux la musique est festive et exploite les couleurs luxuriantes de l'orchestration. Bach joue des possibilités du grand orchestre avec trompettes hautbois d?amour et flûtes. Le chœur final August lebe lebe König ! (?Vive Auguste ! Vive le roi !?) nous révèle un Bach hautement cérémoniel.
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Scott Stroman: Walk Softly: Concert Band: Score and Parts
Concert band
[Sheet music]
Chester
Walk Softly is a light floating piece with a colourful 'modal' harmonic structur...
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Walk Softly is a light floating piece with a colourful 'modal' harmonic structure. The feel throughout is in a light loose Latin style. Edited by Scott Stroman. Jazzamatazz is an exciting series of easier music for BigBand. The instrumentation is for orthodox Big Band with optional flute/clarinet and percussion. There are several helpful features included such as optional octave doublings practical instrument ranges and suggested chordvoicings in keyboard and percussion parts. The very comprehensive performance notes are invaluable at the rehearsal stage. None of the compositions in this series are difficult to play (around Grades 3/4) and all sound impressivewhen performed. An excellent choice for bands in both schools and colleges. Each set contains a full score plus the following parts: 5 Saxes (2 alto 2 tenor 1 baritone) 4 Trumpets 4 Trombones (Bass clef) Optional Flute &Clarinet Guitar Keyboard Bass Drums Additional Percussion.
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Star Wars Saga
Concert band
[Score and Parts]
Amstel Music
Par WILLIAMS JOHN. John Williams (8 février 1932) a composé certaines des musi...
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Par WILLIAMS JOHN. John Williams (8 février 1932) a composé certaines des musiques de film les plus populaires, reconnaissables et acclamées par la critique de l?histoire du cinéma. Williams a remporté 25 Grammy Awards, cinq Oscars, sept British Academy Film Awards et quatre Golden Globe Awards. Avec 53 nominations aux Oscars, il est le deuxième individu le plus nominé, après Walt Disney. Ses compositions sont considérées comme la quintessence de la musique de film et il est considéré comme l?un des plus grands compositeurs de l?histoire du cinéma. Son travail a influencé de nombreux autres compositeurs de musique de film, populaire et classique contemporaine. En 2005, l?American Film Institute a sélectionné la partition de Williams pour
Star Wars
de 1977 comme la plus grande musique de film de tous les temps. Dans cet arrangement récemment révisé de 1986, l?arrangeur Johan de Meij a utilisé des thèmes
Star Wars ? A New Hope en The Empire Strikes Back
. / Date parution : 2023-10-31/ Répertoire / Concert Band/Harmonie
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Star Wars Saga
Concert band
[Score]
Amstel Music
Par WILLIAMS JOHN. John Williams (8 février 1932) a composé certaines des musi...
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Par WILLIAMS JOHN. John Williams (8 février 1932) a composé certaines des musiques de film les plus populaires, reconnaissables et acclamées par la critique de l?histoire du cinéma. Williams a remporté 25 Grammy Awards, cinq Oscars, sept British Academy Film Awards et quatre Golden Globe Awards. Avec 53 nominations aux Oscars, il est le deuxième individu le plus nominé, après Walt Disney. Ses compositions sont considérées comme la quintessence de la musique de film et il est considéré comme l?un des plus grands compositeurs de l?histoire du cinéma. Son travail a influencé de nombreux autres compositeurs de musique de film, populaire et classique contemporaine. En 2005, l?American Film Institute a sélectionné la partition de Williams pour
Star Wars
de 1977 comme la plus grande musique de film de tous les temps. Dans cet arrangement récemment révisé de 1986, l?arrangeur Johan de Meij a utilisé des thèmes
Star Wars ? A New Hope en The Empire Strikes Back
. / Date parution : 2023-10-31/ Répertoire / Concert Band/Harmonie
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Essential Elements - Instant Success - Teach Guide: Concert Band: Score
Concert band
Hal Leonard
Starting System for All Band Methods-A starting system for all band methods-over...
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Starting System for All Band Methods-A starting system for all band methods-over 97% of a test-market group of students chose to stay in band after using Instant Success! The 16-page books can be used before or with any Book 1 band method. Students begin with unmeasured long tones and learn to read music systematically. The Practice Chart includes weekly goal setting and time management suggestions.
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Rob Goorhuis: Les Marteaux de la Marine: Concert Band: Score
Concert band
Gobelin Music Publications
Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Ban...
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Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material isnot pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive while the third expresses energy. In all elements a repeated tone is the starting point whichexplains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in thesoft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted withshort and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection the transparent Larghetto returns with a varied setting of the opening elements. The beautifulleading roles in this section are reserved for cornet (trumpet) and horn. Subsequently the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next the opening Allegro re-appears once again and thus LesMarteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands.
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Rob Goorhuis: Les Marteaux de la Marine: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Ban...
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Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material isnot pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive while the third expresses energy. In all elements a repeated tone is the starting point whichexplains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in thesoft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted withshort and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection the transparent Larghetto returns with a varied setting of the opening elements. The beautifulleading roles in this section are reserved for cornet (trumpet) and horn. Subsequently the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next the opening Allegro re-appears once again and thus LesMarteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands.
209.99 GBP - Sold by Musicroom UK
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Jodie Blackshaw: Letter from Sado - Score Only: Concert Band: Score
Concert band
BandQuest
Letter from Sado is an exciting new piece for young band based on a Japanese hai...
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Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists religious and military leaders were sent in exile many years ago. The island has historically had a strong community of taiko drummers and as such the piece incorporates optional homemade taiko drums. Blackshaw writes: To capture the idea of interpretation and the concept of reading between the lines the students are invited to become decision makers about particular sections in the music. For example the opening and closing sections of the piece use the same material which is a selection of repeated melodic figures.The students themselves decide how to play these figures as individuals in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast?) dynamics (how loud?) and articulation (smooth short or hard?). To inspire them we use the haiku poem; i.e. the opening section invites the students to play the material as if it were a 'stormy wild sea' and the closing section invites the students to play the same melodic figures but this time draw their inspiration from 'Heaven's River ' or as we know it the Milky Way. In-between there is an elaborate heavily textured section that becomes increasingly powerful. The music doesn't rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas that would have surrounded those individuals sent to Sado Island in exile the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance. Embrace your players' creativity offer them your trust and see how far Letter from Sado can take your band!
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Lyric for Band
Concert band
Southern Music
Concert Band Signature Series. Par WALKER GEORGE. In 1946, George Walker was sti...
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Concert Band Signature Series. Par WALKER GEORGE. In 1946, George Walker was still doing graduate work at the Curtis institute when he composed Lyric for Strings, which would prove over the coming decades to become one of the most performed and enduring string orchestra works of the 20th Century. This first-ever edition for symphonic wind band was arranged by Dr. Luci Disano and premiered by The President's Own United States Marine Band on August 24, 2022. George Walker (June 27, 1922 - August 23, 2018) began his groundbreaking career as a young piano virtuoso and was admitted to Oberlin College on a scholarship following his first public recital at the age of 14. Graduating with the highest honors in his Conservatory class, he was admitted to the Curtis Institute of Music, becoming the first black graduate of this renowned music school. His works demonstrate a wide range of artistic excellence in genres ranging from instrumental and vocal solos and chamber music to compositions for orchestra and other large ensembles. He is the first black composer to be awarded the Pulitzer Prize. / Date parution : 2023-07-31/ Répertoire / Concert Band
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Michael Sweeney: Black Forest Overture: Concert Band: Score & Parts
Concert band
Hal Leonard
MusicWorks Grade 2-This striking overture has established itself as a staple in ...
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MusicWorks Grade 2-This striking overture has established itself as a staple in many band programs across the country and appear on many state lists as well. Bold and exciting this composition provides a wealth of variety and teaching material inan attractive setting that students love to play.
57.50 GBP - Sold by Musicroom UK
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