16 short and easy compositions with strong melodies. Par DEHNHARD TILMANN. Colours that mix, shades that change and rhythms that develop are just some of the aspects that make Dehnhard's compositions so special. The short, light miniatures are small, self-contained works of art with great melodic expressiveness, which are not only fun to work on in class, but also convincing on the concert stage. In gentle images that tell of our world's treasures, positive feelings, quiet experiences or silent moments, each piece traces moments that show themselves with each breath in a new light and change from all sides. Whether it is the spray of the waves, the sparkle of a gemstone or a dragon in the sky, there are always new nuances in color and sound, and thus infinite possibilities that are composed kaleidoscopically before our eyes. As if by itself, it carries on one piece by piece, creating moods and igniting images in front of the inner eye. In addition to their inspiring melodies, the miniatures focus on a characteristic rhythm whose timing, in combination with the jazzy harmonies, turns them into little pearls of modern flute literature. They almost exclusively use traditional playing techniques and rarely exhaust the range of the recorder in the high register. The enclosed CD of full, play-along recordings supports and completes the edition./ Répertoire / Flûte à Bec Soprano et Piano

This publication contains Hungarian folk song arrangements; these pieces intended for music school students can be performed separately or may be grouped together in selections of variable size. The Soprano Recorder may be replaced by a Clarinet an Oboe or perhaps a Bassoon (the latter may require transposition in places). The melodies are mostly of a sprightly dance-like character and can therefore be effective programme items at student concerts.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

Celtic Folk Songs pour tous les âges est une charmante collection de mélodies riches et de ballades spécifiquement distinctives pour les cultures de l'Ecosse, Terre-Neuve, Irlande et l'Angleterre. Le CD d'accompagnement (inclu dans le livre solo) fournit deux pistes pour chaque morceau. La première piste inclut un performances d'exemple du solo avec l'accompagnement. La deuxième piste est juste l'accompagnement, permettant le soliste à jouer le jeu. Il y a également un accompagnement Piano distinct disponibles. / Flûte A Bec Soprano Et Piano / 52 pages / niveau : Facile - Elémentaire / Partition Cd

Par WOODCOCK ROBERT. La version originale du concerto no 3 du compositeur anglais Robert Woodcock est écrite pour la flûte en ré, dite « flûte de sixte ». Pour la présente édition, l?accompagnement a été transposé afin de permettre de jouer la partie soliste sur flûte à bec soprano en ut actuellement d?usage. Les instrumentistes pourront se faire accompagner en live au piano ou utiliser les enregistrements de l?accompagnement disponibles en ligne au format MP3. Cet accompagnement est proposé dans une version lente et dans une version de tempo intermédiaire enregistrées au piano pour s?entraîner, ainsi que dans une version orchestrale au tempo original. / Date parution : 2022-05-17/ Répertoire / Flûte à Bec Soprano et Piano