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Concert
VIBRAPHONE
Double bass, Piano (duet)
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Easy Concert Pieces Band 3
Double bass, Piano (duet)
[Sheet music + Audio access]
Schott
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...
(+)
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
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Easy Concert Pieces Band 2: Double Bass
Double bass, Piano (duet)
[Sheet music + CD]
-
Beginner
Schott
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pie...
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24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying CD, as a full version and as a piano accompaniment.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.Volume 3 in preparation.
16.99 GBP - Sold by Musicroom UK
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Charlotte Mohrs: Easy Concert Pieces Band 1: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music + CD]
-
Easy
Schott
25 Easy Pieces from 5 Centuries in half and 1st Position-The ‘Easy Concert...
(+)
25 Easy Pieces from 5 Centuries in half and 1st Position-The ‘Easy Concert Pieces’ series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools competitions or examinations these pieces have been ordered according to level of musical and technical difficulty.Book 1 (ED 22551) contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato staccato and legato bowing are introduced along with pizzicato using rudimentary dynamics rangingfrom piano to forte crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes a few different time signatures and simple rhythms.Book 2 (ED 22552) in preperation.
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Easy Concert Pieces Vol.2
Double bass, Piano (duet)
[Sheet music + CD]
-
Easy
Schott
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pi...
(+)
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The 'Easy Concert Pieces' series presents a varied selection of easy concert pieces for double bass and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty. Book 1 (ED 22551) contains pieces in half and first position. Pieces in each position and some using position changes are presented from each era. Simple techniques such as portato, staccato and legato bowing are introduced along with pizzicato, using rudimentary dynamics ranging from piano to forte, crescendo and decrescendo and simple phrasing. The pieces selected here are varied in character with memorable tunes, a few different time signatures and simple rhythms. / Niveau : Facile / Recueil / Contrebasse et Piano
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My First Concert
Double bass, Piano (duet)
[Sheet music + CD]
-
Beginner
Schott
31 Easy Concert Pieces From 5 Centuries. This book offers a varied spectrum of v...
(+)
31 Easy Concert Pieces From 5 Centuries. This book offers a varied spectrum of very easy pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras, including works by Beethoven, Charpentier, Haydn, Humperdinck, Mozart, Praetorius, Reinagle or Schubert, as well as easy folk tunes and Canons, which are excellent for class teaching. The repertoire enriches the daily exercises and any double bass tutor. All pieces can be played in half and first position, using easy rhythms and meters, easily playable major and minor keys, easy bowing and articulation as well as easy dynamics from piano to forte, crescendo and decrescendo. All pieces are included on CD. This book is a treasure trove for beginners and can be used even earlier than the first book in the series 'Easy Concert Pieces” (Schott ED 22551). / Niveau : Très Facile à Facile / Recueil / Contrebasse et Piano
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10 Petites Concertitudes 1
Français
Double bass, Piano (duet)
-
Easy
Billaudot
Compositeur et contrebassiste, je propose dix petites études transcendantales d...
(+)
Compositeur et contrebassiste, je propose dix petites études transcendantales de petits niveaux de maximum une minute trente chacune, conçues pour être données en concert, afin d'habituer les élèves le plus tôt possible à la situation de récital à laquelle ils feront face plus tard, que cela soit en concert ou en concours.La partie d'accompagnement est une vraie partie de piano (bien que facile) faite pour encourager le travail de dialogue et de musique de chambre des élèves. Chaque pièce explore différents styles de musique et abordent les problèmes techniques tant de main gauche, d'archet que de solfège et expressivité. / Etudes
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10 Petites Concertitudes 2
Français
Double bass, Piano (duet)
-
Easy
Billaudot
Compositeur et contrebassiste, je propose dix petites études transcendantales d...
(+)
Compositeur et contrebassiste, je propose dix petites études transcendantales de petits niveaux de maximum une minute trente chacune, conçues pour être données en concert, afin d'habituer les élèves le plus tôt possible à la situation de récital à laquelle ils feront face plus tard, que cela soit en concert ou en concours.La partie d'accompagnement est une vraie partie de piano (bien que facile) faite pour encourager le travail de dialogue et de musique de chambre des élèves. Chaque pièce explore différents styles de musique et abordent les problèmes techniques tant de main gauche, d'archet que de solfège et expressivité. / Etudes
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Easy Concert Pieces Band 3: Double Bass and Accomp.: Instrumental Album
Double bass, Piano (duet)
[Sheet music + Audio access]
Schott
Easy Concert Pieces Band 3
16.99 GBP - Sold by Musicroom UK
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Polonaise De Concert
Français
Double bass, Piano (duet)
[Sheet music]
Billaudot
La référence AB1112 de l'éditeur Billaudot dont l'auteur célèbre est Weille...
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La référence AB1112 de l'éditeur Billaudot dont l'auteur célèbre est Weiller Ernest, qui a pour titre POLONAISE DE CONCERT, a été écrite et composée pour Contrebasse et plus particulièrement pour Contrebasse Et Piano. Cette partition musicale appartient à la catégorie Classique. / Contrebasse Et Piano / Partition
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Double Bass Coll. Konzertst. f. Kontrabass/Klavier: Double Bass: Instrumental
Double bass, Piano (duet)
Barenreiter
Concert Pieces for Double Bass and Piano-This collection of pieces for the Doubl...
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Concert Pieces for Double Bass and Piano-This collection of pieces for the Double Bass and Piano has been created specifically for young Double Bass players who are wishing to start performing in public. The 19 concert pieces featured are easy to rehearse yet sound effective. With works from the Baroque Classical and Romantic periods as well as newly composed pieces by the Polish Bass player Boguslaw Furtok Concert Pieces For Double Bass And Piano offers great variety. Ideal for musicians following the Barenreiter Early Start On The Double Bass method the pieces featured in this book are all of a easy-medium level of difficulty.
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Frantisek Hertl: Sonata: Double Bass: Instrumental Work
Double bass, Piano (duet)
Barenreiter
for Double Bass and Piano-The renowned Czech bass player composer and conductor...
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for Double Bass and Piano-The renowned Czech bass player composer and conductor Franti?ek Hertl (1906 1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument?s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.Composed in 1946 Hertl?s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday.New edition of a major repertoire piece for Double Bass.Foreword (Cz/Eng/Ger) by Hertl?s last pupil Jan Balcar
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Four Pieces for Double Bass and Piano (HERTL FRANTISEK)
Double bass, Piano (duet)
[Sheet music]
Barenreiter
Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor ...
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Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor and teacher František Hertl (1906–1973) wrote many concert and teaching pieces for his instrument. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. These four pieces for double bass comprising a Prelude, Burlesque, Nocturne and Tarantella were composed in 1968. They have remained very popular among double bass players to the present day while being extremely challenging to play. Our edition adopts the musical text from the Supraphon edition of 1969. The double bass part and the Foreword have been revised by Stefan Schäfer, the solo double bassist of the Hamburg Philharmonic State Orchestra./ Répertoire / Contrebasse et Piano
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F. Keyper: Romance Et Rondo: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
An easy virtuoso work published here for the first time and now much performed. ...
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An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its
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Tchaikovsky P.i. - Canzonetta - Contrebasse Et Piano
Double bass, Piano (duet)
Tchaikovsky - Canzonetta from the Violin Concerto, Op. 35 For Double Bass and P...
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Tchaikovsky - Canzonetta from the Violin Concerto, Op. 35 For Double Bass and Piano Tchaikovsky - CanzonettaMore Details Concert Score (6 pages) Double Bass Part in Solo Tuning (2 pages) Arranged and Transcribed for Double Bass by Michael Hovnanian Second Edition (Urtext), © 2008
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Camille Saint-Saëns: Elephant - The Carnival Of The Animals: Double Bass:
Double bass, Piano (duet)
[Score and Parts]
G. Henle
Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The...
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Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The Animals and is one of the few works that are attractive to learners and accomplished players alike. Its many musical and technicalchallenges have earned it a permanent place in the teaching repertoire yet it offers soloists a welcome opportunity to demonstrate their prowess and espirit even in the low register.The ease with which a greatcomposer accurately and skilfully probes the idiosyncracies of this largest of string instruments for expressive purposes - a combination of features seldom encountered in the double bass repertoire - is truly impressive. All themore astonishing therefore that the Elephant although widely known is relatively rarely heard in the concert hall.This Urtext edition of the score has been edited with critical commentaries as well as fingeringand bowing of the double bass part by Tobias Glockler. The accompaniment is notated in E flat and F and so the double bass can perform using either solo tuning or orchestra tuning.
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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N. Hester: The Bull Steps Out: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
Ideal for a popular school or informal concert. Programme note by Rodney Slatfor...
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Ideal for a popular school or informal concert. Programme note by Rodney Slatford 2008:Jack Snow Hester was born on 2 March 1907 in Chorlton Lancashire and joined the music profession as a double bass player when he was seventeen. His father Arthur Darrell Hester appears on his birth certificate as 'Manufacturer (chemicals)'; his mother was Minnie Frances Hester formerly Stamp and the family lived in South Manchester. During the 1930s as Norman Hester he worked at Daly's Theatre the Piccadilly Theatre the Palace Theatre and other London variety houses in West End productions. He married Isabella Dawson Davidson on 1 July 1940 in Worcester and shedied in 1973. He died in 2001 after a long period of ill health.During the 1960s Norman was an active freelance player working as an extra bass player with the London symphony orchestras including the BBC. Quite when The Bull Steps Out was written isn't certain but Norman sent me a copy to consider for republishing – it is assumed that the original publication appeared sometime during or just after the war. It was a 'one off' that he probably played for light music evenings in the theatres.The piece has been very popular and has been used for examinations on various syllabuses around Grade 7 level.An unpublished manuscript copy of a double bass 'method' is on file that Norman Hester wrote when he retired but it is mainly a compilation of various scales and exercises similar to many that were published in the early 20th century. A photograph of him as a young man is held at the Royal Society of Musicians in London which he joined in 1930 and of which he was a loyal supporter until he died.
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Anthony Smith-Masters: All Mimsy: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
Yorke Edition
'A pleasantly engineered four movement suite for Double Bass which is technicall...
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'A pleasantly engineered four movement suite for Double Bass which is technically quite undemanding ... an attractive concert item' The Strad. Suitable for Grade 5 players and part of the ABRSM Double Bass Syllabus.
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Sergei Koussevitzky: Ausgewählte Stücke: Double Bass: Instrumental Work
Double bass, Piano (duet)
Forberg
op. 1 2 4 für Kontrabass und Klavier-Andante Valse Miniature Chanson Triste...
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op. 1 2 4 für Kontrabass und Klavier-Andante Valse Miniature Chanson Triste and Humoresque for Double Bass and Piano by one of the most celebrated Russian concert double-bassists and conductors.
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Philip A. Parker: Yorke Solos For Double Bass: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate
Yorke Edition
Thirty-five easy Pieces for Double Bass and Piano. A wealth of short and enjoyab...
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Thirty-five easy Pieces for Double Bass and Piano. A wealth of short and enjoyable tunes for school concerts festivals and exams. A tremendous amount of music packed into 48 pages. I highly recommend this book ...useful for a variety of levels of students'. American String Teacher. Contains a selection of pieces for the ABRSM and AMEB (Australian Syllabus) Double Bass examinations.
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Kelly Brain: Caliban and Ariel: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
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Intermediate/advanced
Yorke Edition
Two short and delightful movements in a lighter style composed for Double Bass ...
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Two short and delightful movements in a lighter style composed for Double Bass with Piano Accompaniment by Bryan Kelly. Based upon characters from Shakespeare's The Tempest this piece is ideal for concerts offering a wonderful enrichment to the advancing Double Bassist's repertoire.The solo Double Bass part is also included on a separate insert.
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Double Bass Tales
Double bass, Piano (duet)
Schott
Les enseignants encore et encore demander faciles à jouer de la contrebasse mus...
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Les enseignants encore et encore demander faciles à jouer de la contrebasse musique appropriée pour des cours ou de la compétition Jugend Musiziert. Le compositeur Peter Wittrich de Munich a entrepris cette tâche et composé un cycle varié de sept pièces faciles pour contrebasse et piano. Toutes les pièces ont été essayées et testées en double-bass leçons et sont bien placées sur l'instrument. Certains peuvent même être joué dans la première position. La collection couvre différents styles, notamment les styles de musique populaire comme le blues ou de tango, tout en prenant thèmes bien connus de la musique classique, par exemple, de Bach ou de Beethoven, d'une manière humoristique. La partie de piano est plus exigeant afin que les réclamations faites sur le jeu d'ensemble sont un peu plus élevés. Un ajout intéressant au répertoire des cours et des concerts. / Contrebasse Et Piano
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John Harbison: Concerto: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
Associated
Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. In...
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Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. Includes two piano reductions: Concert Pitch and Solo Tuning in D. Co-commissioned by 15 orchestras and the International Society of Bassists.
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Adagio For Double Bass And Piano
Double bass, Piano (duet)
EMB (Editio Musica Budapest)
One of the greatest contemporary cellists, Miklós Perényi (b. 1948), appears w...
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One of the greatest contemporary cellists, Miklós Perényi (b. 1948), appears with great success as a soloist and chamber musician on concert stages across the world. In addition to giving concerts and teaching, he has recently been engaged in composing primarily solo cello works and chamber music. / Contrebasse Et Piano
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Berceuse For Baby Hipppotamus: Double Bass: Instrumental Album
Double bass, Piano (duet)
[Sheet music]
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Intermediate
Yorke Edition
Serge Lancen's Berceuse for Baby Hippopotamus is a short and easy melodic solo i...
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Serge Lancen's Berceuse for Baby Hippopotamus is a short and easy melodic solo in French romantic style. Ideal for a school concert. Recorded Goilav (Christophorus). Grade: 5
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Romance Op. 85 Pour Contrebasse Et Piano/ Transcription De Daniel Marillier Op. 85 En Fa Majeur
Français
Double bass, Piano (duet)
Delatour France
La Romance pour alto et orchestre opus 85 de Max Bruch (1838-1920) est une des p...
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La Romance pour alto et orchestre opus 85 de Max Bruch (1838-1920) est une des principales oeuvres de style romantique écrite pour cet instrument. Composée en 1910 elle est créée en 1911 par Willy Hesse, violoniste concertiste proche du compositeur. La romance est toutefois dédiée à Maurice Vieux, figure éminente de la vie musicale parisienne et fondateur de l'école française d'alto. Nous proposons ici une adaptation originale pour piano et contrebasse d'après la partition orchestrale. La partie soliste est spécialement revue et annotée par Daniel Marillier. / Contrebasse Et Piano
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Vanhal J.b. - Kontrabasskonzert - Contrebasse and Piano
Double bass, Piano (duet)
G. Henle
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Chri...
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Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Christoph Sobanski Doigtés cb.: Tobias Glöckler Cadences: Tobias Glöckler Edition Urtext, réduction pour piano, reliure paperback réduction pour piano in Ut et Ré majeur Partie en accord viennois (La-ré-fa#-la) Après les concertos pour contrebasse de Dittersdorf (HN 759) et de Hoffmeister (HN 721), nous ajoutons à notre catalogue un nouveau sommet de la littérature classique pour l?instrument, l?unique Concerto pour contrebasse de Johann Baptist Vanhal. Cette oeuvre virtuose ne nous est parvenue que par une copie du matériel dans la succession du célèbre contrebassiste Johannes Sperger (1750?1812), laquelle soulève un certain nombre de questions du fait des nombreux ajouts que comporte la partie soliste (s?agissant notamment des indications de jeu à l?octave). Dans notre édition Urtext, Tobias Glöckler répond à ces questions avec un texte musical soigneusement préparé pour l?exécution. La réduction pour piano est présentée dans deux tonalités différentes (Ut et Ré majeur), ce qui permet de jouer le concerto avec l?accord de soliste ou l?accord d'orchestre. En outre, une voix supplémentaire en tablature, spécialement conçue pour l'«accord viennois» en usage à l'époque de Vanhal, permet à l'instrumentiste de jouer directement avec la sonorité puissante de l?accord historique, sans réapprentissage fastidieux.
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Carl Ditters von Dittersdorf: Concert E-Dur (Krebs 172): Double Bass:
Double bass, Piano (duet)
[Reduction]
G. Henle
With this cornerstone of the Double Bass repertoire we continue a still young bu...
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With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work full of technical trickery is with justification demanded time and again as atest piece or set piece for competitions. In order to accommodate the ?Viennese tuning? used at the time we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the DoubleBass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.
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