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VIBRAPHONE
Flute, Orchestra
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DVD Opera and Ballets (32)
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Batterie Fanfare En Sib (32)
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Tuba Solo (30)
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Euphonium and Orchestra (30)
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Recorder, Bass Continuo (29)
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Baritone Ukulele (28)
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Violon 1 (28)
Duos (28)
Flute, Violin, Piano (28)
Clavier Electronique et Ligne … (28)
6 Instruments (28)
Baritone Saxophone (28)
SATB, (4 InstrumentS Basse et … (27)
Solistes STTBB, Choeur SATB, 2… (27)
Trompette Solo (27)
Solistes SATB, Choeur SATB, 2 … (27)
Clarinet and Strings (27)
Voix (Ou Récitant) Et Instrum… (27)
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Drums-Marching band (27)
Clarinettes Et Autres Instrume… (27)
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Petit Choeur SATB, Contrebasse… (26)
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Choeur Mixte et Instruments Di… (26)
5 Recorders (26)
Ukulélé Soprano (26)
Solistes STBar, Choeur SATB, 2… (26)
Flute, Violin, Keyboard (basso… (26)
Flûte à Bec Alto et Basse Co… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trombone ensemble (26)
Guitar and Bass Tablatures, Ch… (26)
Trompette en Do ou et Trompett… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Mezzo-Soprano et Orchestre (26)
Timbales (26)
Soprano, Piano (26)
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Ensemble divers instruments (25)
Double Choeur Mixte (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 Hautbois Et Orchestre (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Snare drums, Piano (25)
2 Pianos et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Clarinette, Viola and Piano (t… (25)
5 Parties Mixtes (25)
Bass Clarinet, Piano (25)
Tambour (25)
8 Instruments (25)
Choeur SATB, 2 Violons, Alto e… (25)
Flûte à Bec et Piano (25)
ENS::Ensemble d'cole (25)
3 Tubas (25)
Children choir, Instruments (25)
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Solistes ATB, Choeur SATB, Fl… (24)
Marches de concert (24)
Hautbois et Quatuor à Cordes (24)
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Quatuor de Cordes (24)
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Flûte Traversière ou Hautboi… (24)
Flûte Traversière Et Orchest… (24)
2 Violons, Alto, Violoncelle e… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte à Bec Alto et Basse Co… (24)
Trompette, Instruments à Cord… (24)
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Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Flute, Oboe, Clarinet (trio) (24)
Quatuor à Cordes et Basse Con… (24)
Tuba et Euphonium (24)
Oboe, Organ (24)
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Oboe, Bassoon (duet) (24)
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Soli (T (Evangelist), B (Jesus… (24)
2 Tubas et Piano (24)
Instruments Cuivre (24)
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Guitare Tablatures Electrique (24)
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Vocal duet (23)
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Tenor (23)
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Miniature Score): Miniature
Flute, Orchestra
[Study Score / Miniature]
Chester
The solo flute here is kept in high profile by the absence from the orchestra no...
(+)
The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.
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Gustav Mahlers Symphonien
Flute, Orchestra
[Sheet music]
Barenreiter
Entstehung - Deutung - Wirkung. / Recueil / Livre
31.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Concierto Pastoral
Flute, Orchestra
Eulenburg
/ Flûte Traversière Et Orchestre
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Parts
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
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Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Part
Flute, Orchestra
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
(+)
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Flute Concerto In D K.314: Flute: Score
Flute, Orchestra
[Sheet music]
Barenreiter
Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Hor...
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Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Joaquín Rodrigo: Aria Antigua For Flute And String Orchestra: Flute: Score
Español
Flute, Orchestra
[Sheet music]
Unión Musical Ediciones
Aria Antigua for flute and string orchestra was first performed by Bernard Wyst...
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Aria Antigua for flute and string orchestra was first performed by Bernard Wystraete and The Instrumental Soloists Ensemble B W on 23 March 1999 in Versailles. Includes score and parts.
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Flûte En Suite
Flute, Orchestra
Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...
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This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
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Wolfgang Amadeus Mozart: Concerto In G Major For Clarinet: Flute: Instrumental
Flute, Orchestra
Barenreiter
In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Conc...
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In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)
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Johann Stamitz: Flötenkonzert G-dur: Flute: Piano Reduction
Flute, Orchestra
Breitkopf & Härtel
Konzert für Flöte und Streichorchester-Johann Stamitz's Flute Concerto In G fo...
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Konzert für Flöte und Streichorchester-Johann Stamitz's Flute Concerto In G for Flute and String Orchestra. Reduction for Flute and Piano. Duration: 16 minutes.
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John McCabe: Flute Concerto: Flute: Instrumental Work
Flute, Orchestra
[Sheet music]
Novello & Co Ltd.
Study score with solo flute part. The Flute Concerto was commissioned by the Lon...
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Study score with solo flute part. The Flute Concerto was commissioned by the London Symphony Orchestra first performed by James Galway at the Barbican Centre Concert Hall London on 20 September 1990.Arranged for solo flute (doubling alto flute)and orchestra. Duration 23 minutes.
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...Un Temps De Silence... Concerto Pour Flûte (JARRELL MICHAEL)
Français
Flute, Orchestra
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart ...
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Par JARRELL MICHAEL. Michael Jarrell est un compositeur du dialogue. La plupart de ses oeuvres récentes pour grande formation mettent en regard, en écho ou en résonance un ou plusieurs solistes et la masse orchestrale. Citons ...prisme / incidences... pour violon et orchestre (1998), Assonance IX pour clarinette et orchestre (2000), le concerto pour piano Abschied (2001), Epigraphe pour accordéon et orchestre (2003), ou encore Sillages, avec flûte, hautbois et clarinette solistes, joué en première mondiale pendant la saison 2005-2006 de l'Orchestre de la Suisse Romande. Sa toute dernière création ...un temps de silence..., met cette fois la flûte seule en vedette. 'Ce n'est pas un concerto à proprement parler, mais un peu plus que les autres quand même !', confie avec malice le compositeur genevois (entretien réalisé par Luca Sabbatini en février 2007 à Genève). 'Bien sûr, il n'y a pas de hiérarchie traditionnelle soliste/accompagnement. La flûte doit constamment trouver sa place. L'orchestre ne joue pas un rôle de faire-valoir, il possède son autonomie. En cela, ...un temps de silence... est plus proche de mon concerto pour piano que de ...prisme / incidence..., où tout venait du violon.' Comme le titre le suggère, la musique de cette nouvelle oeuvre tend vers sa propre dissolution. 'J'ai voulu faire entendre différents types de silence', confirme Michael Jarrell. 'On ne peut les percevoir qu'en variant les contextes. Le silence n'est pas le même après un seul accord ou après une cascade de notes.' Plusieurs idées temporelles d'affrontent. L'une, très pulsée, naît de l'orchestre et se transmet à la flûte. Une autre correspond à 'des moments hors du temps, qui glissent vers le silence'. La virtuosité exigée du soliste atteint des niveaux de difficulté proprement diaboliques. 'Emmanuel Pahud est venu me rendre visite et nous avons travaillé sur ce qu'il était possible de faire à la flûte', raconte le compositeur. 'La partition est écrite sur mesure, en tenant compte des capacités d'Emmanuel.' ...un temps de silence... s'ouvre sur trois accords marqués des cordes, percussion, harpe et piano, qui reviendront trois fois de façon audible, mais orchestrés différemment. Ces accords génèrent également 'l'harmonie fantôme' sur laquelle repose l'oeuvre. L'orchestre installe peu à peu une pulsation régulière, ce qui 'plonge la flûte dans une situation de stress', selon Michael Jarrell. Elle s'accroche, tente de rattraper l'orchestre, court après lui à bride abattue. La subtilité de la mise en place, avec de nombreux échanges ou superpositions rapides entre soliste et orchestre, rend tout le passage périlleux. Un grand tutti introduit la partie centrale, où les protagonistes entrent en symbiose sur un tempo très lent, qui dérive peu à peu vers un 'hors temps' énigmatique. Puis le silence. La dernière partie repart au galop, mais cette fois c'est la flûte qui dicte son rythme à l'orchestre, qui devient l'axe autour duquel tous les autres instruments tournent. L'orchestre finit par prendre le dessus dans ce jeu du chat et de la souris, au cours d'un épisode d'environ une minute, mené à une vitesse vertigineuse. Deux des trois accords du début reviennent, puis se diluent sur un tempo lent, où les percussions, notamment le bongo, dominent. Michael Jarrell cite alors son propre opéra Galilée, créé au Grand Théâtre de Genève la saison dernière: soutenu par trois rins japonais et quelques instruments, un woodblock aigu joue une pulsation régulière, sur laquelle la flûte vient poser ses commentaires. L'harmonie fait du sur place, le temps se fige, comme un arrêt sur image. La musique ne disparaît pas dans le silence. Elle est devenue son négatif, son ombre, son souffle. Luca Sabbatini in Programme du concert de l'Orchestre de la Suisse Romande du 22 mars 2007, Victoria Hall (Genève) / contemporain / Répertoire / Flûte Traversière et Orchestre
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Play The 1St Flûte
Flute, Orchestra
[Sheet music]
Editions Marc Reift (Swiss import)
Just For Fun. Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau ...
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Just For Fun. Play The 1St Flûte With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Difficile / Répertoire / Flûte Traversière et Orchestre
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Peter Maxwell Davies: Temenos With Mermaids And Angels: Flute: Miniature Score
Flute, Orchestra
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Advanced
Chester
A dreamlike and evocative work from Peter Maxwell Davies for flute and orchestra...
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A dreamlike and evocative work from Peter Maxwell Davies for flute and orchestra. The piece captures the wonder and sanctuary of the composer's home surrounded by seabirds and seals that fire the imagination in childlike ways evoking images of mermaids and angels. Descriptive and inventive orchestral colours support and illuminate the flute solo material that is both tranquil and highly virtuosic. The piece was first performed in May 1999 at theRoyal Concert Hall Dublin.
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Orchestral Suite (Overture) B Minor Bwv 1067
Flute, Orchestra
Barenreiter
J.S. Bach's four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach's four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach's extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig . These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ' New Bach Edition? .At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter's new edition of Bach's great four suites now presents the Urtext as found in the ' New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a 'Violino concertato? part.- Urtext editions of these important works- Newly engraved parts and fully realized continuo- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ' Violino concertato ? is included / Flûte Et Orchestre
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Concerto (STAEMPFLI EDWARD)
Flute, Orchestra
[Reduction]
Bote and Bock
Par STAEMPFLI EDWARD. Détails de la formation instrumentale: 0.0.2.b Clarinette...
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Par STAEMPFLI EDWARD. Détails de la formation instrumentale: 0.0.2.b Clarinette 2-0.2.2.0-perc-hp. Pianot.cel-strings - Durée: 16' - Format: New Edition portrait/ Répertoire / Flûte Traversière et Orchestre
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John Corigliano: Pied Piper Fantasy: Flute: Study Score
Flute, Orchestra
[Study Score / Miniature]
Schirmer
Score-This piece by Grammy Award-winning composer John Corigliano was premiered ...
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Score-This piece by Grammy Award-winning composer John Corigliano was premiered in 1982 by the Los Angeles Philharmonic conducted by Myung-Whun Chung and featuring James Galway as the flute soloist.
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