Par SAUMELL MANUEL. Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras, Saumell never repeated himself, for within those 8 or 16-bar phrases, he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare

Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katharine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style: the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music; indeed in the famous film 'Whistle Down the Wind' the main theme is also for flute/piccolo and is not entirely dissimilar to that found in this fantasy.

Potes Suite is a set of four contemporary pieces for flute and guitar composed by the flute and guitar duo ?Nuclear Okra.? The pieces are inspired by the rich tapestry of diverse cultures living in the medieval mountain village of Potes, Spain. The suite incorporates a wide variety of musical styles, rhythms, and techniques drawn from folk, flamenco, Balkan, jazz, blues, country, classical, West African, and Latin American genres. Each piece is approximately four minutes in length. Includes access to online audio.

Arrangeur: Klaus Jäckle. Par PIAZZOLLA ASTOR. Les duo guitare et flûte classique. Pour le joueur de guitare intermédiaire qui est à l'aise avec les cordes. Deux notes complets inclus. Notation standard. Notes de l'arrangeur nous dire: ' Libertango défend la liberté dont je suis accueillir pour mes musiciens. Leurs limites sont définis uniquement par l'étendue de leurs propres capacités et non par le biais de toute pression extérieure, comme Astor Piazzolla. Piazzolla a écrit le Libertango pour son Octeto Nuevo de Buenos Aires, qui après son retour de Paris en 1954, il forma ' déterminé plus que jamais de traiter le tango comme musique. ' Une musique absolue, basé sur le mélodiques, harmonique et par-dessus tout, les qualités rythmiques du tango, il libère le contexte social défini de ses origines au début de ce siècle. ' / Niveau : Intermédiaire / Latin American - Chamber / Recueil / Guitare et Flûte Traversière

Par SCOTT ANDY. Composed in 2005, this arrangement for flute and guitar has been completed by the virtuoso guitarist and arranger James Girling, in conjunction with the composer. Fujiko is a melancholy and reflective journey, evoking a Japanese-influenced soundscape. One of Andy Scott's most popular pieces, Fujiko is available for many instrumental combinations, it's character and melody captivating musicians and audiences alike. / Date parution : 2021-11-03/ Répertoire / Flûte Traversière et Guitare

Patykula John (Trans.). Par PATYKULA JOHN. Cette collection de petite mais colorée comprend cinq pièces par trois compositeurs arrangés pour flûte et guitare. Le XVIIIe siècle est représenté par une Gavotte de l'un des compositeurs les plus connus de la période, Padre Giovanni Battista Martini (1706-1784). Deux mouvements sont prises par le célèbre cycle piano de Tchaïkovski, un Album pour les jeunes: ' Old French Song ' et ' Chanson napolitaine. ' Enfin, deux pièces par Enrique Granados prêtent une saveur espagnole à la collection: ' Oriental ' et ' Jota (Rondalla Aragonesa). ' Manifestement, la flûte prend les devants dans ces arrangements duo, avec le guitariste jouant un rôle de soutien actif. La combinaison de la guitare et les flûte fonctionne bien, et ces pièces pourraient servir à fournir un contraste bienvenu à des morceaux de piano accompagnés dans un récital ou un programme de concert. / Niveau : Intermédiaire / Classic - Ensemble-Mixed / Recueil / Guitare et Flûte Traversière