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Flute and Piano
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Georg Philipp Telemann: Suite in A Minor: Flute: Instrumental Work
Flute and Piano
-
Intermediate/advanced
Schirmer
This Suite was originally written for Flute (or Recorder) and Strings: it is her...
(+)
This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampling of the various styles of music known to the composer. It contains a pair of French Menuets two Passepieds from Brittany a Polish Polonaise and an Air à l'italienne. For good measure Telemann throws in two quasi-illustrative movements describing Les plaisirs and a Réjouissance respectively. The Overture is perhaps the best-known part of the work and is remarkable for its almost processional feel and itreappears as the Conclusion at the suite's end. This diversity of styles and means fits well the template of a suite but the unifying intelligence behind all of them is definitely that of Telemann.
11.99 GBP - Sold by Musicroom UK
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Latin Standards
Flute and Piano
[Sheet music + CD]
Schott
Latin American music with its rousing rhythms and grooves, catchy melodies and e...
(+)
Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying CD recorded by the author himself contains all pieces in full and playback versions and guarantees a lot of fun and joie de vivre. / Flûte
27.20 EUR - Sold by LMI-partitions
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Georges Bizet: Three Pieces From Carmen And L'Arlesienne: Flute: Instrumental
Flute and Piano
[Sheet music]
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Intermediate
Zimmermann
The opera Carmen after a short story by Prosper Merimee and the incidental mus...
(+)
The opera Carmen after a short story by Prosper Merimee and the incidental music to the play L'Arlesienne by Alphonse Daudet are without doubt the most important works of Bizet. It is significant for him that his imagination was aroused most by literary subjects of high standing. In spite of failure at their first performances both works became worldwide successes continuing to the present day.The three extracts selected here all of them pieces complete within the larger framework are a testimony to the fact that the brilliant orchestrator Bizet had a special predilection for the flute.This is a wonderful selection ofextracts from Bizet's two great works Carmen and the L'Alesienne Suite No.2 which have been skilfully arranged for Flute with Piano Accompaniment by Werner Richter.The solo flute part is also included on a separate insert.
10.50 GBP - Sold by Musicroom UK
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Casella: Sicilienne & Burlesque: Flute: Instrumental Work
Flute and Piano
[Reduction]
Leduc, Alphonse
With a huge range of repertoire existing for the Flute Italian composer Alfredo...
(+)
With a huge range of repertoire existing for the Flute Italian composer Alfredo Casella's Sicilienne et Burlesque stands out as an extremely evocative and inspiring piece composed notably as WWI broke out across Europe. Having studied at the Paris Conservatoire from 1896 under the direction of Gabriel Fauré >i>Casella received an exceedingly high standard of education. His clear compositional ability and understanding of the Flute is portrayed in his Sicilienne et Burlesque through the use of advanced Flute techniques and brilliant ensemble devices exploiting the duet between Flute and Piano. TheSicilienne is in a slow compound time significantly contrasted by the light and comedic Burlesque. These aspects combine to create an enjoyable and challenging piece for advanced flautists.
15.50 GBP - Sold by Musicroom UK
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Jazz Sessions (L'ESTRANGE ALEXANDER / PILLING T)
Flute and Piano
[Sheet music + CD]
-
Easy
Faber Music Limited
Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous ...
(+)
Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians. / Niveau : Assez Facile / Recueil / Flûte Traversière et Piano
11.79 EUR - Sold by LMI-partitions
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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flute and Piano
-
Advanced
Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
(+)
In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
15.99 GBP - Sold by Musicroom UK
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