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Guitar
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2 Clarinets, Piano (38)
Fac-similé (38)
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Baritone Ukulele (28)
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Violon 1 (28)
Duos (28)
Flute, Violin, Piano (28)
Clavier Electronique et Ligne … (28)
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Baritone Saxophone (28)
SATB, (4 InstrumentS Basse et … (27)
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Trompette Solo (27)
Solistes SATB, Choeur SATB, 2 … (27)
Clarinet and Strings (27)
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Ukulélé Soprano (26)
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Flûte à Bec Alto et Basse Co… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Trombone ensemble (26)
Guitar and Bass Tablatures, Ch… (26)
Trompette en Do ou et Trompett… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Mezzo-Soprano et Orchestre (26)
Timbales (26)
Soprano, Piano (26)
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Ensemble divers instruments (25)
Double Choeur Mixte (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
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Snare drums, Piano (25)
2 Pianos et Orchestre (25)
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Clarinette, Viola and Piano (t… (25)
5 Parties Mixtes (25)
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Tambour (25)
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Flûte à Bec et Piano (25)
ENS::Ensemble d'cole (25)
3 Tubas (25)
Children choir, Instruments (25)
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Marches de concert (24)
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Tuba et Euphonium (24)
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Soli (T (Evangelist), B (Jesus… (24)
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Tenor (23)
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Vol.2 Chediak
Français
Guitar
[Sheet music]
ID Music
Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternati...
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Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers
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Barrientos C. - Periwinkle Memories - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: For years, my fellow guitarists have been asking me to compo...
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The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes
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Barrientos C. - Mambo For Mo - Guitare
Guitar
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The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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Early Jazz Dances, Songs, Instrumentals (GROSSMAN STEFAN)
Guitar
Mel Bay
For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarist...
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For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare
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Martin Pedreira: Guitar Ergonomics: Guitar Solo: Instrumental Tutor
Guitar
Mel Bay
A Wholistic Perspective of Technique Through Repertoire. As the title of his boo...
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A Wholistic Perspective of Technique Through Repertoire. As the title of his book attests, guitarist and musicologist Martín Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitar performance with the individual player?s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others? illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author?s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist?s library would be complete without this landmark book! The author?s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player?s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day ? emphasize the wholistic nature of this book. Readers
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Cake Walks and Classic Rags (GROSSMAN STEFAN)
Guitar
Mel Bay
For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintes...
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For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintessential American music. It arrived at the turn of the last century with many transitions, notably the discovery of the means to record sound, and the determination of Afro-Americans of genius to be appreciated as artists. The music we call ragtime represents not only a moment of great anticipation (as the advent of jazz was on hand) but also of fulfillment. There are perhaps, 200 classic ragtime pieces that represent a corpus of extraordinary beauty - some of the most straightforward, melodious, and out and out joyful music that there ever was. In the early 1960?s guitar players started to tackle arranging this music. David Laibman and Dave Van Ronk were in the vanguard of this movement. Van Ronk?s arrangement of St. Louis Tickle became a rite of passage for fingerstyle guitarists. Laibman?s arrangements of Scott Joplin?s classic rags amazed and challenged the fingerpickers from coast to coast and across the Atlantic Ocean to Europe. By the 1970s other guitarists tried their skills playing ragtime. In the last fifty years this pursuit has carried on. This collection presents eight outstanding guitarists and their approaches to arranging and playing cake walks and classic rags. Tackling the material in this collection will greatly help your development and mastery of the fretboard and what Rev. Gary Davis called your six-string piano. Both your hands will get a complete aerobic workout! An audio download link is included with performances of each title. / Date parution : 2022-01-14/ Recueil / Guitare
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The Justinguitar.Com Beginner's Songbook
Guitar
[Sheet music]
-
Beginner
Amsco Wise Publications
Cette fantastique collection de nouvelles de Justin Sandercoe est le chansonnier...
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Cette fantastique collection de nouvelles de Justin Sandercoe est le chansonnier ultime pour cours de guitare débutant par excellence. Leçons révolutionnaires Justin Sandercoe sont utilisés par des centaines de milliers de personnes à travers le monde, et est probablement le cours de guitare les plus utilisés jamais! Maintenant vous pouvez apprendre à jouer 100 chansons classiques que votre jeu se développe dans le cours. Le livre comprend: Les paroles complètes et les accords à 100 chansons par des artistes tels que The Beatles, Bob Dylan, Bob Marley, Eric Clapton, Jimi Hendrix, Johnny / Mélodie/Vocal/Guitare (MVG) / 224 pages / niveau : Facile / Partition
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Manuel Ponce: Ponce: Concierto Del Sur: Guitar Solo: Instrumental Album
Guitar
Classical guitar
Music Minus One
Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv...
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Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv Symphony Orchestra Conductor: Nayden Todorov Manuel Ponce's legendary Concierto del Sur remains one of the undisputed masterworks for guitar and orchestra and is arguably the greatest guitar concerto to emerge from Latin America. It is a vital part of the modern guitarist's repertoire. The concerto's unconventional melodic style and distinctly Latin American feel predominate integrating a near-perfect balance between guitar and orchestra. The writing for the guitar is brilliant forthright and leaves a strong impression on both player and audience. This Music Minus One edition presents a bravura performance of this20th-century classic from virtuoso guitarist Christian Reichert. Study his technique then you stand center-stage with the Plovdiv Symphony Orchestra under Maestro Nayden Todorov for your own Latin spectacular! Includes an authoritative newly engraved solo part printed on high-quality acid-free ivory paper containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
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Beginner Guitarist 3: Guitar: Instrumental Tutor
Guitar
Classical guitar
Chester
The Beginner Guitarist has been born out of 20 years of teaching experience. Alt...
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The Beginner Guitarist has been born out of 20 years of teaching experience. Although specifically designed as a teacher???s aid it can also be used for independent study.Topics like posture tuning andphrasing are not prescribed being left to the judgement of the teacher. With the exception of right and left-hand fingering advice this approach is used throughout the series. The entire series has the goal of being a measuredand progressive tutor. Ideas are usually introduced one at a time to avoid overloading the student.Book Three places strong emphasis on right-hand technique with the freestroke (tirando) to the fore -thumb and fingers together - while consolidating and building on the notes learnt in first position across the six strings.It also takes a brief look at an alternative tuning and introduces the idea of shifting position.Chords are also given further attention while the introduction of some classic studies from past masters is juxtaposed with a 1970s-style pentatonic-based piece introducing the idea of playing riffs.A set of exercises ondotted notes and a strong selection of pieces complete this volume.About the author: Nigel Tuffs is an instrumental teacher with more than 20 years of experience in all areas of guitar teaching. Originallya member of several rock bands he completed an honours degree at the Colchester Institute specialising in composition and performance and has since worked extensively as a chamber musician in guitar ensembles as an accompanistand also as an educator.
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The Serious Guitarist : Essential Book Of Gear
Guitare
Alfred Publishing
Le guitariste sérieux: Book Essential de Gear est une source inestimable pour t...
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Le guitariste sérieux: Book Essential de Gear est une source inestimable pour tout ce que vous devez savoir sur l'équipement de la guitare. Avec des tonnes de photos et illustrations, les explications du monde réel sur la façon d'atteindre les tons de signature dans une variété de genres, des conseils utiles sur l'entretien des engins de pêche, et un aperçu en profondeur des innovations marquantes dans les guitares et les technologies liées à la guitare des années 1930 à le présent, cet ouvrage complet fournit tous les outils dont vous avez besoin pour gagner une riche compréhension de l'évolution des engins de guitare électrique. Appliquer ces connaissances à votre propre plate-forme pour débloquer une signature sonore qui va vous démarquer de la foule. Le CD d'accompagnement inclus propose des démonstrations de l'équipement et des configurations abordés dans le livre. / Guitare
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Justin Sandercoe: Justinguitar.com Beginner's Songbook 2: Guitar: Mixed Songbook
Guitar
[Sheet music]
Amsco Wise Publications
Another 100 Classic Songs specially arranged for beginner guitarists-Following o...
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Another 100 Classic Songs specially arranged for beginner guitarists-Following on from the first volume of his bestselling Beginner's Songbook Volume 2 boasts another 100 classic songs from the past and present specially arranged for beginner guitarists.Featuring complete lyrics and chords as well as tuition notes with invaluable advice on strumming chords and general playing tips. The Justinguitar.com Beginner's Songbook Volume2 is a great companion to Justin's beginner Guitar method with ten songs for each stage of the course progressing in difficulty. The songs range from the past to the present and represent a variety of genres ranging from songs with only two or three chords like Bad Moon Rising For What It's Worth and Stir It Up through to tunes like Get Lucky and Budapest all the way to songs likeHold Back The River and Ziggy Stardust with more complicated rhythms chords and strumming. Every song features full lyrics and chords strumming patterns as well as adviceabout tricky aspects of the song or just general performance tips. If you need help with the chords diagrams are included so that you always have a reference. As your playing develops through the course the best way to practiseis to play along to your favourite tunes and the Justinguitar.com Beginner's Songbook Volume 2 is the best way to expand your repertoire at the level of your ability. Featuring100 songs by artists like The Beatles Ed Sheeran Bob Marley Maroon 5 Nirvana and The Rolling Stones this songbook is a fantastic collection an invaluable companion to the influential course and a brilliant follow-up tovolume 1 which has sold over 100 000 copies.
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Nick Stoubis Frank Potenza: Fingerboard Mastery Book Two: Guitar: Instrumental
Guitar
Mel Bay
Scales and Arpeggios-This in-depth scale and arpeggio text is core curriculum at...
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Scales and Arpeggios-This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department.Using a comprehensive approach that includes three different organizational systems it coversthe technical foundation that is necessary for playing any style of music. The CAGED system (five positions) the Finger Stretch system (all twelve keys in one position) and the Three-Note Per String system (seven patterns) areexamined.Although each of these three systems is examined the CAGED system serves as the basis for much of the material covered in this book. Instead of traditional musical notation the book uses fingerboard diagrams tofocus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems.Book Two presentspatterns for the harmonic minor and melodic minor scales and all of their relative modes: the bebop scale (major minor and dominant) chromatic scale whole-tone scale diminished scale (whole/half and half/whole) and augmentedscale. Along with these scale forms patterns for minor (major 7) and augmented (major 7) arpeggios are presented.
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Fundamentals (OKAZAKI MILES)
Guitar
[Sheet music]
Mel Bay
Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skil...
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Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare
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10 Brazilian Choros (GUERRA STEPHEN)
Guitar
[Sheet music + Audio access]
-
Intermediate/advanced
Mel Bay
arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instr...
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arranged for Classical Guitar Solo. Par GUERRA STEPHEN. Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players?in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom.This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: ?Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist?Biographical and performance notes regarding the selected composers and compositions.?Insightful suggestions for further reading, listening, and study. ?Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil?s early flute virtuoso, Patápio Silva.Includes access to online audio. / Date parution : 2022-04-26/ Recueil / Guitare Classique
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40 Most-Streamed Disney Songs
Guitar
[Sheet music]
-
Easy
Hal Leonard
Easy Guitar with Notes and Tab. Par . La collection Easy Guitar d'Hal Leonard co...
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Easy Guitar with Notes and Tab. Par . La collection Easy Guitar d'Hal Leonard comprend des arrangements de musique pop pour guitariste débutant et inclut à la fois des notes et des tablatures comme support d'apprentissage. La dernière publication de cette collection s'intitule 40 Most-Streamed Disney Songs. Le recueil offre 40 chansons tirées des derniers films à succès Disney tels que Beauty and the Beast, Frozen, The Lion King ou encore Moana. Titres inclus : Be Our Guest ? Beauty and the Beast ? Can You Feel the Love Tonight ? Colors of the Wind ? Do You Want to Build a Snowman? ? A Girl Worth Fighting For ? Go the Distance ? Hakuna Matata ? How Far I'll Go ? Just Around the Riverbend ? Kiss the Girl ? Let It Go ? Reflection ? Under the Sea ? When Will My Life Begin? ? A Whole New World ? You'll Be in My Heart (Pop Version) ? You're Welcome ? et bien d'autres ! / Niveau : Facile / Date parution : 2022-12-12/ Tablatures / Guitare
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Beginner Guitarist 2: Guitar: Instrumental Tutor
Guitar
Classical guitar
[Sheet music]
-
Easy
Chester
The Beginner Guitarist has been born out of 20 years of teaching experience. Alt...
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The Beginner Guitarist has been born out of 20 years of teaching experience. Although specifically designed as a teacher’s aid it can also be used for independent study.Topics like posture tuning andphrasing are not prescribed being left to the judgement of the teacher. With the exception of right and left-hand fingering advice this approach is used throughout the series. The entire series has the goal of being a measuredand progressive tutor. Ideas are usually introduced one at a time to avoid overloading the student.Book Two aims to build on solid right and left-hand techniques and covers further progress in notationrecognition. It begins with the introduction of quavers (eighth notes) and further focus on the free stroke (tirando). This is balanced with the need to keep the rest stroke (apoyando) solid by giving the pupil a chance to playboth melody and accompanying parts.Extensive exercises for finger 4 via chords and melody are included but the main aim is to complete the learning of the notes in first position taking in several scales and modes alongthe way. Simple open chords are also given further attention and the book concludes with coverage of chromaticism relating to the bottom three strings.A daily practice session for the completion of book two extrarepertoire and other helpful information are all available at www.thebeginnerguitarist.com.About the author: Nigel Tuffs is an instrumental teacher with more than 20 years of experience in all areas ofguitar teaching. Originally a member of several rock bands he completed an honours degree at the Colchester Institute specialising in composition and performance and has since worked extensively as a chamber musician in guitarensembles as an accompanist and also as an educator.
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Beginner Guitarist: Guitar: Instrumental Tutor
Guitar
-
Beginner
Chester
The Beginner Guitarist has been born out of 20 years of teaching experience. Alt...
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The Beginner Guitarist has been born out of 20 years of teaching experience. Although specifically designed as a teacher's aid, it can also be used for independent study. Topics like posture, tuning and phrasing are notprescribed, being left to the judgement of the teacher. With the exception of right and left-hand fingering advice, this approach is used throughout the series. The entire series has the goal of being a measured and progressivetutor. Ideas are usually introduced one at a time to avoid overloading the student. Basic right-hand technique is the foundation of the early part of Book One. The ability to strike the string effectively and produce a clear soundis paramount. Left-hand technique is then addressed with notes on the top three strings in first position. Use of the thumb is also covered briefly. Light relief comes in the form of small amounts of glissando and percussive work.Dynamics are then introduced onto a stable base of notes, followed by accidentals (key of G). This all-color book is rounded off with chords and arpeggios, giving the student a chance to 'swap seats' with the teacher and play therole of accompanist. Elsewhere the teacher may accompany the pupil with the suggested chords, either playing the root note or the full voicings as notated. A daily practice session for the completion of Book One, extra repertoireand other helpful information are all available at www.thebeginnerguitarist.com.
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Woody Mann Martin Taylor: World of Fingerstyle Jazz Guitar: Guitar: Instrumental
Guitar
Grossman's Guitar Workshop
Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe ...
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Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe Pass have set a very high standard for solo fingerstyle jazz guitar and it is from this vantage point that the solo flights of Taylor Crook Nichols Baker and Mann take wing. Each player has developed a distinctly different approach to interpreting and writing jazz for solo guitar by listening intently to numerous other musicians and composers - pianists horn players bassists and singers as well as many guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz guitarists (who more or less function in a linear voice in an ensemble) is their abilityto play (or imply) all aspects of music - rhythm chords bass and melody - without accompaniment. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz guitar in its current evolution as a major instrumental force in American music.Martin Taylor: Shining Stockings My funny Valentine Just Squeeze Me Tommy Crook: Melody Of Birdland All The Things You Are It Had To Be You Wave Jim Nichols: Can't Take That Away From Me East Of The Sun Taste Of Honey Here's That Rainy Day Duck Baker: Back Home in Indiana Forty Ton Parachute Out Of The Past Seven Point One Woody Mann: Mr. Guitar Uptown Tales Gypsy Girl Cat Burglar
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Troy Nelson: First 15 Lessons - Electric Guitar: Guitar Solo: Instrumental Tutor
Guitar
[Sheet music + Audio access]
Hal Leonard
A Beginner's Guide Featuring Step-By-Step Lessons with Audio Video and Popula...
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A Beginner's Guide Featuring Step-By-Step Lessons with Audio Video and Popular Songs! The First 15 Lessons series provides a step-by-step lesson plan for the absolute beginner, complete with audio tracks, video lessons, and real songs! Designed for self-teaching or for use with an instructor, you'll build a solid foundation as you work through each lesson, learning the basics of the instrument and music reading while practicing the many exercises, concepts and song excerpts within. Must-know instruction so you can start playing right away, with a free online tuner and metronome! The electric guitar book features lessons on: guitar fundamentals, music reading, chords, strumming, arpeggios, syncopation, hammer-ons
11.50 GBP - Sold by Musicroom UK
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Randy Vincent - Line Games - An In Depth Study Of Single-note Lines For Guitar
Guitar
Sher Music Company
Do you wonder why lots of practice on scales and arpeggios hasn't made you feel ...
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Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing? If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.? ? Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.? ? Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!? ? Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ? in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!? ? Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!? ? Henry Johnson
38.40 EUR - Sold by Woodbrass
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City Scenes: Guitar: Instrumental Album
Guitar
[Sheet music]
-
Intermediate/advanced
Camden Music
A range of fabulous educational and concert guitar music by the UK's top guitar ...
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A range of fabulous educational and concert guitar music by the UK's top guitar composers educators and performers.Rush originally started out as a study for the right hand thumb. The piece opens in five with a darting weaving bass melody and harmonic language similar to the Cuban feel of Leo Brouwer's first study. As the piece progresses I played around with some poly-rhythms and syncopations in 3/4 time with a Venezuelan flavour similar to the music of Antonio Lauro.The title Metropolis was created like many of my pieces retrospectively. It was suggested to me by Mark Eden and resonated with much of what I felt the piece conveyed essentially the non-stop hustle and bustle of a musical 'city' where influences combine from many different ages and musical cultures. The initial ideas for the piece came from trying to formulate a study for the left hand where the 4th finger jumps from the first string to the lower bass strings. As is often the case on finishing the piece I now hear many things which although not used consciously have emerged in the music to remind me of music I have listened to or studied in the past.At various points a musical quote taken from the end of the first movement of La Catedral by the Paraguayan guitarist and composer Agustin Barrios Mangore appears which I have syncopated and used as a musical junction with the music taking a different direction each time it appears.Towards the end of the piece the performer combines left hand hammered chords with right hand finger clicks and tamboura creating a visual juggling effect when performed. Something resembling the sound of a siren can then be discerned before the piece moves into the closing E major section. I did most of the work for the final version of this piece in the autumn of 2005 just after the birth of my second daughter!I think the music reflects something of the pace of my life around then!Birds Flew Over The Spire is a short lyrical piece which was also
9.95 GBP - Sold by Musicroom UK
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LCM Classical Guitar Playing Grade 7 (2008-2018): Guitar: Instrumental Tutor
Guitar
Registry of Guitar Tutors
This handbook is part of a series compiled by the Registry Of Guitar Tutors tha...
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This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Seven classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbook willhelp you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes attractive pieces by a wide range of composers including Dowland Praetorius Bach Sor Carcassi Coste Tarrega and Pujol making it ideal for those who wish to improve their playing to a high level and extend their musical range and knowledge.
12.99 GBP - Sold by Musicroom UK
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information on site
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Gary Davis: Rags Minstrel Show Songs: Guitar: Instrumental Work
Guitar
[Sheet music + CD]
-
Intermediate/advanced
Mel Bay
And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. ...
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And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopaedic memory driving passion deep faith araunchy and gracious sense of humour. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this book and accompanyingaudio Ernie Hawkins has transcribed 9 of Rev. Davis' best known rags minstrel shows tunes and novelty instrumentals. These are challenging and very rewarding to master. Included are: Buck Dance Devil's Dream Sally Where'd You Get Your Liquor From Fast Foxtrot St. Louis Tickle Darktown Strutter's Ball and his tour de forces Twelve Sticks and SoldiersMarch. The unique bottleneck/slide tune Whistlin' Blues is also presented played in an open D6 tuning.The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to
27.99 GBP - Sold by Musicroom UK
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Trey Alexander: Atomic Rock Guitar: Guitar: Instrumental Tutor
Guitar
[DVD]
Music Sales
Designed to motivate and inspire students Guitar Sherpa's innovative learning s...
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Designed to motivate and inspire students Guitar Sherpa's innovative learning systems employ a hands-on contextual format. Students 'play' their way through Guitar Sherpa curriculum rather than working through tedious examples and exercises.Trey Alexander winner of Guitar Player's Guitar Superstar award opens up his big bag of improvisational theoretical and technical chops to reveal the blazing techniques and high-level concepts that he has cultivated over years of intensive study live performances and a tenacious dedication to his craft.Atomic Rock guides your development of the essential skills needed to succeed in today's modern rock arena. You'll learnfretboard navigation concepts and a variety of right and left hand techniques to facilitate easy movement both vertically and horizontally across the neck. Trey also drills down on a wide range of improvisational skills that will help you develop strong melodic statements and distinctive rhythmic grooves.Atomic Rock covers a broad range of modern rock concepts including Trey's award-winning 'Modern Equivalent'. This course is designed to expose you to the variety of contemporary grooves rhythmic patterns techniques phrasing and theoretical approaches that today's rock Guitarist must master. You'll work through ballads up-tempo power grooves and jazz rock styles and also study expressive devices such as legato tapping sweep-picking and the use of harmonics to enhance a tune's melodic structure avoiding shred for shred's sake.Atomic Rock is a hands-on playing course - you'll be rockin' out from the very first lesson and will quickly develop a raging addiction to your Atomic Rock practice sessions. Hands-On Learning Tools included with Atomic Rock Guitar: Text Lesson Guide Standard Notation Guitar Tab Power Tab Files Power Tab Software Practice Rhythm Tracks Bonus Material. Secure PIN enclosed in DVD package for quick and secure download of learning tools.
23.95 GBP - Sold by Musicroom UK
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LCM Classical Guitar Playing Grade 2 (2008-2018): Guitar: Instrumental Tutor
Guitar
Registry of Guitar Tutors
This handbook is part of a series compiled by the Registry Of Guitar Tutors tha...
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This handbook is part of a series compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Two classical guitar examination including: all the set pieces; all scales arpeggios and chords; sight reading; ear tests; and spoken tests. In addition there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination studying this handbook willhelp you to: learn appealing and inspiring pieces from a wide range of styles and periods; improve your sight reading and aural abilities so that you can learn new pieces more easily; develop your technical ability and musical understanding and so achieve your full potential as a guitarist. This volume includes well-known melodies by Elgar Handel and Beethoven as well as attractive pieces by a wide range of composers including Nuttall Calvi Sor Giuliani and Carulli – making it ideal for any players whether children or adults in the early stages of learning.
8.99 GBP - Sold by Musicroom UK
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The Classic Guitar Technique
Guitar
Classical guitar
[DVD]
RGB Arte Visual S.L
Jorge Cardoso is a recognized performer who has travelled the world over giving ...
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Jorge Cardoso is a recognized performer who has travelled the world over giving hundreds or concerts as a soloist, in duos, and with orchestras. There are innumerable recordings of his performances, and he is a prolific composer whose works have been recorded by other guitarists in more than thirty albums. Cardoso is also a master teacher with followers around the world. This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to the workshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the proper development of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it 'Aguado's machine?, Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings of the hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author, backed up by his knowledge as a doctor. As Jorge Cardoso says in the introduction, this course 'can be useful both to beginners and to more advanced players. . . it can be useful to anyone who plays a plucked stringed instrument.? It includes basic demonstrations and explanations about how the hands work from the moment they are placed on the guitar, as well as exercises and concert pieces of the highest level. There is a discussion of strumming technique, of 'toque mixto? and four complete pieces interpreted by the author. The course will also be useful for electric guitarists and others who have focused on the use of the pick and have neglected other essential guitar techniques. UK product number 8353412233. / Guitare Classique / 125 pages / niveau : Multiple Levels / Dvd - Format: 7,5 X 5,25
51.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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