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High voice, Piano
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5 Continents Choral Edition
High voice, Piano
Helbling Verlagsgesellschaft m.b.h
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-...
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5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Voix Elevée(s) Et Piano
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5 Continents - Conductor Edition
High voice, Piano
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-...
(+)
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Voix Elevée(s) Et Piano
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15 Art Songs By American Composers
High voice, Piano
[Sheet music + CD]
Boosey and Hawkes
15 mélodies de compositeurs américains - une sélection qui devrait intéresse...
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15 mélodies de compositeurs américains - une sélection qui devrait intéresser en particulier ceux qui étudient le chant. Le CD contient l'accompagnent au piano. / Voix Haute Et Piano / Partition + Cd
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
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Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
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Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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Henry Purcell: Orpheus Britannicus: High Voice: Vocal Album
High voice, Piano
[Vocal Score]
Boosey and Hawkes
Orpheus Brittanicus contains thirteen exemplary songs for High Voice with Piano ...
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Orpheus Brittanicus contains thirteen exemplary songs for High Voice with Piano accompaniment by the master of English Baroque Henry Purcell. These have been carefully arranged with the figured bass parts realised by Benjamin Britten and the vocal parts edited by Peter Pears.
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Oxford Solo Songs: Secular
High voice, Piano
[Sheet music + Audio access]
Oxford University Press
High voice book downloadable backing tracks. Par . for high voice and piano Th...
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High voice book downloadable backing tracks. Par . for high voice and piano This beautiful collection of 14 songs for high voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for low voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano
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Art Of French Song, Vol.1 - Voice And Piano (par 10 Minimum)
High voice, Piano
Peters
Instrumentation : High voice - Pf (Fr.) Those interested in French music have o...
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Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols
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Gounod Charles - Mélodies (11) - Voix Elevee, Piano
Français
High voice, Piano
Lemoine, Henry
Partition pour voix élevée et pianoCollection : Bonnardot JacquelineNombre de ...
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Partition pour voix élevée et pianoCollection : Bonnardot JacquelineNombre de pages : 59Gounod, comme Berlioz à la même époque, eut le grand mérite d'avoir donné à la mélodie un relief qu'elle n'avait pas eu jusque là en France. C'est avec lui que naît véritablement la mélodie française qui se substitue peu à peu à la romance, plus simple et d'un accompagnement moins raffiné. Gounod, en particulier dans ses premières oeuvres, choisit de beaux textes et calque avec un grand talent sa mélodie sur le chant du langage français, en respectant le rythme établi par le poète. Nous avons voulu présenter une anthologie des mélodies qui nous ont semblé les mieux adaptées au goût d'aujourd'hui. Les Editions Henry Lemoine, qui furent à l'époque l'un des principaux éditeurs de Charles Gounod, souhaitent ainsi contribuer à faire aimer ces oeuvres au même titre que celles de compositeurs plus souvent interprétés et qui doivent peut-être quelque chose à Gounod... (Jacqueline Bonnardot)Contenu :L'Absent (Ch. Gounod) - Aubade (V. Hugo) - Rêverie (J. Barbier) - Beware ! (H.W. Longfellow) - Ma Belle Amie est morte (Th. Gautier) - Heureux sera le jour (P. de Ronsard) - Sérénade (V. Hugo) - Chanson de printemps (E. Tourneux) - Mignon (L. Gallet) - Au Rossignol (A. de Lamartine)
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10 Mélodies (GOUNOD CHARLES)
Français
High voice, Piano
[Sheet music]
Lemoine, Henry
Par GOUNOD CHARLES. Gounod, comme Berlioz à la même époque, eut le grand mér...
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Par GOUNOD CHARLES. Gounod, comme Berlioz à la même époque, eut le grand mérite d'avoir donné à la mélodie un relief qu'elle n'avait pas eu jusque là en France. C'est avec lui que naît véritablement la mélodie française qui se substitue peu à peu à la romance, plus simple et d'un accompagnement moins raffiné. Gounod, en particulier dans ses premières oeuvres, choisit de beaux textes et calque avec un grand talent sa mélodie sur le 'chant' du langage français, en respectant le rythme établi par le poète. Nous avons voulu présenter une anthologie des mélodies qui nous ont semblé les mieux adaptées au goût d'aujourd'hui. Les Editions Henry Lemoine, qui furent à l'époque l'un des principaux éditeurs de Charles Gounod, souhaitent ainsi contribuer à faire aimer ces oeuvres au même titre que celles de compositeurs plus souvent interprétés et qui doivent peut-être quelque chose à Gounod... Jacqueline Bonnardot / classique / Répertoire / Voix Élevée et Piano
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Oxford Solo Songs: Secular
High voice, Piano
[Sheet music + Audio access]
Oxford University Press
Low voice book downloadable backing tracks. Par . for low voice and piano This...
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Low voice book downloadable backing tracks. Par . for low voice and piano This beautiful collection of 14 songs for low voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for high voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano
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Bonnardot Jacqueline - Les Plaisirs Du Chant Vol.2 - Voix Elevee Ou Moyenne, Piano
Français
High voice, Piano
Lemoine, Henry
Partition pour voix moyenne et élevée et piano Collection : Bonnardot Jacqueli...
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Partition pour voix moyenne et élevée et piano Collection : Bonnardot Jacqueline Nombre de pages : 45 Cette édition s'adresse aux chanteurs mais également à tous les musiciens qui aiment le chant et veulent avoir facilement un large éventail de musique convenant à des voix peu exercées (formation musicale, par exemple). Tous les morceaux ont été choisis non seulement pour leurs qualités musicales, mais aussi pour leur efficacité pédagogique, favorisant ainsi le bon développement des jeunes voix. Les morceaux de chaque recueil sont choisis pour un niveau donné, et conviennent à des voix moyennes ou élevées, qui chanteront avec profit ces pièces ne sollicitant pas leur aigu, mais ne nécessitant jamais un grave ou un médium appuyé. Nous avons cherché à respecter scrupuleusement le texte original des morceaux choisis. Et c'est ce texte, fidèle, que nous avons parfois transposé, et pour lequel Irène Assayag et Bruno Gousset, selon leurs compétences respectives, ont réalisé les basses chiffrées. C'est ainsi que nous avons retranscrit les signes de mesure, et les ornements originaux, sans les adapter à l'usage du 19e siècle, laissant aux musiciens, la liberté de les interpréter avec goût. Il est possible, bien sûr, de faire travailler certaines pièces en vocalise, si la langue pose des problèmes, ou comme travail préliminaire pour installer le legato. Contenu : Beethoven: Dimmi ben mi - In questa tomba - Bellini: Ma rendi pur contento... - Britten: The Salley Gardens - Caccini: Amarilli - Cesti: Aria - Fauré: Le Secret - Gounod: O ma belle rebelle - Haydn: A Pastoral Song - Mozart: Dans un bois solitaire - Das Veilchen - Scarlatti: Le violette - Schubert: Florio - Schumann: Abschied von Frankreich - Weber: Meine Farben
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Album of Sacred Songs: High Voice: Mixed Songbook
High voice, Piano
[Sheet music]
Schirmer
The Album Of Sacred Songs was first published in 1918 as part of the ever-popula...
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The Album Of Sacred Songs was first published in 1918 as part of the ever-popular Schirmer's Library Of Musical Classics. Since then it has been re-released and re-printed many times but the original and much-loved collection of songs it contains has remained the same. Hidden within its 100+ pages are 22 sacred works by Bizet Gounod Hiller Mendelssohn Saint-Saens and many others all arranged for High Voice and Piano. This is a volume that will be treasured and re-used many times.
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Pop Standards: Vocal Solo: Mixed Songbook
High voice, Piano
[Sheet music + Audio access]
Hal Leonard
with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exc...
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with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exciting new series providing aspiring jazz vocalists and pianists with staples of the jazz repertoire. The singer's portion, matching the original sheet music, is paired with fresh, unique accompaniments arranged in an authentic jazz style and designed to enable the singer to sound like they're being backed by an accomplished jazz pianist. The accompaniments can be performed as written but include chord labels for pianists who are comfortable playing their own chord voicings. This book also includes access to recordings of the series arranger, Brent Edstrom, playing the piano accompaniments for use in rehearsal or performance. This edition features 25 must-know pop standards, including: Alfie · Blackbird · Bridge over Troubled Water · Dream a Little Dream of Me · Every Breath You Take · Fire and Rain · Goodbye Yellow Brick Road · Isn't She Lovely · Rolling in the Deep · (Sittin' On) The Dock of the Bay · Three Times a Lady · What the World Needs Now Is Love · Yesterday · and more.
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Peter Warlock: Critical Edition: Volume I - Songs 1911-1919: High Voice: Vocal
High voice, Piano
[Sheet music]
-
Intermediate
Thames Publishing
Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents ...
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Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the first volume focuses upon songs for the High Voice from the period 1911-1919. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With thirteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.
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Peter Warlock: Critical Edition: Volume V - Songs 1923-1928: High Voice: Vocal
High voice, Piano
[Sheet music]
-
Intermediate
Thames Publishing
Volume V - Songs 1923-1928-The Peter Warlock Critical Edition series represents ...
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Volume V - Songs 1923-1928-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the fifth volume focuses upon songs for the High Voice from the period 1923-1928. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.
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Peter Warlock: Critical Edition: Volume III - Songs 1921-1922: High Voice: Vocal
High voice, Piano
[Sheet music]
-
Intermediate
Thames Publishing
Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represent...
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Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the third volume focuses upon songs for the High Voice from the period 1921-1922. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.
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35 Mélodies ? 35 Songs (High Voice) (SAINT-SAENS CAMILLE) (SAINT-SAENS CAMILLE)
High voice, Piano
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. Cette édition fait partie de Musique Vocale Française...
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Par SAINT-SAENS CAMILLE. Cette édition fait partie de Musique Vocale Française , une collection dédiée au repertoire vocale français - soit original soit transposé - et conçue pour les étudiants, les professeurs et les interprètes professionnels. Le recueil inclut 35 mélodies avec textes originaux et traductions an anglais, composées par Saint-Saëns tout au long de sa carrière. Par le choix des textes utilisés, il nous montre un goût littéraire très sûr. Il n?est pas toujours facile de voir clair dans le corpus des mélodies du compositeur ; on relève cependant quelque cent-vingt ?uvres. Camille Saint-Saëns est de ceux qui donnèrent à la mélodie française ses lettres de noblesse, ouvrant la voie à la génération qui la porta à son plus haut niveau, celle de Gabriel Fauré et d?Henri Duparc. / Date parution : 2023-03-11/ Répertoire / Voix Haute et Piano
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The Boosey Voice Coach
High voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano
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Sechs Lieder der Märchenprinzessin (SZYMANOWSKI KAROL)
High voice, Piano
Universal Edition
Par SZYMANOWSKI KAROL. The composition of the Princess Songs marked the beginnin...
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Par SZYMANOWSKI KAROL. The composition of the Princess Songs marked the beginning of a particularly productive phase for Karol Szymanowski. Based on a series of poems by his sister Zofia, Szymanowski composed this colorful and glittering music in 1915; its exotic, lyrical and fantastical world is expressed in the coloratura soprano’s many passages, featuring trills and rapid runs. The princess herself remains mysteriously undefined. Love is her only recurrent theme. By withdrawing into internal fantasy during a time of war, Szymanowski found an opportunity to retreat into a dream world, and composing songs remained an important part of his lifelong work; in 1933 he arranged three of the six Princess Songs for voice and orchestra. (Sakari Oramo orchestrated the other three and conducted their first performance in 2012). (Translation on UE website by Grant Chorley.)/ Répertoire / Voix Haute et Piano
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Deutsche Volkslieder, Band 2 (BRAHMS JOHANNES)
High voice, Piano
[Sheet music]
Breitkopf & Härtel
Par BRAHMS JOHANNES. The 'Deutsche Volkslieder” WoO by Johannes Brahms were pu...
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Par BRAHMS JOHANNES. The 'Deutsche Volkslieder” WoO by Johannes Brahms were published in altogether seven books in 1894. The first six books each comprised seven songs for voice and piano accompaniment, and Book VII contained the subsequently composed songs nos. 43 to 49 for four-part chorus and piano ad libitum. Brahms had completed his compilation of the books in the winter of 1893/94- however, most of the songs were written earlier. Brahms' primary text source was the two-volume collection of 'Deutsche Volkslieder mit ihren Original-Weisen” (German Folksongs with their Original Melodies) published in 1838/1840 by Anton Wilhelm von Zuccalmaglio./ Répertoire / Voix Haute et Piano
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22 Mélodies - 22 Songs Pour Voix Elevée Et Piano (SATIE ERIK)
High voice, Piano
[Sheet music]
-
Intermediate
Salabert
High Voice And Piano. Par SATIE ERIK. Ce recueil fait partie de la collection ' ...
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High Voice And Piano. Par SATIE ERIK. Ce recueil fait partie de la collection ' Musique vocale française ', dédiée au grand répertoire vocal français et destinée aussi bien aux étudiants qu'aux professeurs et chanteurs professionnels. Les plus célèbres mélodies de Erik Satie y sont présentées, dans leur tonalité originale ou bien transposées, dans de nouvelles gravures. / Niveau : Intermédiaire / Répertoire / Voix Haute et Piano
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Gabriel Fauré: Complete Songs Volume 3 -: High Voice: Vocal Work
High voice, Piano
[Sheet music]
Peters
The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Faur...
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The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.
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Franz Schubert: Ave Maria: Vocal: Vocal Work
High voice, Piano
Santorella Publications
Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved ...
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Masterpiece Edition-Franz Schubert was born in Vienna in 1797. He was involved in music at an early age learning music theory and many different instruments including piano violin organ and voice. During his brief but prolific life he wrote a wide variety of music. His compositions included symphonies piano sonatas piano duets operas masses chamber works and several hundred songs. Among the hundreds of songs the most loved and revered is Ave Maria. Ave Maria was first published in 1826 under the German title Ellen's Gesang 111: Hymne and die Jungfrau (Ellen's Song 111: Hymn to the Virgin). The text used was taken from a novel written by Sir Walter Scott entitled 'Lady of the Lake'. It was then translated into German as it appeared in Schubert's song. After Schubert's death in 1828 the Latin text began being used and eventually surpassed either the use of the German or English text. 'Antiphon of the Blessed Virgin' is a text which has been used in religious contexts since the beginning of Christianity. This vocal classic was originally envisioned as a devotional piece but over time the magnificent beauty of both music and text has made this song equally popular for secular performances. Schubert's Ave Maria arranged for High Voice is recommended for Soprano or Tenor ranges. We have included a separate vocal line with lyrics written in Latin just above the piano accompaniment stave(s). The English translation is also included to explain this fabled story. This Minstrel Press Edition of Schubert's Ave Maria for High Voice is exclusively distributed by Santorella Publications.
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Benjamin Britten: Folksong Arrangements Volume 3: Voice: Vocal Album
High voice, Piano
[Vocal Score]
Boosey and Hawkes
A third collection of beautiful and vivid folk songs for High Voice and Piano Ac...
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A third collection of beautiful and vivid folk songs for High Voice and Piano Accompaniment arranged by Benjamin Britten. This volume contains the best of British pastoral and rustic folk songs and features a wide variety of moods and styles reflecting the varied cultures and diversity of the United Kingdom.
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Hear The Sweet Lark Sing - Choral Edition
High voice, Piano
Helbling Verlagsgesellschaft m.b.h
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux...
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Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux choeurs de femmes et des voix aiguës de tous âges, qui aiment re-capturer l'esprit et la beauté de ces mélodies traditionnelles de Grande-Bretagne et en Irlande, et sont un must pour ceux qui recherchent de nouveau, mais répertoire traditionnel.Ils sont situés dans deux ou trois parties vocales et sont dans une gamme de difficulté de facile à avancé. En conséquence, il ya beaucoup dans le 13 qui sont à portée de la plupart des choeurs qui aiment travailler sans aucun accompagnement instrumental, dans la tradition des chants populaires. Cependant, les symboles d'accords ont été ajoutés à chacun de ces arrangements habiles afin de répondre à ces chorales qui jouissent d'un certain appui improvisée instrumentale à la guitare ou au piano dans la performance. / Voix Elevée(s) Et Piano
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Hear The Sweet Lark Sing - Choral Edition
High voice, Piano
Helbling Verlagsgesellschaft m.b.h
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux...
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Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux choeurs de femmes et des voix aiguës de tous âges, qui aiment re-capturer l'esprit et la beauté de ces mélodies traditionnelles de Grande-Bretagne et en Irlande, et sont un must pour ceux qui recherchent de nouveau, mais répertoire traditionnel.Ils sont situés dans deux ou trois parties vocales et sont dans une gamme de difficulté de facile à avancé. En conséquence, il ya beaucoup dans le 13 qui sont à portée de la plupart des choeurs qui aiment travailler sans aucun accompagnement instrumental, dans la tradition des chants populaires. Cependant, les symboles d'accords ont été ajoutés à chacun de ces arrangements habiles afin de répondre à ces chorales qui jouissent d'un certain appui improvisée instrumentale à la guitare ou au piano dans la performance. / Voix Elevée(s) Et Piano
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Hubert Parry: My Heart Is Like A Singing Bird: High Voice: Vocal Work
High voice, Piano
[Sheet music]
Novello & Co Ltd.
Christina Rossetti’s poem The Birthday or My Heart is Like a Singing Bir...
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Christina Rossetti’s poem The Birthday or My Heart is Like a Singing Bird was published in 1857 and was the subject of at least a dozen musical settings before Hubert Parry. Parry had developed the habit by this point of memorizing a text and ‘cogitating’ on it before beginning composition.In this song Parry employs rippling semiquaver movement in both hands to establish the ecstatic nature of the piece which he only pauses at the climactic ‘Because my love is come to me’ most effectively. It remains one of his best-loved songs.
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Singer's World Book 4 (high voice): Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Intermediate
Trinity College London
Voice and piano (classical)-A program of entertaining and highly varied pieces f...
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Voice and piano (classical)-A program of entertaining and highly varied pieces for High Voice and Piano written to correspond with the Trinity College London examinations. The songs are carefully graded and intended to fully explore the range of techniques and abilities required.
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The Boosey Voice Coach: High Voice: Vocal Tutor
High voice, Piano
Boosey and Hawkes
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal tr...
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Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.
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