In Tempo, sur l'album du big band Lumière Yesternow était la deuxième partie d'un arrangement que j'avais écrit sur un thème signé Miles Davis, Tout de suite. J'ai eu par la suite le désir de faire cette partie une pièce autonome. C'est ainsi qu'elle est devenue In Tempo. Elle est presque entièrement écrite. Le conducteur est ainsi pratiquement une partie de piano dont il est difficile de s'éloigner, de même qu'il l'est de juxtaposer plusieurs instruments harmoniques. J'ai employé ici une technique de composition que j'utilise rarement, en tout cas de façon aussi systématique. La trame harmonique consiste en une suite d'accords de trois ou quatre sons à basse étrangère, qui s'enchaînent le plus souvent de façon arbitraire. On ne trouvera donc aucune logique tonale ou modale. Le solo (par Philippe Sellam au saxophone alto sur Yesternow et Flavio Boltro sur In Tempo) est rendu assez ardu par ce système. C'est pourquoi la partie de soliste reproduit purement et simplement le conducteur. Il ne faut surtout pas essayer de coller à chaque accord, mais tâcher de jouer le plus librement possible sur ces fonds un peu complexes. (Laurent Cugny) / Big Band / Partition

Play and Learn is an exciting method to learn the art of jazz improvisation -- for individual study or classroom use with an entire jazz ensemble. Through the use of recorded jazz tracks (70 on the CDs included), sequenced concepts involving exercises, licks and mini-charts, plus structured lessons, a student can acquire improvisation skills.

John Clayton penned this gorgeous ballad treatment for the great Joe Williams. With exquisite reharmonizations and carefully crafted accompaniment figures the mood starts out mellow then arcs beautifully to a full ensemble climaxbefore tapering to a quiet ending. (Altos double Flute Tenors double Clarinet Bari. doubles Bass Clar.)Recorded on “Smack Dab in the Middle” – The Hal Leonard Jazz Orchestra conducted by JohnClayton (07011581)

Here's an example of a tune that was so corny in the '70s that now it's 'cool' in the '90s. And you'll have to admit tha John Berry's treatment for jazz ensemble is fun to play.

Par CHURCHILL FRANK. Best known for his work with the Bill Evans Trio - as well as luminaries such as Billie Holiday, Benny Goodman, and Stan Getz - Chuck Israels is also a masterful composer and arranger. Here is his vocal solo arrangement of this timeless standard, beautifully scored as a jazz waltz with tasteful background figures. Also included are short solos for trumpet and piano. / Date parution : 2023-10-31/ Répertoire / Ensemble Jazz et Chant Solo

Here is a creative new take on the Duke Ellington favorite set in a New Orleans ?street beat? style. A piano introduction sets up the groove then a small group takes the initial statement of the theme. The rest ofthe ensemble enterswith a counter line before the full ensemble launches the solo section which is designed to feature any number of soloists. Unique and effective!

Big Band-Dedicated to the great jazz vocalist Betty Carter this exciting new up-tempo swing chart is the opening cut on Bobby Watson's big band album 'Tailor Made' (Columbia CK 53416). This 'burner' is perfect as a concert or festivalopener. Includes solos for Tenor Sax and Trombone.

Vocal Duet (or Trumpet/Flugelhorn and Tenor Sax)-This familiar holiday classic is sure to be a hit with all audiences. Often performed as a vocal duet for a girl and guy this versatile arrangement by Paul Murtha will also work as a vocal solo with tenor sax playing the guy vocal part. In addition optional parts are included allowing the duet to be performed using flugelhorn (or trumpet) and tenor sax.

Here is the St. Louis Blues like you've never heard it before! It opens in a slow New Orleans style with optional parts for clarinet and tuba. Quickly shifting key and tempo this masterful arrangement twists and turns throughnew and uncharted territory. A classic tour-de-force!

From the recording by Shirley Horn in 1992 this wonderful ballad went on to become her signature song. Beautifully arranged here in a slow bossa style this is a touching and sensitive tune for vocal soloist.