Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

Robert Schumann's Complete Songs Vol.2: 87 Songs for Voice and Piano. Edition for Medium Voice edited by Friedlander.Sonntag; Der Himmel hat eine Träne geweint; DerSpielmann; Stille Liebe; Frage; Stille Tränen; Wer machte dich so krank?; Alte Laute;Ständchen; Nichts schöneres; Auf das Trinkglas eines verstorbenen Freundes; Liebesbotschaft; Sehnsucht nach der Waldgegend; O ihr Herren; Ich hab in mich gesogen; Liebste was kann denn uns scheiden?; Flügel! Flügel! um zu fliegen; Rose Meer und Sonne; O Sonn o Meer o Rose; Märzveilchen; Muttertraum; Zigeunerliedche No. 2; Dichters Genesung; Jasminenstrauch;Es treibt mich hin; Ich wandelte unter den Bäumen; Lieb Liebchen; Schöne Wiege meiner Leiden; Warte warte wilder Schiffmann; Berg' und Burgen schaun herunter; Anfangs wollt ich fast verzagen; Sag an o lieber Vogel; Wanderung; Was soll ich sagen?; VerrateneLiebe; Nur ein lächelnder Blick; Der Knabe mitdem Wunderhorn; Der Page; Der Hidalgo; Die Löwenbraut; Die Kartenlegerin; Die rote Hanne; Lust der Sturmnacht; Stirb Lieb und Freud; Dem roten Röslein; Die wandelnde Glocke; Frühlingsbotschaft; Der Soldat; Vom Schlaraffenland; Zigeunerliedchen No. 1; Des Knaben Berglied; Käuzlein; Hinaus ins Freie!; Der Sandmann; Morgens steh' ich auf undfrage; Weihnachtslied; Schmetterling; Frühlings Ankunft; Kinderwacht; Des Sennen Abschied; Er ist's; Des Buben Schützenlied; Schneeglöckchen; Lied Lynceus des Türmers; Mignon; Die Waise; Tragödie; Der Schatzgräber; Abends am Strand; Die feindlichen Brüder; Die Nonne; Sehnsucht; Auf dem Rhein; Liebeslied; Loreley; Frühlingsgruß; Das verlaßne Mägdelein; Der Abendstern; Melancholie; Geständnis; Der Kontrabandiste; Der frohe Wandersmann; Mein Garten; Geisternähe; Stiller Vorwurf; Aufträge; Belsatzar.

Encore et encore, il se trouve que les possibilités d'apporter précoce et déjà la musique inédite de BA Zimmermann à la lumière - comme c'est le cas avec ce 'Chant de Abelone 'sur un poème de Rainer Maria Rilke qui Zimmermann mis en musique en 1939. L'enregistrement de toutes les chansons du compositeur est aujourd'hui suivie d'une édition imprimée - un aperçu intéressant de 'atelier de composition 'du début de Zimmermann. / Mezzo-Soprano Et Piano / Partition

herausgegeben von Erik Battaglia. Par . A collection of the most beautiful Lieder from Zelter to Strauss, a must on the shelves of fans and on the music stand of students and professionals, singers and pianists. With notes on performance and translation of poems. To preserve a precious tradition. / Date parution : 2021-11-03/ Recueil / Voix Medium-Grave et Piano

Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since mysister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78.However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim.The manuscript leavesfew questions. Obviously the pedal sustains the sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like thiselsewhere. A few phrase-marks have been added on existing patterns.' - Peter Dickinson

On Buying A Horse is a work for Medium Voice and Piano by Judith Weir. This piece received its first performance on 18th February 1992 in the Queen's Hall Edinburgh by the Edinburgh Contemporary Arts Trust. A performance lasts around 2 minutes. Please note that this version for Medium Voice and Piano cannot be used as a Vocal Score for the version found in 'Horse D'Oeuvres' which differs in rhythm and metre and is scored for Voice and Ensemble.

For Mezzo-Soprano (or Baritone) and Piano. Text: Walter de la Mare. Premiered by Janet Baker and Geoffrey Pratley in Chichester Cathedral July 1977.

Elgar was pre-eminently the composer of large forms. Complex lengthy development of musical ideas was for him a measure of genius. His songs with the exception of the orchestral cycle Sea Pictures were not often the vehicles for his most striking ideas. Paradoxically he was also bedevilled by a fine literally taste. He once told a friend that he felt it better to set the best second-rate poetry to music for the most immortal verse is music already. Some of his songs are therefore settings of poets now all but forgotten such as Arthur Salmon and Gilbert Parker: to their verse his music might make a vital addition. Elgar's songs offer authentic Edwardianreflections which we can value now in their own terms. These songs are full of echoes of a master's thoughts - and especially in the songs written for the stage - flashes of his genius.

Par WECKERLIN JEAN-BAPTISTE. Bergerettes, also known as Shepherdess' Airs, were an form of early rustic French song. French composer, Jean Baptiste Weckerlin 's (1821-1910) arrangements of these popular songs for Voice and Piano are a sublime addition to the repertoire. The Bergerette is traditionally in strophic form. Weckerlin 's 20 harmonisations of some of the most favourite French Bergerette provides truly sublime additions to the vocal repertoire. For all aspiring vocalists, Weckerlin 's arrangements of traditional Bergerettes cannot be missed./ Répertoire / Voix Moyenne et Piano

Medium High Voice-Medium High Voice. Collection of 21 songs including interesting notes about each from the composer. Contents: Afternoon on a Hill · Air · An Old Fashioned Song · Coyotes · Fewer Words · A Horse With Wings · I Am Cherry Alive · Janet Underneath the Roses · The Lake Isle Of Innisfree · My Sister's New Red Hat · Once I Was · Poem (Lana Turner Has Collapsed!) · The Red Dress · Souvenir · Sweet Song · Sycamore Trees · The Special Picnic · The Spring and the Fall · What Shall We Remember? · White Haired Woman · Will There Really Be a Morning?

20th Century Art Songs is a collection of contemporary art songs suitable for both Recital and Study. It contains 27 works by 21 composers including Samuel Barber Leonard Bernstein Arthur Bliss Paul Creston Charles T. Griffes and more. The songs are arranged for medium Voice and Piano.20th Century Art Songs is the perfect volume for any singer looking to develop their range of art songs or for anyone interested in 20th Century Music.

Six Poetic Songs-Donald Swann is best known as one half of the comic duo Flanders and Swann who dominated the West End and Broadway stages in the late 1950s and 1960s. Though less recognised he was also a leading exponent of the lyric song having reinterpreted the English art-song tradition exemplified by Parry Quilter Warlock and others in his own distinctive and exotic way. This second volume of his songs for Medium Voice and Piano features a range of styles and moods that fit with the diversity of the poems he has set and demonstrate his sensitivity to the setting of texts to music. These Practical Versions of Swann’s ever evolving songs are a wonderful insight into thecomposer’s ability and justify his place in the canon of English song.

First Edition. Par KORNGOLD ERICH WOLFGANG. Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood./ Répertoire / Voix Moyenne et Piano