Für Oboe Solo. Par SCHMIDINGER HELMUT. Sie kennen sicher den Begriff des „geflügelten Wortes“. In der neueren Sprachforschung ist man allerdings der Ansicht, dass diese Metapher nicht von den Flügeln, sondern von den Pfeilen herstammt, die an ihrem Ende mit kleinen Federchen gefiedert sind – daher der Begriff „gefiederte“ Worte. Im folgenden Stück nun werden vier dieser „gefiederten Worte“ stellvertretend für vier Szenen aus dem Leben des Odysseus musikalisch umgesetzt. Das Stück beginnt mit einem Proömium, einem Einleitungshymnus, in dem die Musen angerufen werden – quasi eine Art Ouvertüre – gefolgt vom Thema des Helden Odysseus. Die weiteren Szenen sind „Odysseus und der Kyklop“ – „Die Sirenen“ – „Der Freiermord“ –„Odysseus und Penelope“. (Helmut Schmidinger)/ Répertoire / Hautbois

Née en 1965 dans l'état de New York, Kathryn Potter s'est passionnée très tôt pour le hautbois. Ses excellents résultats lors des évaluations annuelles de l'Association des Ecoles de Musique de l'Etat de New York lui ont permis d'obtenir des bourses d'études auprès de professeurs renommés comme Lois Wann à New York, Michael Winfield à Londres et avec Marc Liefschy à San Francisco. Ces enseignements, très divers, ont permis à Kathryn d'acquérir une culture, assez rare, tout à la fois américaine et européenne. Très tôt attirée par la composition musicale, elle a suivi les cours de Karel Husa au collège d'Ithaca (NY) et d'Eleanore Armer au conservatoire de musique de San Francisco dont elle est diplomée. Après avoir enseigné (hautbois, flûte, piano et composition) pendant 18 ans à des élèves de tout âge, elle crée en 2010 la compagnie ' Oboe Brilliance inc ' (le lustre du Hautbois) destinée à développer la joie de vivre dans trois domaines conjoints : Accompagner et guider les hautboïstes Composer de nouveaux morceaux pour hautbois Offrir de nouvelles possibilités d'expression aux fervents du hautbois de maintenant et de demain. / Hautbois / Partition

This collection of etudes duets and exercises was written compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars) Wiedemann Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty becoming more challenging melodically and rhythmically with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathingand intonation. This collection of studies in three volumes can help a high school student or young professional to master technique breathing and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov) to study the oboe. In 1964 he graduated from the College of Music with multiple degrees in oboe performance oboe teaching and conducting. During his career Yuri Maizels played in major orchestras working with such well-known conductors such as Yuri Temirkanov Mariss Jansons Yuri Simionov Valery Gergiev and others.

This collection of etudes was written compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars) Wiedemann Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty becoming more challenging melodically and rhythmically with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. Thiscollection of studies in three volumes can help a high school student or young professional to master technique breathing and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov) to study the oboe. In 1964 he graduated from the College of Music with multiple degrees in oboe performance oboe teaching and conducting. During his career Yuri Maizels played in major orchestras working with such well-known conductors such as Yuri Temirkanov Mariss Jansons Yuri Simionov Valery Gergiev and others.

Volume 3-French oboist Louis Bleuzet (1874-1941) studied at the Paris Conservatoire where he won first prize for Oboe. Being a virtuoso of the instrument himself his The Technique of the Oboe is very well-informed. Bleuzet's career saw him become soloist at the Paris Opera as well as a professor of the Oboe at the Paris Conservatoire. Published in 1937 The Technique of the Oboe was compiled by the composer toward the end of his life. The third volume gives focus to arpeggios and staccato within a variety of rhythms time signatures intervals and other aspects. With detailed instruction in English Frenchand German this Bleuzet study book is highly versatile and essential to the progression of all oboist's technique.

La méthode Hautbois, un texte standard pour les hautboïstes, assurera un confort de jeu pour faire avancer hautboïstes. Tout cela nouvellement gravé et édition révisée, éditée par Martin Schuring, corrige les erreurs et les incohérences trouvées dans la publication originale de Barret, et a été élargi pour inclure des sections de la publication originale de Barret étudié par hautboïstes aujourd'hui. / Hautbois