The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass German composer and violinist Johann Pfeiffer (1697 - 1761) was born in Nuremberg and made a career as concertmaster in various orchestras throughout southern Germany. Much of his life was spent in Bayreuth working for the court of Wilhelmine of Prussia Margravine of Bayreuth teaching her composition and violin. During his lifetime he composed a variety of orchestra and chamber music including this Concerto in B-flat Major in three movements: Allegro ma non troppo Andante and Allegretto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set areparts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Viola Cembalo/Cello/Contrabass

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the mostwidely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado. Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass