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Piano solo
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ShowTime Piano Disney Level 2A: Piano: Instrumental Album
Piano solo
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Easy
Faber Piano Adventures
Level 2A-ShowTime Piano Disney presents contemporary and classic Disney hits arr...
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Level 2A-ShowTime Piano Disney presents contemporary and classic Disney hits arranged for the pianist at Level 2A. Students develop fundamental skills reading basic rhythms intervals and simple chords all while playing appealing songs from favorite movies such as Aladdin Pirates of the Caribbean Mulan and more. Almost There (Princess and the Frog) - Baroque Hoedown (Main Street Eletrical Parade at Disneyland« Resort and Magic Kingdom« Park) - Chim Chim Cher-ee (Mary Poppins) - Colors of the Wind (Pocahontas) - He's a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl) - Proud Corazon (Coco) - Reflection (Mulan)- Under the Sea (The Little Mermaid) - AWhole New World (Aladdin.)
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World's Greatest Love Songs Piano
Piano solo
[Sheet music]
Alfred Publishing
57 of the Most Popular Love Songs of All Time. This comprehensive collection of ...
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57 of the Most Popular Love Songs of All Time. This comprehensive collection of love songs includes selections by the finest composers and songwriters from the worlds of movies, pop, Broadway and jazz. The titles also span more than 80 years with hits from the 1920s all the way through 2007. This collection includes chord symbols and lyrics, and most of the pieces are in vocal ranges appropriate for singing along. The 57 titles include: Almost Like Being in Love * Angel Eyes * As Time Goes By * At Last * Beautiful (As You) * Beauty and the Beast * Because You Loved Me * Can You Feel the Love Tonight * Can You Read My Mind? * Dream a Little Dream of Me * Embraceable You * Emily * Endless Love * Five Foot Two, Eyes of Blue * The Gift * Hero * How Could I Ever Know? * How Deep Is Your Love * How Do I Live * I Believe In You and Me * I Could Write a Book * I Don't Want To Miss A Thing * I Get a Kick Out of You * I Only Have Eyes for You * I've Got You Under My Skin * I've Grown Accustomed to Her Face * Killing Me Softly With His Song * Kiss The Girl * Laura * Let's Do It (Let's Fall in Love) * Love Is a Many Splendored Thing * Love is Here to Stay * Misty * My Funny Valentine * Reflection * Send in the Clowns * Somewhere, My Love * Take My Breath Away * Taking a Chance on Love * Teach Me Tonight * The Morning After * The Rose * Theme from Ice Castles (Through the Eyes of Love) * This I Promise You * This Kiss * This Magic Moment * Three Coins in the Fountain * Up Where We Belong * Wedding Song (There is Love) * When A Man Loves a Woman * When I Fall in Love * Wind Beneath My Wings * You Light Up My Life * You Raise Me Up * You'll Be In My Heart * You'll Never Know * (Your Love Has Lifted Me) Higher
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Almost Baroque: Piano: Instrumental Album
Piano solo
Schaum Publications
Almost Baroque
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Piano Concerto No.2: Piano: Part
Piano solo
[Sheet music]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo a...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo and Orchestral Reduction.Dedicated Becky Starobin. Written for Vassily Primakov. Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Programme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonoroustreasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing for one of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts.
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Poul Ruders: Paganini Variations - Piano Concerto No.3: Piano: Score
Piano solo
Wilhelm Hansen
Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-pa...
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Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano?'. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the
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Contact (VAN NUETEN GUY)
Piano solo
Metropolis Music Publishers
Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of bei...
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Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano
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Disney Hits for Piano Solo: Piano: Instrumental Album
Piano solo
Hal Leonard
This songbook contains 14 fantastic arrangements of popular songs from contempor...
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This songbook contains 14 fantastic arrangements of popular songs from contemporary Disney hit movies for Piano solo including: Almost There Do You Want to Build a Snowman? Falling for Ya He's a Pirate I See the Light Let It Go Married Life True Love's Kiss We Belong Together and more.
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Robert Schumann: Sämtliche Klavierwerke Band 6: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Advanced
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
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On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Exercises [Beethoven Studies] Variations on a Theme in E flat major ['Ghost' Variations] E flat major Drei Fantasiestücke op. 111 Three Piano Sonatas for the Young op. 118 Album Leaves op. 124 Seven Piano Pieces in Fughetta Form op. 126 Gesänge der Frühe op. 133 'Einsame Blume' from Forest Scenes op. 82 Coloured Leaves (BunteBlätter) op. 99
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Robert Schumann: Sämtliche Klavierwerke - 6 Bände im Schuber: Piano: Study Score
Piano solo
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879 93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Contents:Abegg Variations op. 1Papillons op. 2 Paganini-Studies op. 3 Intermezzi op. 4 Impromptus op. 5 (1833/1850) Davidsbündlertänzeop. 6 Toccata op. 7 (1830/1834)Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8 Carnaval op. 9Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15 Kreisleriana op. 16 Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19Humoresque B flat major op. 20 Novelettes op. 21 Sonata g minor op. 22 Night Pieces op. 23 Carnival of Vienna op. 26 3 Romances op. 28 Scherzo Gigue Romance and Fughetta op. 32 Album for the Youngop. 68 Four Fugues op. 72 Four Marches op. 76 Forest Scenes op. 82 Exercises [Beethoven Studies] Variations on a Theme in E flat major ['Ghost' Variations] E flat major Drei Fantasiestücke op. 111
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Robert Schumann: Sämtliche Klavierwerke Band 3: Piano: Instrumental Album
Piano solo
[Sheet music]
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Advanced
G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
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On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15Kreisleriana op. 16
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Robert Schumann: Sämtliche Klavierwerke Band 2: Piano: Instrumental Album
Piano solo
[Sheet music]
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G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
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On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8Carnaval op. 9
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Tilo Medek: Meine Kleine Nostalgie: Piano: Instrumental Work
Piano solo
[Sheet music]
Chester
Seven Character Pieces For Piano-Tito Medek (1940-2006) was a German composer. H...
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Seven Character Pieces For Piano-Tito Medek (1940-2006) was a German composer. He studied in East Berlin before moving to West Germany in 1977. His considerable output encompasses almost every genre and has won many international awards. His style is varies from the avant-garde to the neo-tonal but always with a clear structure and thorough understanding of the instruments for which he is writing.Meine Kleine Nostalgie (My Little Nostalgia) was written in 1974-5 but not performed until 1977 just before the composer left East Germany. It is a collection of seven ?Character Pieces? written for solo Piano. Each piece has a descriptive title that elucidates on the character thecomposer was trying to recreate.
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Robert Schumann: Sämtliche Klavierwerke Band 5: Piano: Instrumental Album
Piano solo
[Sheet music]
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G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
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On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Carnival of Vienna op. 26 3 Romances op. 28 Scherzo Gigue Romance and Fughetta op. 32 Album for the Young op. 68 Four Fuguesop. 72 Four Marches op. 76 Forest Scenes op. 82
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Robert Schumann: Sämtliche Klavierwerke Band 4: Piano: Instrumental Album
Piano solo
[Sheet music]
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G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned them a difficulty of 'advanced' as a guide tothe general proficiency required to play all the pieces.Contents:Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19 Humoresque B flat major op. 20 Novelettes op. 21Sonata g minor op. 22 Night Pieces op. 23
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Karl Aage Rasmusson: Etudes and Postludes: Piano: Instrumental Work
Piano solo
[Sheet music]
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Intermediate
Wilhelm Hansen
Karl Aage Rasmussen's Etudes And Postludes (1989-90) for Piano solo.Programme No...
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Karl Aage Rasmussen's Etudes And Postludes (1989-90) for Piano solo.Programme NoteThe title suggests two kinds of music: something which is far away maybe almost out of reach but which you nevertheless try to embrace; and something close and familiar which you are taking leave of. Thus in a sense the pieces form a diary. The Postludes allude to other musics former music of my own and of others. The Etudes open new doors – they make use of working strategies and mind models that were quite new to me at the time. Piecesrelated to Charles Ives Igor Stravinsky and Friedric Chopin (together with a ragtime and a mournful melody) form the basis for a music pointing backwards – the Postludes. The Etudes are all based on different kinds of multiplication where a few notes or a tiny musical module repeatedly twists back on itself and closes a loop. The general name for this is self-reference and the Etudes reflect themselves endlessly the way a mirror mirrors another mirror. The result is that rhythmic and melodic patterns emerge unpredictably like gifts from unknown muses. Etudes and Postludes was commissioned by the late Yvar Mikhashoff and they are dedicated to his memory and to their first performer Erik Kaltoft. And between lines also to György Ligeti the re-discovered and sophisticated master of the classic etude for piano. The pieces can be played in any number and in any order. It is left to the discretion of the player to group pieces in suites respecting simple rules of variety.Karl Aage Rasmussen
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Robert Schumann: Sämtliche Klavierwerke Band 1: Piano: Instrumental Album
Piano solo
[Sheet music]
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G. Henle
On the 200th anniversary of Robert Schumann's birth an ambitious project is com...
(+)
On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces.Contents:Abegg Variations op. 1Papillons op. 2 Paganini-Studies op. 3 Intermezzi op. 4 Impromptus op. 5 (1833/1850) Davidsbündlertänzeop. 6 Toccata op. 7 (1830/1834)
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Ludwig van Beethoven: Beethoven - Concerto No. 2 in B-flat Major Op. 19: Piano:
Piano solo
[Sheet music + CD]
Music Minus One
Piano-Though published later the Concerto No. 2 was actually the first of Beeth...
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Piano-Though published later the Concerto No. 2 was actually the first of Beethoven's concerti to be written and displays an almost Mozartian style with a solo part that is exciting and beautiful but accessible to less advanced players. Technically it is the easiest Beethoven concerto to master. Includes a high-quality printed music score and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment minus the soloist. Performed by David Syme piano. Accompaniment: Stuttgart Symphony Orchestra. Conductor: Emil Kahn.
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Argentina's Tango: Piano: Instrumental Album
Piano solo
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Intermediate/advanced
Ricordi
The Best Ever Collection-Capture the power passion rhythms and magic of the Th...
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The Best Ever Collection-Capture the power passion rhythms and magic of the The Tango with this special collection of the very best from Argentina. With its roots in the Cuban Habanera the Tango developed in Latin America as a potent symbol ofsexuality and close-contact. This authoritative collection boasts a 15-page history and overview of the Tango and its origins as well as containing almost 100 superb concert Dances for solo Piano.
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Bear McCreary: Battlestar Galactica: Piano: Instrumental Album
Piano solo
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Intermediate/advanced
Hal Leonard
Variety called composer Bear McCreary's score for the hit Syfy series Battlesta...
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Variety called composer Bear McCreary's score for the hit Syfy series Battlestar Galactica ?the most innovative music on TV today ? and NPR said it ?fits the action so perfectly it's almost devastating: (it's) a sci-fi score like no other.? For this special collection McCreary himself has translated the acclaimed orchestral score into fantastic solo piano arrangements at the intermediate to advanced level. Includes 19 selections in all and as a bonus simplified versions of ?Roslin and Adama? and ?Wander My Friends.? Contains a note from McCreary as well as a biography. A must for all BSG fans!
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Finding Dory: Piano: Instrumental Album
Piano solo
[Sheet music]
Hal Leonard
Music from the Motion Picture Soundtrack-The 2016 sequel to the adorable Disney/...
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Music from the Motion Picture Soundtrack-The 2016 sequel to the adorable Disney/Pixar film 'Finding Nemo' Finding Dory chronicles the story of Ellen Degeneres' lovable yet memory-challenged blue tang fish.This matching folio for solo Piano contains 16 songs penned by Thomas Newman from the soundtrack to the movie including Unforgettable (performed by Sia) Almost Home Finding Dory (Main Title) Gnarly Chop Hide and Seek Jewel of Morro Bay Joker at Work Kelpcake Loon Tune Quite a View ...Shells Three Hearts (End Title) and more.Full-colour artwork from the movie is also included.
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Anthony Gilbert: Monsoon Toccata: Piano: Instrumental Work
Piano solo
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Advanced
University Of York Music Press
Monsoon Toccata by Anthony Gilbert. 3'33'; for solo piano. In memoriam Janet Owe...
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Monsoon Toccata by Anthony Gilbert. 3'33'; for solo piano. In memoriam Janet Owen Thomas (1961-2002).'In 1988 Janet Owen Thomas met up with me in Sydney at the end of a short organ-recital tour - possibly her last before devoting herself entirely to composing. We returned to England together doing a rapid circular tour of Northern India on the way. Alighting from the plane at Delhi we were hit by the whirling wind and torrential rain of the seasonal monsoon and early the following morning there was also a minor earthquake.This experience determined the spirit of the music and Northern Indian Raga determines the purely technical approach withthe quasi-improvisatory toccatalike textures acting as decoration to a slow-moving widely-spaced modal top line which almost loses control of the overall shape at the mid-point - a reflection of the impact of those natural phenomena.'A.G.
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Gabriel Fauré: Barcarolles - Piano Solo: Piano: Instrumental Album
Piano solo
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Advanced
Barenreiter
Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (...
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Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (1882 1921) are highly representative of his output for piano and are regarded as his most characteristic works. They reflect his breaking free from the Romantic idiom particularly that of Chopin and Mendelssohn developing an independent musical language in which he combined tradition and the emerging modernism.These important works are now made available in scholarly-critical Urtext editions based on the ?uvres complètes de Gabriel Fauré and reflect the latest state of research. Detailed forewords offer information on the genesis and significance of thecompositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration leading to new discoveries particularly regarding the Valses-Caprices.Based on the ?uvres complètes de Gabriel FauréBased on the latest research findings and extensive source studiesInformative forewords with advice on performance practice (Fr/Eng/Ger)Christophe Grabowski is a French pianist and doctor of musicology and studied in Warsaw and Paris. He has edited a volume of the ?uvres complètes de Gabriel Fauré and is Series Editor of the Complete Chopin: A New Critical Edition as well as two volumes of the Édition Complète des ?uvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin?s First Editions in 2010.
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Camille Saint-Saëns: Piano Concerto No. 4 In C Minor Op.44: Piano: Instrumental
Piano solo
[Sheet music + CD]
Music Minus One
Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Ca...
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Piano Concerto No. 4 In C Minor (concerto pour Piano en ut mineur) Op. 44 by Camille Saint-Saëns is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony but these are grouped in pairs. That is the piece is divided into two parts each of which combines two main movements (Part 1: I. Moderatetempo Theme and Variations in C Minor; II. Slower Theme and Variations in A-flat Major; Part 2: III. Scherzo in C Minor; IV. Finale in C Major). However in each part there is a bridge-like transitional section between the two main 'movements' for example a fugal Andante in part II functions as aninterlude between the two main sections. The concerto begins with a gently mischievous chromatic subject heard in dialogue between the strings and piano soloist and continues in a creative thematic development similar to Saint-Saëns' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante he moves to A-flat major with a chorale-like theme in the woodwinds (also strikingly similar to the tune of the Third Symphony's final section) and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo using material foreshadowed in the first movement. 2/4 and 6/8 are playfully juxtaposed throughout. At one point the Piano boldly leads the orchestra in an energetic 6/8 theme in Eflat major. Eventually the orchestra moves to a lush Andante recapitulating the Andante section from the first movement. Rather suddenly the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano in glittering cascades guiding the orchestra to a fortissimo close.The piano concerto was premièred in 1875 with the
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Schumann - Brahms - Kirchner Band 4
Piano solo
Schott
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
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With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
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Schumann - Brahms - Kirchner Band 4
Piano solo
Wiener Urtext
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the g...
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With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano
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Nils Franke: Beethoven - Schubert - Hummel Band 3: Piano: Instrumental Album
Piano solo
Wiener Urtext
Easy Piano Pieces with Practising Tips-With the new Urtext Primo series Wiener ...
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Easy Piano Pieces with Practising Tips-With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons.The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven Schubert and Hummel Volume 4 (scheduled for publication in early 2014) works by Schumann Brahms and Theodor Kirchner. Further volumes are being planned.
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Johannes Brahms: Schumann - Brahms - Kirchner Band 4: Piano: Instrumental Album
Piano solo
Wiener Urtext
Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wie...
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Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and Piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces.
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At The Piano With The Sons of Bach (AASS LARS / HINSON MAURICE)
Piano solo
[Sheet music]
Alfred Publishing
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque t...
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Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player. **ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano
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