SKU: CY.CC3158

ISBN 9790530111277. 8.5 x 11 in inches.

Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.

SKU: CY.CC2647

Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen mussen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas.

Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.

SKU: CY.CC5008

ISBN 9790530111314. 8.5 x 11 in inches.

La Peri is a ballet in one act by Paul Dukas, written in 1912 and first performed in Paris. The Fanfare was originally scored for full brass ensemble, however this great arrangement for Trombone Quintet by Andrew Poirier is one of the favorites of the Canadian Trombone Ensemble iTromboni. For advanced performers, the work is about 2 minutes in length.

SKU: SS.50001520

Partite is a continuous--that is, connected--set of variations on the chorale melody Herzliebster Jesu, was hast do verbrochen translated in some modern hymnals Ah Holy Jesus, how has Thou offended?. The basic form of the work is rather traditional--a theme played by bass trombone preceded by an introduction and followed by a series of variations. A more fundamental aspect, however, is the shape created by a succession of moods: the introduction is questioning, or perhaps questing; the statement of the theme is quiet but troubled; the three variations following become gradually more mocking and sarcastic, but are overcome by the serene and accepting final section, which incorporates one of J.S. Bach's most moving harmonizations of the chorale. Partite was commissioned by the University of Georgia Trombone Choir, Dr. Phillip Jameson, Director. It is dedicated to the memory of Mark A. Lea. Copyright 1987.

SKU: SU.28100090

Eight Trombones [5 tenor, 3 bass] Duration: 20' Composed: 2018 Published by: Distributed Composer.

SKU: CY.CC3087

ISBN 9790530110645. 8.5 x 11 in inches.

Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work. This music is about 15 minutes in length and is for advanced performers. The four movements of the work are: Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement. Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot. The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes. Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish. Cherry Classics is proud to be the new distributor of this great work.

SKU: CY.CC2972

ISBN 9790530057919.

BIG RIFF is a new work by John Frith for 8-part Trombone Ensemble. It was written as the opening Anthem for Trombonanza 2017, which is a festival takes place annually in the town of Santa Fe, Argentina.
Mr. Frith was commissioned to compose this work to open the Festival.
The music is about 5 minutes in length and features strong Latin rhythms throughout. The work builds and builds as it adds layers of complexities including a jazz solo for one of the players.
The all the middle parts are playable by intermediate performers. Part 1 can be performed on alto or tenor and goes up to high f's. Part 8 is quite low.
The work ends in a big climax after building up throughout. Very fun work to perform with a massed group.

SKU: CY.CC3183

ISBN 9781774310014. 8.5 x 11 in inches.

David Wilborn's SlideShow for 8-part Trombone Ensemble is a showy work that has continuous energy all the way throughout. It is in A-B-A format with the B section being a bit more relaxed. The work has lots of rhythmic and tonal contrasts and gives a very good work out for the performers' slides as well, as per the title. The music is about 6 minutes in length, all in bass clef and is appropriate for advanced performers. SlideShow was written for Jon Bohls and the SlideShow Trombone Choir of Dallas, Texas.

SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC2851

Respighi completed the 4-movement set of Biblical episodes titled Church Windows in 1925. He actually composed the music first and then added the titles, dispelling any theory of specific religious fervor on his part, but rather creating a general mood with the music.

St. Michael the Archangel, the “battle-scene” 2nd movement is about 6 minutes in length.

Mr. Malmstrom has once again shown his talent for arranging large works for Trombone octet. It is appropriate for advanced performers.

SKU: CY.CC3135

ISBN 9790530111048. 8.5 x 11 in inches.

Henry Wolking's The Best Dam Trombone Quintet Ever may just be! It is a fun, feel-good piece to perform and to listen to. The undulating rhythms and close harmonies produce a pleasing mood with a hint of a jazz feel. The music gives you a big hug. Here is a description of the work by the composer: In the summer of 2017 my wife and I moved to the Nevada Dam town of Boulder City. The town began as a construction camp in early 1930s for the workers of the Boulder Dam (later renamed the Hoover Dam). The dam is one of the worlds great construction projects of the 20th century and has over a million yearly visitors. My house is less than ten minutes away from the dam, and because the dam in one way or another affects everyone living in this unique Nevada town, my newest trombone quintet (composed in January 2018) is the best, well you get the picture. It is a high energy single movement work inspired by the Hoover Dam and Lake Mead. Ranges are fairly moderate with a high C# in the first trombone at the end. This is a fun romp for five dam fine trombonists. The 4 1/2 minute work is appropriate for advanced performers.

SKU: CY.CC2598

Crucifixus by Antonio Lotti is part of his Credo in F. This motet of 8 voices is a wonderful example of polyphony with many suspensions thrown in for good measure. The music is sweet with a beautiful sadness, making it a work that touches most listeners in a very personal way.

Mr. Brink has transposed the work down a fifth into the key of F minor (resolving to F major at the conclusion), otherwise keeping the music true to its origins.

This 4 minute work has a range of up to high B-flat for the 1st part. The top four parts are in tenor clef.

The mp3 sound file is from a live performance of the Rundfunkchor conducted by Sir Simon Rattle from YouTube.