Big Band Play-Along Volume 4-Easy-to-read authentic big band parts for ten terrific jazz tunes with a professionally recorded play-along CD that lets instrumentalists perform as part of a big band.

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile à Intermédiaire / Recueil / Trompette

Play with a real band!-Bigger Swop is the follow-up to Big Swop - a household name in the wind-playing world. A variety of pieces in different styles such as R&B bossa nova swing and latin rock pass in revue. This album offers plenty of opportunities to improvise. The live recorded accompaniments on the CD make playing easy and fun!The accompaniment parts (including the chord notation) are on the CD in printable (PDF) format. You can print them out for your band members.

This exciting contains easy arrangements for solo flute of well known pop songs including Bohemian Rhapsody (Queen) Big Big World (Emilia) I Just Called To Say I Love You (Stevie Wonder) and Baby One More Time (Britney Spears) together with many traditional tunes.

11 Swinging pieces with optional second part-Play-along with your very own swing band with this jazzy new book that contains fairly easy melodies varying in styles from Jazz Waltz to Boogie. The pieces can be used as solos with the backing CD or as duets with the optional second part. The accompanying CD containing backing tracks performed by leading jazz musicians will bring all performances to life.

Easy pieces with optional second parts-This is a unique publication which enables you to make music in different ways and using various strengths. With this book you can play solo or duo with or without accompanying CD. You can play together with someone who plays the same instruments or you can play with other wind and brass instrumentalists. A highly versatile book with original tunes for learning enjoyment.

Par WASTALL PETER. Peter Wastall?s award-winning series of tutor books for woodwind and brass instruments, now available in revised and refreshed editions to instruct and inspire the next generation of musicians, guiding them from beginner level to Grade 3 standard. Divided into units that provide clear explanations of each new stage of learning, alongside plentiful exercises and graded concert pieces, the LEARN AS YOU PLAY method is simple to understand and easy to use. Demonstration and accompaniment audio tracks and printable piano accompaniments are accessible online. / Niveau : très facile - moyen / Date parution : 2024-02-16/ Etude / Trompette

Developing students are presented with the essential elements of H.L. Clarke's Technical Studies for the Cornet in this clear and easy-to-follow introductory book.Editor Sea O'Loughlin has maintained the original musical and technical intent but carefully adapted the materials for the younger player. In particular My First Clarke is organized by key signature rather than by the technical exercise. This approach better integrates the techniques of Clarke's studies by paralleling the usual progression of learning the instrument.

Compilation de chansons Rock pour Trompette. Inclus un CD audio avec piste démo et piste playback pour chaque morceau. / Niveau : Facile / Rép International / Recueil / Trompette

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.