13 songs guaranteed to get the fans fired up, including: Crazy Train · Don\'t Stop Believin\' · Eye of the Tiger · Havana · Seven Nation Army · Sweet Caroline · We Are the Champions · and more. Songs are arranged for instrumentalists and feature access to great demonstration and backing tracks so they can play along and sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Ce recueil rassemble 16 études de concert, composées pour Philip Smith (Trompette Solo de l'Orchestre Philharmonique de New York) par 10 des plus grands compositeurs actuels dans le domaine des cuivres. De styles variés, elles accordent une large place à l'expression et à la musicalité et permettront aux trompettistes de niveau intermédiaire à avancé de travailler toutes les techniques de l'instrument. / Trompette / 32 pages / niveau : Moyen / Partition Cd

Pour tous ceux qui recherchent un nouvel outil pédagogique pour apprendre à jouer d?un instrument à vent, les Éditions De Haske proposent la méthode Écouter, lire

Take centre stage and play along with a live band. Read the music in the book while the authentic CD backing tracks help you to become a more professional performer. With this great 3-part hybrid book you get: Printed music: ten soulful gospel pieces in melody line arrangements Audio CD: Professional 'soundalike' performances of every piece featuring a live band, plus backing tracks to play along with. FREE internet downloads: Full band score and parts downloadable to your computer. / Trompette

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.