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VIBRAPHONE
Viola, Piano
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Snare drums (102)
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DVD concert (76)
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Violon 1 (6 parts) Violon 2 (6… (72)
Clavecin ou Harpe), 2 Violons … (72)
Flute, Basso continuo (71)
Flexible Instrumentation (71)
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Choeur SATB, 2 Flûtes Travers… (69)
:: (69)
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Euphonium en Clé de Fa Do ou … (63)
Organ, Trumpet (duet) (62)
Clarinette et Orchestre (61)
2 Trumpets (duet) (61)
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Quintette de Cuivres (60)
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Voix et Orchestre (59)
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Saxophone Ténor et Piano (54)
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Marimba (54)
Piano Quintet: piano, violin, … (54)
3 Clarinets (trio) (54)
2 Violons, Alto, Violoncelle e… (54)
Oboe and Orchestra (54)
Flute, Clarinet (duet) (53)
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Choeur d'Enfants, Solistes, In… (53)
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3 Trombones Ténor et 1 Trombo… (52)
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High voice (52)
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2 Hautbois, 3 Trompettes, Timb… (48)
Alto (Partie séparée) (48)
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Solistes STBB, Choeur SATTBB, … (47)
Concert band, Choral (47)
Violin, Organ (47)
Treble (Alto) Recorder, Piano (47)
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Quatuor (45)
Scores (45)
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2 Trompettes Sib 1 Cor en Fa 1… (44)
Choeur SSATB, 2 Flûtes Traver… (44)
ENS::Ensemble (44)
2 Violons, Alto et Violoncelle… (44)
Harp, Violin, Violoncello (44)
Flûte Traversière, Violon et… (44)
Hautbois 1 Clarinette en Sib 1… (44)
Flute, Cello, Piano (trio) (44)
Solistes SATB, Choeur SATB, 2 … (43)
Horn and Orchestra (43)
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Solistes SATB, Choeur SATB, 4 … (43)
Violon 3 (Partie Séparée) (43)
Violoncelle (Partie Séparée)… (43)
Voix et Instruments Divers (43)
Choeur SATB et Basse Continue (42)
Treble (Alto) Recorder, Basso … (42)
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Flûte Traversière, Hautbois,… (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
Vibraphone (41)
Contrebasse (Partie séparée)… (41)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
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Flûte Traversière(S) Et Autr… (41)
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Guitare Flatpick et Plectre (41)
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Quintette avec Piano (40)
Cajon (40)
Guitar, Orchestra (39)
4 Cellos (39)
Travaux Pour Choeurs (39)
Djembe (39)
Choeur d'Enfants (39)
Voix Mixtes (39)
Quintette (39)
Flute and String Quartet (38)
Vocal duet, Piano (38)
Solistes SATB, Choeur SATB, 2 … (38)
Brass Quartet: 2 trumpets, hor… (37)
Trompette, Cordes et Basse Con… (37)
Guitare Tablatures Flatpick et… (37)
Choeur SATTB (37)
Choeur SATTB et Basse Continue… (37)
Bass Clarinet (37)
Trompette, Hautbois D'Amour, V… (36)
Violon Solo, Violoncelle Solo,… (36)
Mandoline, Mandole et Guitare (36)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Flûte à Bec, Guitare et Musi… (36)
Violon Principal, 2 Violons, A… (36)
Clarinette et Quatuor à Corde… (36)
Flûte Traversière Alto et Gu… (36)
Clavier ou Orgue Electronique (36)
Symphonic Band (36)
Choral, Orchestra (36)
Chanson (36)
Livres (35)
Cornet and Piano (35)
4 Voix Mixtes (35)
Lute (35)
Clarinet, Guitar (duet) (34)
Solistes SATB, Choeur SATB, 2 … (34)
1 Piano, 6 hands (34)
2 Violas (duet) (34)
Solistes SATB, Choeur SATB, Ha… (33)
Solistes SATB, Choeur SATB, 2 … (33)
Trombone or Euphonium (33)
Double Choeur Mixte (33)
2 Hautbois, 2 Violons, Alto, V… (33)
3 Tubas (33)
Clarinette, Violon, Violoncell… (33)
Tuba Solo (33)
Electric bass, Drums (33)
Edition Critique des oeuvres d… (33)
3 Clarinettes en Sib et Clarin… (33)
2 Hautbois, 2 Clarinettes, Tim… (32)
2 Flûtes Traversières ou 2 F… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Choeur en 8 Parties (SATB-SATB… (32)
Solistes ST, Choeur SATB, Flû… (32)
Trompette et Quatuor à Cordes… (32)
Alto et Orchestre (32)
Saxophone Soprano, Saxophone A… (32)
Quintette à Cordes (32)
Flûte Traversière et Quatuor… (32)
String Trio: 3 violins (32)
Xylophone or Marimba or Vibrap… (32)
Livret (32)
Woodwind Quintet (32)
4 Voix Mixtes a Cappella (32)
Choeur SSATTB, (6 Instruments,… (31)
Cello, Organ (31)
Soprano (31)
Trumpet, Orchestra (31)
2 Violins, Piano (31)
Violon, Cordes et Basse Contin… (30)
Tuba en Do et Piano (30)
Choeur SATB/SATB, (Basse Conti… (29)
Solistes SST, Choeur SSAATB, 2… (29)
Orchestre (29)
Lap Steel Guitar (29)
Clarinet, Violin, Cello, Piano… (29)
Bagpipe (29)
Ensemble Mixte (29)
Conga (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
Harpe, Violon et Violoncelle A… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte à Bec F1, Violon et Ba… (28)
Trompette ou Flûte à Bec ou … (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte Traversièreou Piccolo,… (28)
Flûte Traversière Violon et … (28)
Violoncello, Basso continuo (28)
2 Violons, 2 Altos et 2 Violon… (28)
Parties Orchestrales (28)
Flûte Traversière, Alto et G… (28)
Quatuor à vent (28)
C Trumpetor et Trompette Sib/C… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Clarinet Quartet: Clarinet, Vi… (28)
Pocket, Study conductor (28)
Violon, Alto, Guitare et Violo… (28)
Hautbois, Clarinette et Basson… (28)
Chorale (28)
Violoncelle ou Contrebasse (Pa… (28)
Guitare (Fingerpick) (28)
SATB, (4 InstrumentS Basse et … (27)
Solistes SATB, Choeur SATB, 2 … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Solistes STTBB, Choeur SATB, 2… (27)
Soprano Saxophone and Piano (27)
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Ukulélé Soprano (27)
Solistes SST, Choeur SATB, 2 F… (26)
Xylophone (26)
Petit Choeur SATB, Contrebasse… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Solistes STBar, Choeur SATB, 2… (26)
Saxophone Alto Solo (26)
Accordion - Piano, Voice, Guit… (26)
Trompette en Do ou et Trompett… (26)
Quatuor Variable (26)
Voix d'Hommes et Piano (26)
Voix, Flûte à Bec et Basse C… (25)
Solistes SBar, Choeur SSATB, 2… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 Violons, Alto, Violoncelle o… (25)
Choeur SAT (25)
Accessoire (25)
Percussions Diverses (25)
Quatuor avec Piano (25)
3 Trombones (trio) (25)
2 Clarinets, Piano (25)
Soprano, Piano (25)
Choeur et Orchestre (25)
Partition D'Orchestre (25)
Clavier Electronique et Ligne … (25)
Saxhorn or Euphonium (25)
Choeur SSATTB et Basse Continu… (25)
Violin, Clarinet, Piano (trio)… (24)
Flûte à Bec, 2 Violons, Alto… (24)
Solistes ATB, Choeur SATB, FlÃ… (24)
Hautbois et Quatuor à Cordes (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois (Flûte), Violon, Alt… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flûte à Bec F2, 2 Violons et… (24)
Flûte Traversière, Clarinett… (24)
2 Violons, 2 Altos, Violon ou … (24)
Flûte Traversière et 4 Clari… (24)
Clarinette ou Trompette ou Vio… (24)
2 Violons, Alto, Violoncelle e… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Quatuor de Cuivres et Orgue (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Guitar Tab, Voice, Bass, Drum (24)
Hautbois et 4 Clarinettes (24)
Hautbois, 2 Violons, Alto, Vio… (24)
Cor en Fa (24)
Oboe, Bassoon (duet) (24)
Instruments Acoustiques (24)
Viola, Guitar (duet) (24)
Brass Quartet: 4 trumpets (24)
Guitare Tablatures Electrique (24)
Soli and Orchestra (24)
Cello Ensemble (24)
Choeur SATB, 2 Trompettes, Tim… (23)
Solistes SST, Choeur SATB/SATB… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Trombone Solo (23)
Choeur SATB/SATB, (8 Instrumen… (23)
String Trio: 3 cellos (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Solistes (SATB), Choeur Mixte … (23)
2 Violins and Basso (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
English horn, Piano (23)
Medium Voice (23)
5 Solistes, Choeur(s) Et Orche… (23)
Choeur SATB/SATB, ou Basse Con… (22)
String trio (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Affiche (22)
Orchestre: Solistes SATB, Choe… (22)
Mandolin, Guitar (duet) (22)
Choeur à 4 Voix Mixtes (22)
Oboe, Organ (22)
Trompette Solo (22)
Viola, Cello (duet) (22)
Saxophone Baryton (22)
Horn Ensemble (22)
Oboe, Clarinet, Bassoon (trio)… (21)
Parties Séparées (21)
Flûte Traversière, Hautbois,… (21)
Children choir, Instruments (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Harpsichord and Strings (21)
Saxhorn and Piano (21)
Quintette Mixte (21)
A Cappella (21)
Solistes SATB, Choeur SATB/SAT… (21)
Viola da Gamba (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Choeur SSATB et Basse Continue… (21)
Solistes SS et Basse Continue (21)
Flute Quartet: Flute, Violin, … (21)
Flûte à Bec F1 (Hautbois), 1… (20)
Flûte Traversière ou Violon)… (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Choeur d'Enfants à 1 à 3 Par… (20)
2 Violons, Alto et Basse Conti… (20)
Flûte Traversière, Hautbois,… (20)
String Quintet: 2 violins, vio… (20)
Clarinette, Violon, Alto et Co… (20)
Flûte à Bec Alto ou Flûte T… (20)
Choeur SATB, 2 Violons et Bass… (20)
Flute, Oboe, Clarinet, Bassoon… (20)
Mandoline et Orchestre à Cord… (20)
Harpe, 2 Violons, Alto et Viol… (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Bassoon, Orchestra (20)
Choeur d'Enfants SSA, Récitan… (20)
Flûte Traversière, Hautbois … (20)
Choeur à 2 Voix (20)
Quatuor à Cordes ou Orchestre… (20)
Flûte à Bec et Piano (20)
Flûte Traversière et Trio à … (20)
Vocal duet (20)
Ensemble Instrumental (20)
Guitare Tablatures Classique e… (20)
Ensemble Divers (20)
Concert Band ou Harmonie et Ba… (20)
4 Voix Mixtes Sans Accompagnem… (20)
Bass Trombone and Piano (20)
Petit Choeur SATB, 2 Violons, … (19)
Solistes s TB, Choeur SATB, Pi… (19)
Bandoneon, Guitar (19)
Violoncelle Solo, 2 Flûtes Tr… (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Soprano, Basse, Choeur Mixte e… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Soprano Solo, Alto Solo, Téno… (19)
Flûte Traversière Violon, Al… (19)
Choeur SATB, 2 Violons, Alto, … (19)
Solo Baryton, Choeur SATB, 2 H… (19)
Choeur De Femmes (SS) Et Piano… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Flûte Traversière Alto et Ha… (19)
Solistes SATB, Choeur SATB, 2 … (19)
Voice, String Quartet (19)
String Quartet : 4 violas (19)
Opéra Full Score (19)
Hautbois Solo (19)
Guitare Tablatures Classique (19)
2 Bassoons (duet) (19)
Choeur SATB, 2 Trompettes, 2 T… (18)
Petit Choeur AT, 2 Flûtes Tra… (18)
Choeur SATB, 2 Violons, 2 Alto… (18)
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Sonate Nr. 1 F-Moll Op. 120/1 (BRAHMS JOHANNES)
Viola, Piano
[Sheet music]
Breitkopf & Härtel
Par BRAHMS JOHANNES. Editeur(s) d'origine: Gál, Hans/ Répertoire / Alto et Pia...
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Par BRAHMS JOHANNES. Editeur(s) d'origine: Gál, Hans/ Répertoire / Alto et Piano
22.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Fast Forward
Viola, Piano
[Sheet music]
Boosey and Hawkes
Avance rapide, partie de hautement considéré facile série de la Colledge de c...
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Avance rapide, partie de hautement considéré facile série de la Colledge de chaîne, est depuis longtemps le choix du répertoire des enseignants de la chaîne. Les pièces aident à renforcer les éléments de base de la technique, de rythme et de doigté des patrons, allant de pièces pour les débutants - inter / Alto Et Piano / Partition
19.30 EUR - Sold by LMI-partitions
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Right From The Start
Viola, Piano
Boosey and Hawkes
Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangée...
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Vingt pièces très élémentaires pour les jeunes joueurs écrites et arrangées par enseignant de chaîne préférée du monde Sheila Nelson. Lecture de la note est introduit un doigt à la fois, construire des doigts pattern 0-1-23-4 (espace de demi-ton entre les doigts de 2ème et 3ème) - / Alto Et Piano
15.70 EUR - Sold by LMI-partitions
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Vc-Konzert D-Dur Hob VIIb:2 (HAYDN FRANZ JOSEF)
Viola, Piano
[Sheet music]
Breitkopf & Härtel
Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Gevaert, Francois A/ Répertoire / ...
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Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Gevaert, Francois A/ Répertoire / Alto et Piano
18.10 EUR - Sold by LMI-partitions
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3 Sonaten Bwv 1027-1029 (BACH JOHANN SEBASTIAN)
Viola, Piano
[Sheet music]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Naumann, Ernst/ Répertoire / A...
(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Naumann, Ernst/ Répertoire / Alto et Piano
27.80 EUR - Sold by LMI-partitions
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Konzert In B-Dur (STAMITZ ANTON)
Viola, Piano
[Sheet music]
Musica Rara
Par STAMITZ ANTON. Editeur(s) d'origine: Martin, William/ Répertoire / Alto et ...
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Par STAMITZ ANTON. Editeur(s) d'origine: Martin, William/ Répertoire / Alto et Piano
28.50 EUR - Sold by LMI-partitions
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César Franck: Sonata: Viola: Instrumental Work
Viola, Piano
Barenreiter
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin i...
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arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Viola but it has not been possible to locate any copy of this publication. The present arrangement for Viola is largely based on Jules Delsart’s arrangement for Piano and Cello the onlyversion of the Sonata which the composer authorized. However the Viola part here also adopts extensive passages in their original register or remains in the middle octave especially in those passages where the Cello lies two octaves beneath the Violin.Being set in the alto register the part thus lies between the other two string versions lending the Sonata a delightful hybrid hue beyond the brilliance of the Violin and the sonorousness of the Cello. The Piano part has been left intact and is thus identical to that of the original version.The edition is rounded off by an informative text on the genesis and reception history of the Sonata (Ger/Fr/Eng).
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William Walton: Viola Concerto: Viola: Instrumental Work
Viola, Piano
Oxford University Press
Reduction for viola and piano-William Walton composed his Viola Concerto in 1928...
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Reduction for viola and piano-William Walton composed his Viola Concerto in 1928-9 and it was given its premiere at a Promenade Concert at Queen's Hall London on 3rd October 1929. In the beginning Viola players adjusted the solo line to fit their own ideas of the work's character and Walton was generally happy to accomodate this. However he came to regard one player's version above all the others for its discipline and balance - that of Frederick Riddle. Riddle's edition was originally published with a Piano reduction of the first Orchestration in 1938 and it is this that forms that basis for the solo line in this edition. This present Piano reduction was made by Geoffrey Pratleyand published in 1993.
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Georg Philipp Telemann: Viola Concerto In G Major: Viola: Score
Viola, Piano
G. Henle
Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduct...
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Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduction.The Viola is often not credited with being able to take over a soloistic role but this is completely unjust. In 1738 JohannPhilipp Eisel already wrote of the Viola as being the ?very bowels of music? and stressed that it was not only needed to ?flesh out? the Orchestral sound but also as a 'concert voice which is fully proven by the concertos andconcert overtures by the famous Capell-Meister Telemann'.Telemann?s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of thecore repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Alexander Glazunov: Élégie op. 44 for Viola and Piano: Viola: Instrumental Work
Viola, Piano
G. Henle
Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature ...
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Élégie op. 44 for Viola and Piano-A precious gem of romantic Viola literature is now available in Henle quality. Thanks to the publisher’s good connections to Russian archives we were able to assess Glazunov’s autograph for the first timefor this first Urtext edition and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand the ?l?gie is one of the few originalworks of the 19th century for Viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist the ?l?gie is ideally suited forteaching as well – and Tabea Zimmermann’s fingerings guarantee the best possible support.
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Darius Milhaud: Sonata For Viola And Piano No.2: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Heugel
French composer and teacher Darius Milhaud (1892-1974) was a prolific composer ...
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French composer and teacher Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded Sonata No. 2 for Viola and Piano being no exception. Milhaud's compositions are influenced by jazz and polytonality as exemplified in Sonata No. 2. Composed in 1944 Sonata No. 2 for Viola and Piano is an alternative exciting sonata made up of three movements; 1) Rural 2) Dramatic and 3) Rough. Milhaud makes use of variation in articulation complex rhythms chromaticism accidentals harmonics altering tempos variation in dynamics and a wide tessitura amongst other aspects. Milhaud's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire.
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Carl Bohm: Sarabande For Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate
Viola World
Carl Bohm's Sarabande has been effectively arranged here for Viola with Piano ac...
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Carl Bohm's Sarabande has been effectively arranged here for Viola with Piano accompaniment by Alan Arnold. The warm energy of this dance sits well with the Viola which accentuates the passion and character of Bohm’s work.The solo Viola part is also included on a separate insert.
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Dimitri Shostakovich: Sonata For Viola And Piano Op.147: Viola: Instrumental
Viola, Piano
Sikorski
Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly c...
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Shostakovich's last work the Sonata For Viola And Piano Op.147 is a superbly crafted Sonata in three movements with unusually a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet a renowned Moscow ensemble that played at the premieres of most of Shostakovich’s string quartets. Fyodor Druzhinin and Mikhail Muntyan premiered the Viola Sonata in Leningrad on October 1 1975.The solo Viola part is also included on a separate insert.
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Sonate N02 (MILHAUD DARIUS)
Viola, Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was ...
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Par MILHAUD DARIUS. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Sonata No. 2 for Viola and Piano being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in Sonata No. 2. Composed in 1944, Sonata No. 2 for Viola and Piano is an alternative, exciting sonata made up of three movements; 1) Rural, 2) Dramatic, and 3) Rough. Milhaud makes use of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud 's Sonata No. 2 for Viola and Piano is essential to all advanced violists seeking modern and exciting repertoire./ Répertoire / Alto et Piano
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Sonatas For Piano And Clarinet (Or Viola) Op. 120, 1 And 2 (Version For Viola)
Viola, Piano
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Brahms Johannes et éditée par Henle cette partition est idéale pour les joueurs de Alto. Si l'instrumentation Alto Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Alto Et Piano / Chanson En Séparée
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Ouvertüre Zuruslan Und Ludmila- As 3Rd Movement To The Unfinished Sonata In D Minor
Viola, Piano
Hofmeister Musikverlag
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented a...
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The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented as arrangement for viola and piano by Diemut Poppen here. It is a sparkling virtuos little piece for viola and piano in D major that should be played as a last movement to Glinka's Sonata for Viola in d minor but can also be performed separately. / Alto Et Piano
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Franz Schubert: Arpeggione Sonata Viola & Piano: Viola: Instrumental Work
Viola, Piano
Barenreiter
for Viola and Piano-This volume is based on the Urtext of the New Schubert Editi...
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for Viola and Piano-This volume is based on the Urtext of the New Schubert Edition; the solo part has been arranged for performance on the viola while the piano part is identical to Schubert´s original as presented in the New Schubert Edition. „Ulrich von Wrochem´s editing gives clear indications of bowings fingerings phrasing and dynamics; …“(Louise Grattan ESTA Summer 1998)
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Bryan Kelly: Sonatina For Viola & Piano: Violin: Instrumental Album
Viola, Piano
[Sheet music]
Spartan Press
I first heard Walton's Viola Concerto in my youth and the mixture of haunting sa...
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I first heard Walton's Viola Concerto in my youth and the mixture of haunting sadness and exuberance won me over immediately. Although other composers have written works for the instrument they are seldom played and the viola remains under regarded and unappreciated as do viola players! Having recently composed a number of cello pieces culminating in my 'Umbrian Variations' for eight cellos I decided to try my hand at something else the result:- this Sonatina for Viola and Piano. Last year (2009) at Ian Christians' Dordogne Chateau the Quator Wihan gave a concert and I was very struck by the viola playing of Jiri Zigmund - hence the dedication.
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Henryk Wieniawski: Reverie: Instrumental Work
Viola, Piano
PWM (Polskie Wydawnictwo Muzyczne)
In addition to the numerous violin pieces in H. Wieniawski's compositional outpu...
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In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano ''Reverie'' which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and apart from his regular concert activities took part in chamber concerts which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst Joachim Wieniawski and Piatti the cellist) performed together. Wieniawski who played the viola on that occasion presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour characteristic of his other compositions. (S. Kamasa)
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Henri Vieuxtemps: Sonate B-dur Opus 36 für Klavier und Viola: Viola:
Viola, Piano
G. Henle
Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata...
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Sonata in B flat major op. 36 for Piano and Viola-Henry Vieuxtemps' Viola Sonata In B Flat Op.36. Urtext edition.Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834 none other than Robert Schumann said 'WithHenri one can safely close one’s eyes. His playing is like a flower at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school.The composer was however an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 published in 1862 is one of the gems of Viola literature with its oscillation betweenexpressive maestoso elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.
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Fantasy (WATKINS HUW)
Viola, Piano
[Sheet music]
Schott
For Viola And Piano. Par WATKINS HUW. Est-l'ouverture d'un geste impatient dans ...
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For Viola And Piano. Par WATKINS HUW. Est-l'ouverture d'un geste impatient dans le piano immédiatement répondu par une ligne d'Alto énergique, que le piano puis rejoint et les interrompt '. Cette valeur définit la scène pour Watkins ' Fantasy ', une oeuvre contemporaine écrite dans la tradition Baroque, pleine de très contrastées des articles. Articles expansives exploitant les qualités lyriques de la viola sont habilement juxtaposées, souvent brusquement, avec des idées nouvelles, mais connexes. Le travail a été écrit pour et inspiré par la renommée internationale altiste, Lawrence Power./ Répertoire / Alto et Piano
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Nadia Boulanger: Three Pieces For Viola & Piano (Originally For Cello). Sheet Music for Viola Piano Accompaniment
Viola, Piano
Leduc, Alphonse
Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the origina...
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Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes.Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.
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Richard Rodney Bennett: Six Country Dances (Viola/Piano): Viola: Instrumental
Viola, Piano
[Sheet music]
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Intermediate
Novello & Co Ltd.
Six Country Dances is an anthology of tunes from Playford’s ‘The Eng...
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Six Country Dances is an anthology of tunes from Playford’s ‘The English Dancing Master’ selected and arranged by Richard Rodney Bennett. Playford’s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett’s skilful and inspired arrangements are perfect for intermediate standard players adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.
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Rebecca Clarke: Morpheus: Viola: Instrumental Work
Viola, Piano
Oxford University Press
For Viola and Piano. This piece is one of the finest compositions for viola by ...
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For Viola and Piano. This piece is one of the finest compositions for viola by one of the instrument's greatest players. It is luxuriant in melodic inventions and startlingly beautiful in its instrumental colours. The piano is a full partner to the viola contributing an equal share of melodic interest and colouristic effects.
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Ludwig van Beethoven: Fur Elise (Viola): Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate
Viola World
Beethoven's ever popular Fur Elise has been beautifully arranged for Viola with ...
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Beethoven's ever popular Fur Elise has been beautifully arranged for Viola with Piano accompaniment by Alan Arnold. This is an arrangement of the complete piece featuring all of the favourite themes which interact between the Viola and Piano.The solo Viol apart is also included on a separate insert.
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AntonÃn Dvo?ák: Romantic Pieces for Viola and Piano op. 75: Viola: Score and
Viola, Piano
Barenreiter
Arrangement for Viola and Piano-?Sooner or later the ?Romantic Pieces? will pave...
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Arrangement for Viola and Piano-?Sooner or later the ?Romantic Pieces? will pave their way through all the salons?: thus the periodical Dalibor predicted when the ?Romantic Pieces? op. 75 were first issued by the publisher Simrock in 1887. Since then they have become some of Dvorák?s most popular works for violin and piano. Now they are being made available for violists also.Bella and Semjon Kalinowsky have arranged the four pieces on the basis of the ?Complete Edition of the Works of Anton n Dvorák?. The piano part of the original version remains while the violin part has been adapted for viola; it has been transcribed into the alto clef and includes fingering and bowing marks.With theirentrancing melodies and poetry these pieces pose few technical challenges and are thus easy to play.
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Franz Anton Hoffmeister: Concert D-Dur: Viola: Instrumental Work
Viola, Piano
G. Henle
Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most ...
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Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most important audition piece for Viola players. Yet it has been handed down in a complicated source tradition surviving ina single contemporary manuscript covered with many layers of markings. Our Piano reduction reconstructs for the first time the earliest textual layer in this source thereby coming as close as possible toHoffmeister‘s actual intentions. The reconstructed original is accompanied by a detailed critical commentary. Fingering and bowing marks have been added by no less a musician than Kim Kashkashian!
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Edward Elgar: Canto Populare: Viola: Score and Parts
Viola, Piano
[Sheet music]
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Intermediate/advanced
Novello & Co Ltd.
According to Elgar the concert overture came to him in a single moment of inspi...
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According to Elgar the concert overture came to him in a single moment of inspiration while visiting Italy with his family in the winter of 1904. It was given its premiere by the Hallé Orchestra in March of that year with the central Viola serenade winning particular acclaim. Elgar then adapted the work as a song then for Viola and Piano and then for other instruments.At the time this piece was written Elgar had achieved universal renown with his Enigma Variations and The Dream of Gerontius and was established not only as a composer at the peak of British music of that time but also as a major Romantic composer. The Italianate rendering of the work is a nod to thepiece?s beginnings on the Adriatic coast. The work is full of the unrequited yearning of Elgar?s lyric work and a very effective sonatina for performance.
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