Viola-Violn-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces maybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemblescore downloads are available for use with this title.

Three Scarlatti Sonatas for Violin and Viola. This carefully transcribed collection comes complete with two playing scores to facilitate private practice.

This is a truly exceptional work and one of the finest in the repertoire for a string duet. The two parts are individual and equal at nearly all times in the music. There are times when one or the other instrument has a dominant melodic line but then the subsidiary part always has considerable interest. Written for Violin and Viola.

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and the Sextet op. 71; furthermore he did not write any new works for wind ensembles.By contrast he ennobled his Trio op. 87 originally for two oboes and cor anglais by making an additional version for two violins and viola. This charming work ispublished following the Urtext in the Beethoven Complete Edition and is a welcome addition to the repertoire for these instruments for which a great deal has not otherwise been composed.

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

Par HAYDN JOHANN MICHAEL. Editeur(s) d'origine: Altmann, Wilhelm/ Répertoire / Violon et Alto

L'année Mozart, Thomas Zehetmair et Ruth Kilius a demandé à Heinz Holliger pour une pièce encore frappante de la Sinfonia concertante de Mozart qui n'avait souvent été effectuée sous sa direction par eux. Le résultat, cependant, est un cycle de trois volets indépendant composé de pièces très différentes. Le premier a été tissé exclusivement de flottant harmoniques, la deuxième est une danse tourbillonnante sauvage, tandis que la troisième se condense dans un choral de six parties dans lequel chaque joueur a chanter une troisième voix en plus de jouer le double s'arrête sur son instrument à cordes. / Violon Et Alto

Par VEYRIER JACQUES. Les Pastorales se présentent sous la forme d'un triptyque (vif, lent, vif) sans pour autant suivre le plan habituel de la forme sonate. En effet, la première partie enchaîne une mosaïque de thèmes qui présentent en commun une simplicité toute agreste, ce qui explique le titre de ces pièces. / Niveau : Moyen Avancé à Assez Difficile / Moderne / Date parution : 2010-02-15/ Répertoire / Violon et Alto