| Mary the Dawn (Choral Score) Choral SATB SATB divisi MorningStar Music Publishers
Composed by Charles S. Thatcher. Advent, Easter, Triduum/Three Days. Octavo. ...(+)
Composed by Charles S.
Thatcher. Advent, Easter,
Triduum/Three Days. Octavo.
MorningStar Music Publishers
#50-0074. Published by
MorningStar Music Publishers
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Uke'n Play Ukulele Ukulele [Sheet music + Audio access] - Beginner Amsco Wise Publications
Ukulele - Grade 1 SKU: BT.MUSAM1011604 Composed by Mike Jackson. Uke'n Pl...(+)
Ukulele - Grade 1 SKU: BT.MUSAM1011604 Composed by Mike Jackson. Uke'n Play Ukulele. Pop and Rock. Book with Online Audio. Composed 2016. 36 pages. Wise Publications #MUSAM1011604. Published by Wise Publications (BT.MUSAM1011604). ISBN 9781921029783. English. This newly updated edition of the bestselling Uken Play Ukulele book will get beginners of any age strumming chords and playing songs in no time. Written by professional player and educator Mike Jackson, the book features his instant play methodtogether with downloadable play-along audio. The book begins with the basics - chord diagrams and tuning - before delving into Mike Jacksons unique method that will help you remember where to put your fingers for different chords. Once youve mastered this, Uken Play will teach you 25 greatsongs. The songs get progressively more challenging with each featuring chord diagrams, lyrics and chord symbols, helping you to learn to play the Ukulele by practising strumming the chords while also playing 25 recognisable tunes. The accompanying audio downloads will let you tune up, hear the songs how they should sound, then let you play along with a full backing band. Some songs feature Mikes handy hints so learning the Uke goes as smoothly as possible. If youve struggled to learn to play the Ukulele because you cant remember the chords, or you just want to polish up the basics while playing songs like You Are My Sunshine, Drunken Sailor and Que Sera Sera, Uken Play is an instant play method thattruly does work. Mike Jackson is a professional Ukulele player and multi-instrumentalist who has sold over 250,000 albums and performed extensively across Australia and the rest of the world. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs of Harriet Tubman Theodore Presser Co.
Chamber Music Piano, soprano voice SKU: PR.411411690 Composed by Nkeiru O...(+)
Chamber Music Piano, soprano voice SKU: PR.411411690 Composed by Nkeiru Okoye. 32 pages. Duration 25 minutes. Theodore Presser Company #411-41169. Published by Theodore Presser Company (PR.411411690). UPC: 680160686032. The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete. The four “name†arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,†who is oftencalled, “Minty.†Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,†declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'†she proclaims. Hertransformation is complete. $27.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| South African Folk Songs Collection Piano solo Hal Leonard
24 Traditional Folk Songs for Intermediate Piano Solo. Arranged by James Wildi...(+)
24 Traditional Folk Songs for
Intermediate Piano Solo.
Arranged by James Wilding and
Nkululeko Zungu. Educational
Piano Solo. Folk, Solos.
Softcover. Published by Hal
Leonard
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| English, Welsh, Scottish, and Irish Fiddle Tunes Violin [Sheet music + CD] Oak Publications
Edited by Robin Williamson. For violin. Includes violin solo songbook and exampl...(+)
Edited by Robin Williamson. For violin. Includes violin solo songbook and examples CD. With standard notation, chord names, performance notes and introductory text. British and folk. 96 pages. 9x12 inches. Published by Oak Publications
(3)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Tribute to Ray Charles Concert band - Intermediate Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-140-MS Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Score Only. Composed 2005. 36 pages. Music Sales #1267-05-140 MS. Published by Music Sales (BT.1267-05-140-MS). 9x12 inches. English-German-French-Dutch. Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart.
Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.
Ray Charles, dem Hollywood jüngst mit einer Oscar preisgekrönten Filmproduktion huldigte, ist die Verkörperung des amerikanischen Traums: Vom armen, blinden Jungen aus den Südstaaten wurde er zum internationalen musikalischen Phänomen; seinen Spitznamen Genie trug er völlig zu Recht. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die zu Ray Charles' Ruhm beitrugen.
RRay Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart.
Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Six Sonatas and Partitas for Violin Alone Carl Fischer
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edited by Rachel Barton Pine. SWS. Collection. With Standard notation. 80 pages. Carl Fischer Music #BF115. Published by Carl Fischer Music (CF.BF115). ISBN 9781491150993. UPC: 680160908493. 9x12 inches. Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach†(Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992. here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach†(Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.â€. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Tribute to Ray Charles Concert band - Intermediate Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-010-MS Arranged by Peter ...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-010-MS Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Set (Score & Parts). Composed 2005. Music Sales #1267-05-010 MS. Published by Music Sales (BT.1267-05-010-MS). 9x12 inches. English-German-French-Dutch. Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart.
Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.
In den fünfziger Jahren erlangte der Pianist und Soulsänger Ray Charles große, bis heute ungebrochene Popularität. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die wesentlich zu Ray Charles’ Ruhm beitrugen und auch heute noch ein hoch ansteckendes Soul-Fieber unter Musikern und Zuhörern auslösen können.
Ray Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart.
Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart. $186.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Swaying in the West Wind Concert band - Advanced De Haske Publications
Concert Band (Score & Parts) - Grade 5 SKU: HL.44011067 The Resounding...(+)
Concert Band (Score & Parts) - Grade 5 SKU: HL.44011067 The Resounding Passionate Heartbeat. Composed by Satoshi Yagisawa. De Haske Concert Band. Set (Score & Parts). Composed 2010. De Haske Publications #1115007010. Published by De Haske Publications (HL.44011067). UPC: 884088640125. 9.0x12.0x1.03 inches. English-German-French-Dutch-Japanese. This piece was commissioned by Japan Ground Self Defense Force Western Army Band. In the programme note for the premiere the composer wrote: I am always impressed by the expansive earth and sparkling ocean scenery when I come to Kyushu. I have met many local people here and they are all expressive and energetic. I wrote this dramatic piece to convey to the whole of Japan the memory of my experience here, swaying in the west wind. I wrote this, hoping that the Self Defense Force will forge closer ties with the community through this piece. Eastern drama felt in the west wind!
This piece was commissioned by Japan Ground Self Defense Force Western Army Band. In the programme note for the premiere the composer wrote: I am always impressed by the expansive earth and sparkling ocean scenery when I come toKyushu. I have met many local people here and they are all expressive and energetic. I wrote this dramatic piece to convey to the whole of Japan the memory of my experience here, swaying in the west wind. I wrote this, hoping thatthe Self Defense Force will forge closer ties with the community through this piece. Eastern drama felt in the west wind!
Dieses Stück basiert auf dem Motto eines japanischen Musikfestivals der japanischen Streitkrafte: Unsere Leidenschaft soll in unserem Herzen widerhallen. Der Komponist liess sich ausserdem von der eindrucksvollen Küstenlandschaft in Kyushu, wo das Festival stattfand, inspirieren und vom Wunsch, dass die verschiedenen Militarblasorchester der Region engere Bande knüpfen mogen, leiten. Aus diesen Themen entstand dieses ausdruckvolle, dramatische Werk.
L'oeuvre fut donnee en creation dans le cadre du Festival des Musiques Militaires des Forces armees japonaises 2010, qui s'est tenu sur l'ile de Kyushu. Le theme fut << La passion est en nous >>. Swaying in the West Wind revele une profondeur d'expression poignante. Depuis des siecles, Kyushu s'est ouverte aux cultures occidentales. Et c'est la force de ce souffle occidental, de l'energie des habitants de l'ile que Satoshi Yagisawa depeint dans son oeuvre.
Questo brano e stato commissionato dal Japan Ground Self Defense Force Western Army Band di stanza a Kyushu. Il compositore si e ispirato alla questa regione giapponese dichiarando la bellezza della natura, le grandi distese e il colore dell'Oceano mi hanno profondamente. E questa natura, sono sicuro trasmette le proprie energie agli abitanti di Kyushu, gente molto espressiva ed energia, in perfetta sintonia con la terra in cui vivono. $184.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gimenez: La Boda De Luis Alonso No. 4 Piano solo Unión Musical Ediciones
Piano SKU: BT.MUSUMV53934 Intermedio for Piano. Composed by Geroni...(+)
Piano SKU: BT.MUSUMV53934 Intermedio for Piano. Composed by Geronimo Gimenez. Opera or Operetta. Book Only. 99 pages. Union Musical Ediciones #MUSUMV53934. Published by Union Musical Ediciones (BT.MUSUMV53934). Spanish. Gerónimo Giménez was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso. Zarzuela is a Spanish lyric-dramatic genre thatalternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. In 1896, Giménez wrote ‘El baile de Luis Alonso’, based on a text by Javier de Burgos. Following thesuccess of this piece, he set to music another sainete by Burgos with the same characters, which became one of his most famous works: Las bodas de Luis Alonso (1897). This energetic work is full of sweepingmelodiclines and light, fast-moving bass lines. True to form, the piece has plenty of dramatic and comedic flair. The 4th movement of the late nineteenth century composer’s prime work, written originally for orchestra, is presentedhere in a whimsical and virtuoso Piano transcription. Performance time is approximately 6 minutes. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Eyesight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070). ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons. To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless.. This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 |