SKU: BT.DHP-1105035-010
9x12 inches. English-German-French-Dutch.
The musical Miss Saigon has touched millions of hearts worldwide. This is partly due to the romantic, yet equally tragic, love story set in war-torn Vietnam during 1975, and partly to the emotional and engaging music by Claude-Michel Schönberg. Masamichi Amano’s medley for concert band combines the songs: The Heat Is on in Saigon, Kim and Chris, Dance, If You Want to Die in Bed and Bui-Doi. De musical Miss Saigon wist wereldwijd een miljoenenpubliek te ontroeren. Deels lag dat aan de romantische en tegelijk tragische liefdesgeschiedenis die zich afspeelde in het door oorlog geteisterde Vietnam van 1975. Maar ook komtdat door de hartveroverende muziek van Claude-Michel Schönberg. De medley van Masamicz Amano voor harmonieorkest bevat de titels The Heat Is on in Saigon, Kim and Chris Dance, If You Want to Die in Bed en Bui-Doi.Das Musical Miss Saigon rührte weltweit ein Millionenpublikum. Das lag zum einen an der romantischen und zugleich tragischen Liebesgeschichte im kriegsgeschüttelten Vietnam von 1975 und zum andern an der bewegenden Musik von Claude-Michel Schönberg. Masamichi Amanos Medley für Blasorchester umfasst die Titel The Heat Is on in Saigon (Saigon, du _x001F_fieberst im Licht), Kim and Chris, Dance (Tanz von Kim und Chris), If You Want to Die in Bed (Tja, wer stirbt nicht gern im Bett) und Bui-Doi.The Heat Is on in Saigon • Kim and Chris, Dance • If You Want to Die in Bed • Bui-Doi/ SUITE FROM MISS SAIGON : Fruit de la collaboration entre le compositeur Claude-Michel Schönberg et le parolier Alain Boublil, Miss Saigon est une comédie musicale qui a fait le tour du monde. Elle fut donnée 4264 reprises Londres entre 1989 et 1999, et est restée l’affiche Broadway pour plus de 4000 représentations. Il s’agit d’une fresque mélodramatique qui dépeint les développements douleureux d’une histoire d’amour entre un G.I. de l’armée américaine et une Vietnamienne durant les derniers jours de la Guerre du Vietnam. Du grand spectacle !Il musical Miss Saigon ebbe un immenso successo grazie alla romantica e tragica storia d’amore tra una vietnamita e un soldato americano in un Vietnam martoriato dalla guerra, ma anche grazie alla musica di Claude-Michel Schönberg. Il medley di Masamicz Amano racchiude i seguenti titoli: The Heat is on in Saigon, Kim and Chris, Dance, If You Want to Die in Bed e Bui-Doi.
SKU: BT.DHP-1105035-140
SKU: HL.1354636
ISBN 9798350116915. UPC: 196288192091. 9.0x12.0x0.125 inches.
The Really Easy Guitar series makes it incredibly easy to play your favorite songs! This beginner-friendly collection features easy-to-follow chord charts, tablature, and lyrics, allowing you to start playing classic blues and soul songs that have shaped the genre in no time. Songs include: All Your Love (I Miss Loving) ⢠Green Onions ⢠The House Is Rockin' ⢠I Got You (I Feel Good) ⢠I'm Tore Down ⢠Killing Floor ⢠Mustang Sally ⢠Soul Man ⢠Superstition ⢠and more!
SKU: CF.BPS132F
ISBN 9781491158470. UPC: 680160917075. 9 x 12 inches.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!
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