Cello-Bass. Par MILLER DONALD. Plusieurs sélections dans ce volume sont uniques et jusqu'à présent ont été inaccessibles au répertoire chaîne ensemble. Ces pièces sont destinées aux chaînes multiples pour la performance en classe ainsi que le rendement en concerts. Plusieurs joueurs peuvent être utilisés sur chaque partie. Chaque fois que possible, tous les efforts faits pour garder l'alto et violoncelle ou double parties bass mélodique plutôt que de simplement remplir les progressions harmoniques chord divers. Les pièces effectué peut-être comme un solo pour chaque instrument (violon 1, 2 de violon, alto ou violoncelle) avec accompagnement piano ou duos ou trios, ainsi que l ' orchestre complet. Si le produit avec l'orchestre complet, l'accompagnement au piano n'est pas nécessaire. La série d'ensemble de chaîne répond à toutes les normes pour ASTA avec NSOA (American String Teachers Association/National School Orchestra Association) et l'Association Suzuki de l'accompagnement au piano libre Americas, Inc. et ensemble score téléchargements sont disponibles pour une utilisation avec ce titre. / Niveau : Débutant à Intermédiaire / World Music - Ensemble / Recueil / Violoncelle et Contrebasse

Par GAYE MARVIN / LONGFIELD ROBERT (Arr.). Though initially written over 50 years ago, Marvin Gaye's plea for peace and understanding is a message that still resonates strongly and needs to be heard. This arrangement for string quartet by Robert Longfield maintains the original's easy cool and R

Livre de danses de John allégué est un ensemble de dix danses courts pour quatuor à cordes et boucles de rythme stockés sur CD audio. Six des danses ont des boucles de rythme. Danses peuvent être effectuées dans un ordre quelconque et peuvent être extrait. Notes sur le rendement et l'information technique de CD sont inclus. / Quatuor A Cordes Et CD

Par BORSARELLO FREDERIC. 5 courtes pièces originales pour expérimenter des réflexes digitaux et gestuels dans la découverte de sonorités contemporaines. / Niveau : A Partir Du 2ème Cycle / classique / Répertoire / Violoncelle

You Should Play On The Cello. Par . 50 simply arranged, must-know works by Bach, Brahms, Handel, Tchaikovsky, and more for cello! The book includes piano accompaniment and a separate pull-out part for cello. Selections include: The Blue Danube Waltz (Johann Strauss II) ? Canon in D (Johann Pachelbel) ? Dona Nobis Pacem (traditional) ? Evening Prayer (Engelbert Humperdinck) ? Jupiter Chorale (Gustav Holsts) ? Ode to Joy (Ludwig van Beethoven) ? Pomp and Circumstance (Edward Elgar) ? Sheep May Safely Graze (J.S. Bach) ? Swan Lake (Theme) (Pyotr Il\'yich Tchaikovsky) ? To a Wild Rose (Edward MacDowell) ? and many more. / Date parution : 2022-11-10/ Recueil / Violoncelle

Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for cello (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 40-page cello and piano score includes a separate 16-page cello solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series. / Date parution : 2022-05-31/ Recueil / Violoncelle et Piano

Cello part and Piano part A favourite with violinists for nearly 80 years The Fiddler's Nursery is now available for cellists as well. Wendy Max one of Britain's most highly respected specialist teachers of young players has edited the transposed solo part with bowings and fingerings to reflect contemporary approaches to early-stage learning for the instrument but leaving the music unaltered. No less suited to the cello than to the violin the results offer ideal material for individual or group tuition of players at pre-grade 1 and elementary level.

Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre