Urtext Edition, Piano reduction, paperboundFirst edition of the arrangement for double bass and string quartetPiano reduction and parts for string quartet in e minor/G major and f sharp minor/A major, parts for double bass in e minorwith marked and unmarked double bass partThe viola I and viola II parts for the alternative quintet arrangement (neither of which are included in the printed edition) can be downloaded free-of-charge. / Contrebasse Et Orchestre

ans cette nouvelle édition de la pièce dramatique maîtresse de Stravinsky, Histoire du soldat, les publicateurs ont cherchés à rationaliser tous les divers et parfois conflictuels amendements faits par le compositeur durant sa vie. Cette édition convient a ceux qui s'intéressent aux grandes pièces musicales du vingtième siècle. A être lue, jouée et dansée en deux parties. Écrite pour clarinette, Basson, Cor, Trombone, Violon, Contrebasse et Percussion. / [Igor Stravinsky: The Soldier's Tale] / Classique / Partition /

FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a musical conversation through fugal writing. Sieving has maintained Vivaldi\'s writing and sound, as the two orchestras battle it out to be the reigning orchestra. Each orchestra and section have interesting parts, with string crossings, minimal shifting, stylistic Baroque bow use, and call and response sections or echo sections. Invite a neighboring orchestra to perform this wonderful double string piece or divide your orchestra in two groups. Such a wonderful addition to our Vivaldi repertoire by Robert Sieving at Level 3. / Date parution : 2022-07-30/ Répertoire / Orchestre

Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre

La partition 2 Steles De Victor Segalen de Migot a été composée pour Orchestre et plus particulièrement pour Parties Orchestrales. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Parties Orchestrales / Parties

The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument

Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre

After performing at many educational conferences like the TMEA and NYSSMA conferences, the creators of BARRAGE had many requests for printed, published versions of their music. Many young string players sent letters and e-mails asking that BARRAGE do something to help bring the 'cool element' to their school string program. In response, SWATH Publishing is pleased to be able to offer an exciting string orchestra arrangement of the BARRAGE favorite 'Mountain Spring'. Composed by Dean Marshall (Artistic Director of BARRAGE) and arranged by Arthur Bachmann (violist - The Calgary Philharmonic Orchestra), this piece is a guaranteed crowd pleaser for any school orchestra concert! Appropriate for the intermediate to advanced string orchestra, the piece comes with a full set of string parts (885555), conductor's score, and piano score. *BARRAGE is an internationally acclaimed violin ensemble that presents the violin in a unique and innovative way. BARRAGE combines diverse musical styles with dazzling choreography to produce a show that is truly spellbinding! / Orchestre A Cordes / 82 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9

for String Orchestra. Par GOLDBERG CLEO (Arr.). Shed a Sweet Light, arranged by Cleo Goldberg, celebrates songs from the Jewish celebration of Hanukkah: a time of light, dancing the Horah, eating Latkes (potato pancakes), playing Dreidel (spinning top), and singing happy songs. S_x001A_Vivon literally means spinning or dreidel, while Hanukkah, O Hanukkah is about the traditions of Hanukkah mentioned above. Shed a Sweet Light in E Minor explores mixed meters of 2/4 and 4/4, pizzicato, arco, and slurred 1/16 notes at Level 3. Cleo Goldberg passes the melody around the orchestra as the audience shares in the happiness of Shed a Sweet Light, a wonderful addition to your holiday string orchestra repertoire. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes

Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes