Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduction.The Viola is often not credited with being able to take over a soloistic role but this is completely unjust. In 1738 JohannPhilipp Eisel already wrote of the Viola as being the ?very bowels of music? and stressed that it was not only needed to ?flesh out? the Orchestral sound but also as a 'concert voice which is fully proven by the concertos andconcert overtures by the famous Capell-Meister Telemann'.Telemann?s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of thecore repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

Joseph-Hector Fiocco (1703-1741): AllegroGeorg Philipp Telemann (1681-1767): Sonatina I

Selected Minuets For Descant Recorder (Violin Flute Viola da gamba) and Basso continuo TWV 34 from the collection 'Zweites sieben mal sieben und ein Menuett'. Georg Philipp Telemann`s music is as highly regarded by music lovers of today as it was in his own lifetime. For Telemann very consciously conceived a large part of his works to satisfy the needs of home music making. This selection of minuets can be played on the Violin Flute or Viola da Gamba besides the recorder in C as melody instrument. They are wonderfully varied miniatures which are charming and delightful to hear and yet easy to play.

Easier Piano Pieces 22-Easier Piano Pieces Vol.22 edited by Richard Jones containing the first 12 Fantasias by Georg Philipp Telemann.

Georg Philipp Telemann's 6 Sonatinas for Violin and Harpsichord (Piano) Violoncello ad lib.

Georg Philipp Telemann's Trumpet Concerto In D arranged here for Trumpet with Piano accompaniment. Edited by Karl Grebe.

Ausgewählte Werke für den Junior- und D1-Bereich. Par GARIBOLDI / GEORG PHILIPP TELEMANN / JOHANN SEBAST. Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Recueil / Flûte Traversière et Piano

Six sonatinas by Georg Philipp Telemann varying in character. The set includes a part for continuo should the violinist wish to include this in the performance.

1 J. Ph. Rameau (1683-1764): Rondeau gracieux2 G. F. Händel (1685-1759): Siciliano3 G. Ph. Telemann (1681-1767): Partita II (Aria 1)4 G. Ph. Telemann (1681-1767): Partita II (Aria 2)5 J. Ph. Eisel (?-?): Divertimento (Andante)6 J. Ph. Eisel (?-?): Divertimento (Paisanne)7 M. Marais (1656-1728): 'Le Basque'

This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampling of the various styles of music known to the composer. It contains a pair of French Menuets two Passepieds from Brittany a Polish Polonaise and an Air à l'italienne. For good measure Telemann throws in two quasi-illustrative movements describing Les plaisirs and a Réjouissance respectively. The Overture is perhaps the best-known part of the work and is remarkable for its almost processional feel and itreappears as the Conclusion at the suite's end. This diversity of styles and means fits well the template of a suite but the unifying intelligence behind all of them is definitely that of Telemann.

74 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas For The Sundays After Trinity - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied by separateparts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ???also suitable for an ordinary alto or bass???.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

1 G. Ph. Telemann (1681-1767): Suita No 1 (1st movement - Andante)2 G. Ph. Telemann (1681-1767): Suita No 1 (5th movement - Presto)3 G. Ph. Telemann (1681-1767): Suita No 1 (6th movement - Vivace)4 W. A. Mozart (1756-1791): Walzer (Menuett)5 G. Verdi (1813-1901): Grand March from 'Aida'6 K. Zeller (1842-1898): 'Schenkt man sich Rosen in Tirol' - from 'Vogelhändler'6 J. Ph. Rameau (1683-1764): Le Tambourin7 W. A. Mozart (1756-1791): 'Die Hochzeit des Figaro'

Pariser Quartette-Nouveaux Quatuors en Six Suites II for Flute Violin Viola da Gamba or Violoncello and Basso Continuo 'Paris Quartets'.Volume 2:Quartets 4-6 (B minor A major E minor) TWV 43: h2 A3 e4.Telemann’s chamber music is historically unique in its range of instrumental settings. From his huge output these new editions present the six quartets for Flute Violin Viola da Gamba or Violoncello and Basso Continuo that he wrote in Paris in the 1730s.Published with the title Nouveaux Quatuors en Six Suites by Le Clerc in Paris in 1738 these six pieces are suites with various sequences of movements each introduced by aprelude.Here Telemann shows himself committed to the French style. The works are of special interest not only for their high quality but also because of the variable scoring of the third part for Viola da Gamba or Violoncello.Our edition consists of a full score with preface (German/English) and separate instrumental parts including a Keyboard with figured bass.