Piano 2 et 4 mains / Pièces faciles / Bach Johann Christian : Menuet en sol majeur Beethoven, Ludwig van : Sur un air ukrainien Canon, Marguerite : A la ronde - Le ruisseau - Villageoise Chitte : Etudes I et II - Le poussin curieux Corelli, Arcangelo : Sarabande Czerny, Karl : Etude Opus 453 n°4 - Etude Opus 777 n°2 Haydn, Josef : Danse allemande en ré majeur Mozart, Wolfgang Amadeus : Le printemps (4 mains) - Valse en si b majeur Tchaïkovsky, Piotr Ilitch : Chanson enfantine Telemann, Georg Philipp : Gavotte Türk, Daniel Gottlieb : Chanson à danser - Aria Traditionnel : Le carillonneur - Dans la forêt lointaine - Petit papa

[Incantation - Klavierkonzert Nr. 4 (1955/56)] / Classique / Réduction Piano : K. Solc / Partition / Agrafé /

Concerto for Piano and Orchestra - Arranged on basis of the Cantata Yellow River. Par XINGHAI XIAN. Rachmaninoff and Tchaikovsky may have influenced it and Lang Lang has included it in his repertoire: the piano concerto 'Yellow River' features a brilliant virtuoso solo part, expressiveness and drama, contemplation, great pathos and wit. Based on the cantata of the same name by the famous Chinese composer Xian Xinghai (1905-1945), the concerto, arranged by Yin Chengzong among others, is similarly characterized by the combination of Chinese folk music and elements of the Peking Opera, with traditional European art music. 'Yellow River', the cradle of Chinese civilization and a symbol of the spirit of the Chinese people, can be compared to the 'Moldau' from Smetana's symphonic poem 'Má Vlast'. It is down to you to discover its programmatic content!/ Répertoire / Orchestre et Piano

Sonata Movement (Grave & Presto) in B-flat major-Of Mozart's many fragmentary works it is the Requiem which stands out but there are many other fragments in his large compositional output which can ideally be used as a basis for a reconstruction. In the case of these two reconstructions for two pianos the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way reconstructions are achieved which are based solely on authentic material. The result of this creative exercise is two new highly effective concert works for two pianos offering a valuable addition to Mozart's two existing works for this combination. The editor tookAbbé Maximilian Stadler's sensitive reconstruction of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos (K. deest) as a model for his reconstructions.

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

An authoritative edition of Rachmaninov's Russische Rhapsodie for four hands at the Piano edited by David Butler Cannata.

Pianists at the early intermediate level will delight in the sounds of this concerto written especially for them. Each movement conveys a different spirit and sound, from the fast and energetic feel of the first movement to the brilliant and sparkling third movement. In between, the second movement presents a lyrical contrast with its singing melody and lush harmonies. Together with the second piano accompaniment, students will experience the thrill and fun of performing a concerto. / 2 Pianos, 4 Mains

34 miniatures for piano. Par HILLER WILFRIED. In a film portrait of dancer, painter and sculptor Antje Tesche-Mentzen, I learned that in former times she was a proficient pianist. When she told me that she intended to begin playing again, I promised to compose her a cycle for her new beginning: 34 miniatures, some of them with a direct connection to her paintings and sculptures. The main part of Kosmos was composed in 2014, 400 years after Albrecht Dürer created his copperplate engraving ‘Melencolia I’, in which a magic square appears. In a magicsquare, numbers are arranged in a grid so that their sum in each column, row, and the two diagonals is the same number. In the square I have chosen, the magic number is 34. Wilfried Hiller/ Répertoire / 2 Pianos