Arias for Baritone-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelmanfor German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50481100 Arias for Baritone.

for Bass Baritone and Orchestra-Performed by Ivajlo Djourov bass-baritone Accompaniment: Orchestra of the Sofia National Opera Conductor: Nayden Todorov This collection of Bass-Baritone arias presents a wide variety from Mozart's greatest operas. Listen to master bass-baritone Ivajlo Djourov work his magic then he stands aside so you can stand center stage with the world-famous Sofia Opera Orchestra! Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.

 Moins connues que ses portraits d'animaux réunis dans les ?Histoires Naturelles?, les pensées et les réflexions sur les arbres sont très présentes dans le ?Journal? que Jules Renard a tenu de 1887 à 1910, année de sa disparition,Ces textes très brefs dans lesquels l'empathie de l'Auteur avec son sujet - les arbres - est totale, sont tour à tour tendres et violents, passionnés et contemplatifs- climats contrastés traduits avec subtilité par Isabelle Aboulker dans son adaptation pour quatuor à cordes et voix grave , Pour baryton ou mezzo-soprano et quatuor à cordesParoles en français Contenu de la partition - Prologue 00 :02 :00- Une belle journée 00 :03:15- Nevers,, émotion? 00 :01:15 - Carnage 00 :01:15- Colère 00 :00:30- Mauvaise rencontre 00 :00:20- Déception 00 :00:35- Une famille d'arbres 00 :03:15- Un amour 00 :00:45 / Baryton