The fun course for teenage beginners-Now teenagers can benefit from the funky approach to playing the Flute. Teenage Funky Flute features the same winning approach as the original but is styled specifically with teenagers in mind.TeenageFunky Flute is packed with fun pieces and shows flautists everything they need to know including how to hold the Flute getting a good sound and how to read music.

With its extensive and diverse repertoire this tutorial allows you as a cross flutist to access the best of what classical music has to offer.If you choose to work with this tutorial you will not only broaden your musical horizon and improve your playing technique but indeed enjoy performing all kinds of masterpieces on your own cross Flute.All the great composers are featured â?? with one or even several of their works with concerts symphonies and sonatas with lieder arias and overtures with Renaissance dances orchestral pieces waltzes and ballets but also with instrumentals suchas preludes nocturnes etudes marches gymnopedies and much more. And in order not to lose your enthusiasm while practicing each score is accompanied by 2 audio-recordings which you will find on the mp3 CD attached to the tutorial.In the first recording the cross Flute-part is played along to the corresponding accompaniment. In the second only the backing track (the accompaniment) can be heard which gives you the possibility of taking up the score yourself. In total youare invited to enjoy 174 recordings which add up to more than 6 hours of musical practice(!)With its extensive and diverse repertoire this tutorial allows you as a flutist to access the best of what classical music has to offer. If you choose to work with this tutorial you will not only broaden your musical horizon and improve your playing technique but indeed enjoy performing all kinds of masterpieces on your own Flute. All the great composers are featured ? with one or even several of their works with concerts symphonies and sonatas with lieder arias and overtures with Renaissance dances orchestral pieces waltzes and ballets but also with instrumentals such as preludes nocturnes etudes marches gymnopedies and much more. And inorder not to lose your enthusiasm while practicing each score is accompanied by 2 audio-recordings which you will find on the mp3 CD attached to the tutorial. In the first recording the Flute-part is played along to the corresponding accompaniment. In the second only the backing track (the accompaniment) can be heard which gives you the possibility of taking up the score yourself. In total you are invited to enjoy 174 recordings which add up to more than 6 hours of musical practice(!)

With its ability to reach extremely high registers the Flute’s and especially the Piccolo’s jingle is always clearly audible over other instruments in the Orchestra. However in classical music teaching more emphasis is put on solo practice than the specific know-hows of orchestral playing. With The Orchestral Flute Practice (Book 2) Trevor Wye and Patricia Morris set out to change this habit.This volume looks at issues common to flutists in an Orchestra such as the middle and upper registers cadenzas orchestral duets and trios the Austro-German School and contemporary orchestral writing. Extracts from popular orchestral workswith Flute solos (by composers N-Z) are introduced and regular practice encouraged. The authors’ extensive orchestral experience showing in the notes practical information hints and comments included throughout the book make The Orchestral Flute Practice Book invaluable to students and professionals alike.Book 1 covers composers A-P. Book 2 covers composers R-Z.

An Introduction to the Native American Flute-This book contains 20 chapters addressing everything from the origin and design of the Native American flute to a method for learning to play the instrument and read its music. Together with the fingering exercises presented ineight lessons a number of tunes are included for both the five and six-hole Native American flute. Old standards indigenous music and original compositions are presented meeting the needs of beginning to advanced players. Thisuseful and practical guide to the Native American flute is suitable for either individual or classroom instruction.

Flute Part Only-Claude Bolling's Suite For Flute And Jazz Piano Trio is a work in seven parts composed for a 'classic' Flute and a 'jazz' Piano.Here the Flute part has been extracted and is available separately for the first time.

With CD- A versatile and very popular collection of well known pieces from a wide variety of styles for players to dip into and enjoy. Easy Winners For Flute has something for everyone: from Christmas tunes to classics from television themes to folk tunes the fifty-nine unaccompanied tunes have been carefully selected and arranged. The choice of range technique and style of music has been carefully geared to the instrument and ability range. The titles in Easy Winners For Flute have been arranged as unaccompanied solos but combined with the optional CD or easy piano accompaniments a whole new world of playing opportunity opens up.Teachers talk of pupils finding the book addictive unable to leave it alone after playing along with the CD which cleverly incorporates just enough of the solo line to support the player without providing simply a play along. Easy Winners For Flute is an essential companion to a tutor book and an ideal partner to Winners Galore for Flute.

Studies & Pieces. Par DEHNHARD TILMANN. After Tilmann Dehnhard's award-winning 'The New Flute' was published, it was soon clear that a demand existed for further study material and concert pieces for flutebeatboxing. 'Flutebeatboxing - Studies and Pieces' is a follow-up to the fundamentals and basic techniques explained and demonstrated in 'The New Flute'. Beginning with easy exercises (bronze level) for mastering the basic, individual beatboxing sounds, these compositions progress through to concert level (Platinum). Together with four concert studies, familiar favourites are included: Summertime, Billie Jean, Black or White and Badinerie by J. S. Bach as well as 'beatbox classics': a collection of well-known melodies which are especially suitable for flute-beatboxing. • Comprehensive practice and performance material for the popular Flute-Beatboxing technique • The cool arrangements of Summertime, Black or White and Billie Jean will help you steal the show • Progressive programme of exercises and etudes from bronze level (easy) to platinum (concert) • This book complements the Fluteboxing chapter in Tilmann Dehnhard's much acclaimed Workbook & DVD 'The New Flute' (available as UE 35320) / Études et exercices / Etude / Flûte Traversière

Johann Joachim Quantz's On Playing the Flute has long been recognized as one of the primary sources of information about eighteenth-century performance practice. In spite of its title it is not simply a tutor for the flute but a fully-fledged programme for training musicians of all types with detailed information on intonation ornamentation dynamics the 'duties' of the various accompanying performers including the leader of the orchestra and the principal forms and styles (French Italian and German) of the time. Although Quantz is most often identified as the teacher of Frederick the Great his musical roots were in Dresden the most brilliant musical establishmentin Germany; and his travels and studies in Italy France and England gave him direct experience of most phases of European musical life in the 1720s and 30s. This reissue of the second edition provides a wonderfully complete and detailed picture of musical taste and performance practice in the 18th century and includes a new introduction by Professor Reilly drawing attention to recent research on Quantz. Whether you want to learn to play the flute and be taught by the teacher of Frederick the Great or just to gain a first-hand insight into the history of classical music On Playing the Flute is an essential and entertaining read.

Twelve Fantasias for Flute Solo TWV 40:2-13-Georg Philipp Telemann's 12 Fantasias for solo Flute.Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555) it wasalso mainly Telemann’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century.Telemann’s cycle evidently had a great influence on the flautist’s world.The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on.This Henle Urtext edition is based on Telemann’s print which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

Moyse provides the perfect study book for beginner to advanced flautists. With directions in French English German and Japanese 100 Easy And Progressive Studies for the Flute cannot be missed. French flautist Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal Flute of various orchestras and also became known for his trademark tone; a clear flexible and penetrating tone controlled by a fast vibrato. As well as performing Moyse taught the Flute and published a substantial number of studybooks for the instrument. 100 Easy And Progressive Studies based on studies by Crammer focuses on elements including phrasing tempo breath control articulation fingering and evenness amongst other aspects. Being a prominent Flute player himself Moyse's 100 Easy And Progressive Studies is well-informed and essential to aspiring flautists.

Moyse provides the perfect study book for advanced flautists. With text in French English German Spanish and Japanese 24 Caprice Studies by Boehme for Flute cannot be missed. French flautist Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal Flute of various orchestras and also became known for his trademark tone: clear flexible and penetrating controlled by a fast vibrato. As well as performing Moyse taught the Flute and published a substantial number of study books for the instrument.24 Caprice Studies based on studies by Boehm focuses on elements including phrasing tempo breath control articulation fingering and evenness among other aspects. Being a prominent Flute player himself Moyse's 24 Caprice Studies is well-informed and essential to aspiring flautists.

sur 'Obéron' de C. M. von Weber 'Les classiques de la flûte' n° 76 (rév. Marcel Moyse)-Les Classiques De La Fl?te No.76. Composed by Jules Demersseman (1833-1866) ?Grande Fantaisie De Concert Op. 52 has been reviewed by the French flautist Marcel Moyse. Written for Flute and Piano it is based on 'Ob?ron' by Weber and would fit players with advanced skills and abilities and strong endurance. Part of the series Flute Classics this piece number 76 is among those adapted by P. Taffanel Ph. Gaubert M. Moyse and others. Grande Fantaisie De Concert?starts with the Piano alone soon joined by the Flute. The main theme does not start before the top ofthe second page of the Flute score which is then followed by variations and the finale.

Moyse provides the perfect study book for advanced flautists. With directions in French English German and Japanese Ten Studies After Wieniawsky for the Flute cannot be missed. French flautist Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal Flute of various orchestras and also became known for his trademark tone; a clear flexible and penetrating tone controlled by a fast vibrato. As well as performing Moyse taught the Flute and published a substantial amount of study books for theinstrument. Ten Studies based on studies by Wieniawsky focuses on advanced elements of phrasing tempo breath control articulation intervals ornamentation fingering and evenness amongst other aspects. Being a prominent Flute player himself Moyse's Ten Studies After Wieniawsky is well-informed and essential to aspiring advanced flautists.