Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arrangements, by James Rae, of some of the best known and well-loved melodies from 20th Century light music. 'You Must Remember This” is the title of this collection and you certainly will remember hits like 'Misty”, 'As Time Goes By” and 'Give my Regards to Broadway”. These easy to intermediate arrangements for flute include a piano accompaniment that teachers will find eminently manageable and there are chord symbols - maybe your guitarist friend could join in! They have been set in comfortable keys for the flute so that you can concentrate on bringing out your best tone and fully interpret these evergreen classics. Great pieces for teaching, concerts or just simple enjoyment and, once you have mastered them, you can go on to James Rae's earlier collections, including 'Take Ten” (UE16576) and 'Blue Flute” (UE19763) and many more. / Niveau : Facile à Difficile / Recueil / Flûte Traversière et Piano

Description Version for Flute and Piano later transcribed as the second movement of the Concero for Piano Op.38. Songlist Canzone For Flute And Piano (Barber)

Par REID DUNCAN. / Niveau : Assez Facile / classique / Répertoire / Flûte Traversière et Piano

Arr.Mohrs Vera. Par IBRAHIM ABDULLAH. Abdullah Ibrahim, aussi connu sous le nom de Dollar Brand, est un pianiste de jazz et compositeur sud-africain et un des plus grands musiciens de jazz du XXe siècle. En 2011, il a écrit son cycle 'African Songs' pour piano (Schott ED 20876), qui capture l'atmosphère très caractéristique et la gaieté de la musique africaine. Le présent arrangement pour flûte et piano est une pièce de concert exceptionnelle avec des rythmes et mélodies excitants et captivants./ Recueil / Flûte Traversière et Piano

La référence GB3199 de l'éditeur Billaudot dont l'auteur célèbre est Joubert Claude Henri, qui a pour titre BERBICAN, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Par CANER PIERRE. Langue: English/Deutsch/Français/Italiano/Nederlands/ Répertoire / Flûte Traversière et Piano

With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.