SKU: HL.403259
ISBN 9781705160626. UPC: 196288058496. 9.0x12.0 inches.
Bert Transcribed - The Bert Jansch Songbook, Volume 2 presents 30 more songs by the legendary guitarist and singer-songwriter, Bert Jansch. Each song has been meticulously transcribed and annotated by an international team of leading Jansch experts to detail every aspect of Bert's ground-breaking style and technique. For this volume, they have also been fortunate to reference some of Bert's own newly discovered tentative work in this field, experimenting with software in the 1980s. This book therefore presents the most accurate and definitive transcriptions of Bert's music that have ever been published. Song highlights include: Come Back Baby â?¢ Courting Blues â?¢ Go Your Way My Love â?¢ I Am Lonely â?¢ It Don't Bother Me â?¢ One for Jo â?¢ Tell Me What Is True Love â?¢ A Woman Like You â?¢ and more!
About Hal Leonard Guitar Recorded Versions
Guitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.
SKU: BT.MUSAM976118
ISBN 9780711997769.
The Oasis For Easy Guitar Tab book enables you to learn the guitar licks and chords by one of Britain’s biggest bands! These simplified tab arrangements of melodies from 18 classic Oasis hits are closer to theoriginalrecordings than chord songbooks, yet allow developing guitarist to play their favourite songs. This revised edition has been updated to include The Hindu Times and Little By Little as well as classiclikeCigarettes and Alcohol, Don’t Look Back In Anger and Stand By Me. All the songs are arranged here as easy-to-read guitar tablature and standard notation, complete with guitar chord boxes and lyrics.
SKU: HL.48010275
UPC: 073999922899. 9.25x12.25x0.068 inches.
Contents: Canario, Spagnoletta and Tordiglione from Intavolature di Chittarra e Chittariglia (Calvi) * Tasteggiata Soave from Libro Della Chitarra Spagnolla (Foscarini) * Passacalles and Villano from Poema Harmonica (Guerau) * Entree and Bouree from Suite No. XIX (Weiss) * La Cavalcade, La Favorite and Le Turbulent (Dandrieu). Duets: La Lully from Book II of the 1st Suite (Dandrieu) * Sonata No. 33 (Soler).
SKU: DZ.DZ-4244
ISBN 9782898521614.
La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
SKU: BT.SY-2906
PRFENS inches. German.
The treble recorder and guitar are both very popular as individual instruments but are rarely heard together. Manfredo Zimmermann, working with his guitar partner Hans Brüderl, has written the music for It’s Cool for precisely this reason. The15 pieces in this collection are presented in increasing difficulty, matching the level of his Altblockflöte Vol. 1. These pieces vary in style, ranging from Renaissance melodies to original compositions. The accompanying CD contains tracks tolisten to and play along with. Separate individual parts for alto recorder and bass instrument (with chord symbols) complete the publication. A lovely and unique addition to the chamber music repertoire.Altblockflöte und Gitarre sind beide einzeln sehr beliebt, aber nur selten zusammen zu hören. Für eben diese reizvolle Besetzung hat Manfredo Zimmermann in Zusammenarbeit mit seinem Gitarrenpartner Hans Brüderl die Notenausgabe IT’S COOL geschrieben.Die 15 Stücke dieser Sammlung stimmte er in ihrem ansteigenden Schwierigkeitsgrad genau auf sein Schulwerk DIE ALTBLOCKFLÖTE Band 1 ab. Die große stilistische Bandbreite dieser Stücke reicht von Renaissance-Melodien bis hin zu neuen Kompositionen.Die beiliegende CD enthält Tracks zum Anhören und solche zum Mitspielen. Separate Einzelstimmen für Altblockflöte sowie für ein Bassinstrument (mit Akkordsymbolen) runden die Ausgabe ab. Ein schöner und nicht alltäglicher Einstieg in die Welt derKammermusik!
SKU: M7.VOGG-85
ISBN 9783802400858.
Für alte und junge Hippies Mit über 100 Songs, die sich mit Spaß singen und spielen lassen. Von den Beach Boys, Joan Baez, Bob Dylan, Simon & Garfunkel, John Denver, Reinhard Mey, Fugees u. v. a. Dazu die richtigen Griffe, gute Gitarrenbegleitungen, Tabulaturen und alle Texte. Mit Hintergrundwissen und Entstehungsgeschichte zu den Liedern und ihren Interpreten. Alles Wichtige über die Gitarre und andere Folk-Instrumente. Songliste: Alberta, All around my hat, All my trials, Amazing grace, Banana-Boat (Day-O), Banks of the Ohio, Barbara Allen, Bella ciao, Can the circle be unbroken, Catch the wind, Cocaine, Colours, Come all ye fair and tender ladies, Days of '49, Der Deserteur, Der Winter ist vergangen, Die freie Republik, Die Gedanken sind frei, Die Moorsoldaten, Donna, Donna, Drill ye tarriers, drill, East Virginia, El condor pasa, Es dunkelt schon in der Heide, Es geht ein' dunkle Wolk' herein, Es saß ein klein wild Vögelein, Es zogen einst fünf wilde Schwäne, Go down, Moses, Greensleeves, Grizzly bear, Guantanamera, Gypsy Rover, Havah nagila, Heute hier, morgen dort, House of the rising sun, Ich komme schon durch manche Land, (La Marmotte), If I had a hammer, I'll fly away, In 1841 (Paddy works on the railway), Jackaroe, John Barleycorn, Joshua fit the battle of Jericho, Kalinka, Killing me softly, Kinder, Kisses sweeter than wine, Kumbaya, Lady in black, La-le-lu, La Marmotte, (Ich komme schon durch manche Land), Lady in black, Little beggarman, Lord Franklin, Matty Groves, Mein Vater wird gesucht, Mr. Bo Jangles, Nehmt Abschied, Brüder, Oh, freedom, Oh Susanna, Pick a bale of cotton, Plaisir d'amour, Pretty Peggy-O, Puff, the magic dragon, Sag mir, wo die Blumen sind?, St. James Infirmary, Santy Anno, Scarborough Fair, Should auld acquaintance (Auld lang syne), Sloop John B., Sometimes I feel like a motherless child, Stewball, Streets of London, Take me home, country roads, The bonny lass of FYVIE-O, The circle game, The cuckoo, The Foggy Dew, The last thing on my mind, The marvelous toy, There but for fortune, Three drunken maidens, The trees they grow high, This land is your land, Three drunken maidens, Trotz alledem, Turn, turn, turn, Über den Wolken, Un as der Rebbe singt, Waxie's Dargle, Wayfaring stranger, We shall overcome, What shall we do with the drunken sailor?, Where have all the flowers gone?, Whiskey in the jar (Gilgary Mountain), Will ye go, lassie, go (Wild Mountain Thyme).
SKU: AP.12-0571538347
ISBN 9780571538348. English.
Pick a Chord follows the ethos of Weedon's hugely influential Play in a Day book and DVD, giving guitarists the tools needed to start playing from day one. An essential chord dictionary that every guitarist should have in their gig bag, it contains basic major and minor chords for the beginner through to extended jazz chords for the advanced player. Unlike other chord dictionaries, Pick a Chord gives invaluable advice on rhythm, major and minor chord definition, barre chords, and the 12 bar blues, making Weedon's 'shortcut' method to playing guitar as simple and engaging as possible.
SKU: BT.LCM9790570122110
English.
This book is part of a series that forms an expertly structured and comprehensive method of studying electric guitar. The book covers all the material needed for an LCM examination in Electric Guitar, enabling you to study for an internationally recognised qualification. However, even if you do not intend to take an exam, this book will help you achieve your full potential as a guitarist by developing all aspects of your playing in a structured way.
SKU: BT.LCM9790570122073
SKU: BT.LCM9790570122066
SKU: BT.LCM9790570122059
SKU: BT.LCM9790570122042
SKU: BT.LCM9790570122080
SKU: BT.LCM9790570122103
SKU: BT.LCM9790570122097
SKU: BT.LCM9790570122127
SKU: GI.G-6709G
SKU: BT.REG9781898466659
ISBN 9781905908158. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Five classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
SKU: BT.REG9781898466666
ISBN 9781905908165. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Six classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learn appealingand inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
SKU: BT.REG9781898466642
ISBN 9781905908141. English.
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Four classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.
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