SKU: SU.12800088
BachScholar Editions Vol. 88 — Complete Guide to Major & Minor Scales, Volume 1 (53 pages), written especially for piano teachers and students, introduces the 24 major and minor scales to the beginning to intermediate level student (Grades 1-4). All scales are presented one octave in parallel and contrary motion and in parallel thirds, sixths, and tenths indicated with traditional fingerings. Students learn the essential theory concepts of key signatures (up to five sharps and six flats), relative major and minor keys, and harmonizing scales in thirds, sixths, and tenths. Volume 1 is accompanied with weekly lesson plans freely available to the public on The Well-Rounded Pianist website, hence, this is not merely a scale book but a complete scale guide with step-by-step instructions written especially for teachers and students. The manuscript is large, dark, and very easy to read, making this an indispensable guide for teachers’ studios and piano students at the beginning to intermediate levels. Published by: BachScholar.
SKU: SU.12800090
BachScholar Editions Vol. 90 — Complete Guide to Major & Minor Scales, Volume 2 (58 pages), written especially for piano teachers and students, continues the 24 major and minor scales learned in Volume 1. Volume 2, for upper intermediate to advanced level students (Grades 5-7), presents all scales two octaves in parallel and contrary motion and in parallel thirds, sixths, and tenths indicated with traditional fingerings. Also included is a section on multiple-octave scales in three and four octaves. Students learn the essential theory concepts of key signatures (all seven sharps and flats), parallel and relative major and minor keys, and harmonizing scales in thirds, sixths, and tenths. Volume 2 is accompanied with weekly lesson plans freely available to the public on The Well-Rounded Pianist website, hence, this is not merely a scale book but a complete scale guide with step-by-step instructions written especially for teachers and students. The manuscript is large, dark, and very easy to read, making this an indispensable guide for teachers’ studios and piano students at the upper intermediate to advanced levels. Published by: BachScholar.
SKU: SU.12800078
BachScholar Editions Vol. 78: J.S. BACH: Sinfonia from Cantata 29 (trans. Saint-Saëns) (9 pages) presents arguably the finest romantic-era piano transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed PreludioV from Partita No. 3 for Solo Violin. The once child prodigy and musical genius, Camille Saint-Saëns (1835-1921), pulled out all the stops on this electrifying virtuoso piano transcription of Bach’s famous work, which was first published in 1862. The present performance edition improves upon the currently existing edition by supplying ample fingerings, pedaling and expression indications, as well as a suggested metronome speed. Advanced pianists, concert artists, and audiences will absolutely love this first-rate virtuoso transcription in the romantic tradition. Published by: BachScholar.
SKU: ST.K48
ISBN 9790220224454.
Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes. CONTENTS Prelude (for two to play): Nicholas Carleton? A verse (In nomine) for two to play: Nicholas Carleton A verse of 4 parts: Nicholas Carleton Upon the sharp: Nicholas Carleton O Lord, in thee is all my trust: John Amner John come kiss me now: John Tomkins.
SKU: ST.K49
ISBN 9790220224461.
All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on', possibly by Thomas Tomkins, are a fascinating example of music contemporary to the time, written with the didactic purpose of instructing musicians in the techniques of counterpoint. CONTENTS Prelude in d: Edward Gibbons Gaudent in caelis: Anon. Miserere: Anon. Upon a plainsong: Attrib. Orlando Gibbons Verse in G: Anon. Fantasia in a: John (or Thomas) Holmes Fantasia in G: Attrib. Orlando Gibbons Fantasia in G: Anon. Pavan in e: Anon. Galliard in C: Anon. Galliard in F: Anon. Fortune my foe: Anon. Alman in F: Thomas Tomkins Ballet in G: James Harding, arr. Anon. Coranto in C: Anon. Jig in G: Anon. Tomboy: Anon. Pretty ways for young beginners to look on: Anon. (Thomas Tomkins?).
SKU: SU.80101365
These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.
SKU: HL.697293
ISBN 9780793575459. UPC: 073999972931. 9.0x12.0x0.13 inches. Blake Neely and Gary Meisner.
Keyboard 2 takes over where Keyboard 1 left off, with more rhythms and techniques, chord substitution, rock, blues, and shuffle styles, intros and outros, and 95 songs and examples which are demonstrated on the audio tracks. The audio is accessed online using the unique code in each book and includes PLAYBACK tools such as tempo adjustment, looping, changing keys, panning, and more.
About Fast Track Music Instruction
FastTrack is (you guessed it!) a fast way for beginners to learn to play that instrument they just bought. FastTrack is different from other method books: we've made them user-friendly with plenty of cool songs that make it easy and fun for players to teach themselves. Plus, the last section of all the FastTracks books have the same songs so that students can form a band and jam together.
SKU: ST.K46
ISBN 9790220224010.
The keyboard concertos in K46 contain both solo material and a simple reduction of the orchestral passages, and this allows the concertos to be played either with or without orchestral accompaniment. Full details are given in the introduction as well as in MB94. Sets of instrumental material which may be used to accompany the concertos are available. William FELTON: Concerto op. 1 no. 1 in C major (1744) Benjamin COOKE: Concerto in D major (1749) William HAYES: Concerto in D major (1755) Thomas ARNE: Concerto no. 5 in G minor (by 1755?) Thomas CHILCOT: Concerto set 1 no. 2 in A minor (1756).
SKU: SU.80101349
Three movements in a Baroque-inspired style that can be played on any keyboard instrument (including organ, harpsichord, or piano). Two chorale preludes (Ach Gott, wie manches Herzelied and Nur mein Jesus ist mein Leben) are followed by a freely-composed fugue in D minor. Instrumentation: Keyboard. Composed: 1948, rev. 2007 Published by: Zimbel Press.
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