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BOUZOUKI
Orchestra, Violin
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DVD Opera and Ballets (32)
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Trombone Solo (25)
Baritone Ukulele (25)
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Solistes SATB, Choeur SATB, 2 … (25)
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Xylophone (25)
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Clarinette Solo (23)
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Edition Critique des oeuvres d… (23)
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Libretto (22)
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Euphonium and Orchestra (22)
Orchestre (22)
Choeur SS (B) ou SA (B), 2 Vio… (22)
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Saxophone Soprano (22)
Trumpet, Trombone (duet) (22)
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Voix et Orchestre à vent (21)
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Duos (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Saxophone Quintet: 5 Saxophone… (21)
Sextuor (21)
Euphonium Ensemble (21)
2 Violons, Alto et Basse Conti… (21)
2 French horns (duet) (21)
Hautbois et Basse Continue (21)
Saxhorn en Sib en Clé de Sol … (21)
Soprano, Ténor et Piano (21)
Saxhorn en Sib (21)
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Saxhorn or Euphonium (21)
Cor en Mib et Piano ou Orgue (21)
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Flûte à Bec et Piano (21)
Trumpet ensemble (21)
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Solo instrument and Organ (19)
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Soprano Solo, Alto Solo, Téno… (19)
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A Cappella (19)
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Quatuor Variable (19)
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Mug (19)
Saxophone and Orchestra (19)
Bagpipe (19)
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Cor en Fa Solo (19)
Tenor Banjo (19)
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Concertino da camera (QUERLEUX ALAIN) (QUERLEUX ALAIN)
Français
Orchestra, Violin
Editions Buissonnieres
Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements...
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Par QUERLEUX ALAIN. Ce « petit Concerto de chambre » comprend trois mouvements, pour une durée globale de 18 minutes environ. L?essence de son propos est le dialogue concertant et chantant entre un violon soliste et un orchestre à cordes (pouvant se réduire à un simple quatuor à cordes ). Le premier mouvement est sous-titré « ..Par un chemin d?échos divers.. » : il évoque une promenade et ses sons, rumeurs, chants et bruits ? naissant, s?amplifiant, s?éloignant ou renaissant en échos. Plusieurs tempi modérés s?enchaînent au gré des tonalités de ré mineur, ré majeur, sol mineur et sol majeur. Les interprètes devront varier les climats, nuances et couleurs. Le mouvement central, très lent et expressif, est de facture plus classique : l?orchestre expose le thème principal, bientôt repris et varié par la cantilène du violon solo, dans le ton de la mineur.Le passage central module en la majeur, un grand crescendo s?en suit, jusqu?au retour du premier thème ? soliste et orchestre réunis. Le Finale apporte joie et détente, dans un tempo vif et spirituel.C?est une forme Rondo, avec un refrain apparaissant à cinq reprises, et quatre couplets énoncés par le violon solo. Quelques traits virtuoses participent de la fête, le ton de La hésitant entre mineur et majeur. La partie de soliste conviendra aux violonistes à partir de la fin du 2ème cycle des conservatoires. Les parties d?orchestre sont abordables à partir du second cycle./ Répertoire / Violon Concertant et Orchestre
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Vox Amoris (VASKS PETERIS)
Orchestra, Violin
[Reduction]
Schott
Fantasy For Violin And String Orchestra. Par VASKS PETERIS. Je commence à compo...
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Fantasy For Violin And String Orchestra. Par VASKS PETERIS. Je commence à composer la fantaisie pour violon et orchestre Vox amoris en automne 2008 et s'est terminée le score au début du printemps 2009. Quel est le message que je voulais annoncer ? Il s'agit de la plus grande puissance dans le monde entier - amour. Amour, a été et sera tant que nous serons. Je crois que le violon solo et orchestre à cordes est la meilleure combinaison pour un ' love story '. La composition, consistant en un seul mouvement, démarre avec un trémolo chaîne sourdine. Le violon solo apparaît alors - recherche, demandant, jusqu'à ce qu'il fleurit en une mélodie large qui est soutenue par un accompagnement orchestral doux.Le violon solo Cadenza I relie la partie introductive avec l'épisode central. La partie centrale de la composition est construite à partir de deux ondes sonores. La première vague commence doucement, lentement, et ensuite l'intensité augmente, devient plus forte et diminue. La deuxième vague est plus large, plus dramatique. La partie de violon solo devient plus difficile - orchestre à cordes joue un rôle actif ici. Caden.../ Répertoire / Violon et Orchestre à Cordes
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Johannes Brahms: Concerto: Violin: Parts
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
60.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim ...
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D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
41.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Part
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
5.00 GBP - Sold by Musicroom UK
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Johannes Brahms: Concert D Op.77: Violin: Study Score
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
16.50 GBP - Sold by Musicroom UK
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Johannes Brahms: Concerto: Violin: Reference
Orchestra, Violin
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown?s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary
17.50 GBP - Sold by Musicroom UK
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Le Trille Du Diable (TARTINI GIUSEPPE)
Orchestra, Violin
[Score and Parts]
Soldano
Sonate En Sol Mineur. Par TARTINI GIUSEPPE. Sonate En Sol Mineur/ Répertoire / ...
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Sonate En Sol Mineur. Par TARTINI GIUSEPPE. Sonate En Sol Mineur/ Répertoire / Violon et Orchestre à Cordes
54.21 EUR - Sold by LMI-partitions
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Kaija Saariaho: Graal Theatre (Violin Concerto)- Solo Violin Part: Violin: Part
Orchestra, Violin
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer livingand working in Paris and Graal Thé tre is one of her principal works frequently performed in spite of its ferocious virtuosic requirements. Unlike many of her other works Graal Thé tre has no electronic extensions but exploresthe relationship fully between soloist and Orchestra. She gained international renown for her first opera l?Amour du Loin and continues a prolific compositional life with a wide range of international performances.
16.99 GBP - Sold by Musicroom UK
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Haflidi Hallgrímsson: Poemi For Violin And String Orchestra (Full Score):
Orchestra, Violin
[Sheet music]
Chester
Poemi is based on three allegorical paintings by Marc Chagall each of which is ...
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Poemi is based on three allegorical paintings by Marc Chagall each of which is a masterly depiction of a well-known text the Old Testament: The Dream of Jacob The Sacrifice of Isaac and Jacob in Combat with the Angel. Hallgrimsson's intention in writing the work was to compose a virtuoso piece for violin and string orchestra which would recreate in music the poetic essence of Chagall’s paintings.The soloist is at the centre of the ‘musicalstage’ throughout with the orchestra providing a constantly changing ‘scenery’. The music progresses from the tranquillity of the Dream in the first movement through the drama of the Sacrifice in the second to the fast andtense Combat with the Angel which forms the final movement.'Poemi' was awarded the Nordic Council Prize in March 1986.
19.99 GBP - Sold by Musicroom UK
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The Four Seasons Op. 8 Rv 269, 315, 293, 297 (Les quatre saisons) (VIVALDI ANTONIO)
Orchestra, Violin
[Study Score / Miniature + CD]
Eulenburg
Par VIVALDI ANTONIO. Quiconque lit, écoute plus. Qui veut vraiment comprendre u...
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Par VIVALDI ANTONIO. Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utilisation de la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. La Eulenburg audio + score série excelle dans un format facile à lire et prêt/ Répertoire / Violon, Cordes et Basse Continue
18.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Karelian Dance for violin and string orchestra (SONNINEN AHTI)
Orchestra, Violin
Fennica Gehrman
La Danza Karelia viululle ja jousiorkesterille. Par SONNINEN AHTI. Virtuosic Kar...
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La Danza Karelia viululle ja jousiorkesterille. Par SONNINEN AHTI. Virtuosic Karelian Dance (La Danza Karelia) for solo violin and string orchestra by Ahti Sonninen is published for the first time. This product includes the full score, the solo violin part and the string parts (3.3.2.2 2.1). The version for violin and piano is included in Géza Szilvay's Colourstrings Violin ABC: Book G5 ? Sixth and seventh positions (9790550115989 [violin part]
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Violin Concerto A Minor Op. 82
Orchestra, Violin
Belaieff
Le Concerto pour violon opus 82 est l'une des oeuvres les plus connues de Glazou...
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Le Concerto pour violon opus 82 est l'une des oeuvres les plus connues de Glazounov. Depuis la première représentation en 1905 mené par le compositeur, quand Leopold Auer était le soliste, pratiquement tous les violonistes grands il eu dans leurs répertoires. La structure de le oeuvre était assez peu conventionnelle pour son époque. Le premier mouvement romantique et lyrique est suivi sans interruption (Andante) le deuxième mouvement, frappant et virtuose, avec sa caractéristique ' alla caccia 'thèmes. / Violon Et Orchestre
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
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for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Wolfgang Amadeus Mozart: Violin Concerto No. 5 In A: Ensemble: Instrumental Work
Orchestra, Violin
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
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for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart EditionFull score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
Full Score - for Violin and Orchestra-Mozart composed the majority of his works ...
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Full Score - for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
29.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Violin Concerto No.4 in D major K.218: Violin: Study
Orchestra, Violin
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo stri...
(+)
for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale
10.50 GBP - Sold by Musicroom UK
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