Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
0
Sheet Music
Books
15
Home
MUSIC
EQUIPMENT
0
Music sheet library
with delivery
Post mailing
Digital sheet music
You've Selected:
Unknown
BOUZOUKI
Orchestra
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Piano solo (52)
Piano, Vocal and Guitar (41)
Piano, Voice (18)
Easy Piano (18)
String Quartet: 2 violins, vio… (15)
Guitar notes and tablatures (13)
Brass ensemble (12)
Flute (12)
Alto Saxophone (10)
Ukulele (10)
Solistes, Choeur SATB, 2 Flût… (9)
Solistes ATB, Choeur SATB, 2 F… (9)
Concert band (8)
Choeur SATB, 2 Cors, Violon So… (8)
Lyrics and Chords (8)
Trumpet (8)
2 Saxophones (duet) (8)
Violin and Piano (7)
Organ (7)
Cello (7)
Clarinet (7)
Recorder (6)
Piano Trio: piano, violin, cel… (6)
Viola (6)
Tenor Saxophone (6)
Flûte à Bec F1, 2 Violons et… (6)
2 Trumpets (duet) (6)
Carte Postale (5)
Choral SATB (5)
2 Violins (duet) (5)
2 Trombones (duet) (5)
Divers (5)
Orchestra (5)
2 Clarinets (duet) (5)
2 Flutes (duet) (5)
Violin (5)
Cor Anglais, 2 Violons et Viol… (4)
French horn (4)
String Quintet: 2 violins, vio… (4)
Piano and Orchestra (4)
Trumpet, Trombone (duet) (4)
Quintette à Cordes (4)
Conducteur (4)
Bb Instruments (4)
2 Cellos (duet) (4)
Trombone (4)
Keyboard (3)
Oboe (3)
Double bass, Orchestra (2)
All Instruments (2)
1 Piano, 4 hands (2)
Choral (2)
Piano/Vocal/Guitare (PVG) (2)
Baritone voice, Piano (2)
Ocarina (2)
Opera (2)
Affiche (2)
Melody line, (Lyrics) and Chor… (2)
Cello Ensemble (2)
String Orchestra (2)
2 Flutes and Guitar (2)
Soprano, SATB et Orchestre (2)
Trumpet, Piano (2)
Voice, Organ (2)
Chant (2)
High voice, Piano (2)
Flute, Clarinet (duet) (2)
Guitar (2)
Soprano voice, Piano (1)
Violoncello, Basso continuo (1)
Voix et Piano Réduction (1)
5 Voix (Flûte à Bec et Instr… (1)
Guitare Tablatures Classique (1)
Voice solo (1)
Piano Accompaniment (1)
Low voice, Piano (1)
Orgue Et Choeur (1)
2 Cellos, Piano (1)
Soprano, Baryton, Choeur Mixte… (1)
Children choir (1)
Mezzo-Soprano ou Ténor et Pia… (1)
1 à 3 Voix d'Hommes (1)
Ténor, Choeur d'enfants, SATB… (1)
Travaux Pour Choeurs (1)
Enregistrement (1)
Voix, Flûte à Bec et Basse C… (1)
Soli SATB, SATB and Orchestra (1)
Harpsichord (1)
Voix d'Alto et Orchestre (1)
Bagpipe (1)
Livres (1)
Viola da Gamba, Basso continuo… (1)
Ensemble Divers (1)
Accordion (1)
Guitare (1)
Choeur et ensemble vocal (1)
Orgue ou Clavecin (1)
Viola, Piano (1)
Cello, Orchestra (1)
Cello, Piano (1)
Medium voice, Piano (1)
Musical course - Solfege (1)
Violon, Cordes et Basse Contin… (1)
Opéra (1)
Saxophone (1)
FILTERS AND ORDERS
FILTERS AND ORDERS
Sorting and filters :
Relevance
Best sellers
Price low to high
New releases
Most commented (USA)
A-Z
Level easy to difficult
Level difficult to easy
In Stock
Medias (all)
With CD or online
With online audio
With CD
With DVD
Sheet music only
Samples (all)
With cover
With audio
With sheet extract
Audio+Extract
Languages
English
French
German
Italian
Japanese
Spanish
Russian
Deutsh
>Swedish
Português
USA
12
Europe
3
1
Details
Details
No other people (BARRY GERALD)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Ray...
(+)
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods. In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original. I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings. There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo. They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing. Something of this is in the music.' Gerald Barry, 2009/ Répertoire / Orchestre
21.19 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
(+)
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
85.70 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Lucia di Lammermoor (DONIZETTI GAETANO)
Orchestra
Ricordi
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: ...
(+)
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere “musicological curiosity” some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composer’s preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composer’s autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizetti’s music. The critical edition restores the original keys, thus maintaining Donizetti’s overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces – which may have had Donizetti’s approval – will be made available available in the material for hire to theatres. / Date parution : 2022-03-05/ Répertoire / Orchestre
502.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version