This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)

This edition clarifies a performance aspect of Haydn?s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola violoncello and several wind instrument parts are marked ?solo? indicating that they play important motifs or themes and ought to stand out.Contrary to other editions the ?solo? marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works operas and symphonies this edition is based on the Henle Complete Edition of the ?Works of Joseph Haydn? . The complete performance material for several ?Sturm und Drang? symphonies and all of the London and Paris symphonies is now available from Bärenreiter.Based on the Henle Complete Edition of the ?Works of Joseph Haydn?Orchestral parts in a large format (25.5 cm x 32.5 cm)Full score & performance material available for sale (BA10980)

Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

This work was written by Michael Nyman towards the end of 1997 commissioned by the English Sinfonia to celebrate the orchestra's taking up residence in Stevenage Hertfordshire. The first performance was given by the EnglishSinfonia under Bramwell Toevy at the Royal Festival Hall London on 14 April 1998.Duration c. 17mins. Instrumentation:; 2 FLUTES; 2 OBOES; 2 CLARINETS IN Bb; 2 BASSOONS; 2 HORNS IN F; 2 TRUMPETS IN Bb; TIMPANI; STRINGS

George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First World War started in 1914 he joined the Durham Light Infantry as a Lieutenant. In the trenches he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme but during the raidButterworth was killed by a sniper's bullet.Much of his music is influenced by folk-song. The idyll 'Banks of Green Willow' is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it.This pack comprises one full score string parts 4/4/3/4/2 and any wind brass and percussion parts.Orchestration:2 Flutes 2 Oboes 2 Clarinets in A or Bb 2 Bassoons2 Horns in F Trumpet in Bb Harp Strings (Violin 1 Violin 2 Viola Cello Double Bass)

Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale

Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre