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Peter Maxwell Davies: Threnody On A Plainsong For Michael Vyner: Orchestra:
Orchestra
[Sheet music]
Chester
A short piece for small orchestra written in 1989 when the composer heard of Mi...
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A short piece for small orchestra written in 1989 when the composer heard of Michael Vyner's death. Premiered in October 1989 at Glyndebourne Sussex by the London Sinfonietta and conducted by the composer just six days afterVyman's death.Approximately six minutes in duration it is based on the plainsong ‘Cor meum et caro mea exultaverunt in Deum vivum’ and is scored for two oboes two bassoons two horns two trumpets timpani and strings.
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Franz Joseph Haydn: Complete London Symphonies Nos. 93-98: Orchestra: Score
Orchestra
Dover Publications
It was in his monumental 12 'London' symphonies composed between 1791 and 1795 ...
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It was in his monumental 12 'London' symphonies composed between 1791 and 1795 that Haydn shaped the early form of the symphony and set the standard for later composers. This volume contains the first six symphonies in the series including the famous Surprise Symphony no.94 and the innovative Miracle Symphony no.96.
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Jerry Bock Sheldon Harnick: Symphonic Dances from Fiddler on the Roof:
Orchestra
[Score and Parts]
Hal Leonard
From this legendary stage show and film comes some of Broadway's most enduring m...
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From this legendary stage show and film comes some of Broadway's most enduring music ? not only the memorable songs but also the dazzling ethnic dance music. Ira Hearshen's showcase is pure energy and musical excitementwith Tradition Wedding Dance #1 (The Bottle Dance) Perchik and Hodel Dance Chava Sequence and To Life.
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Gordon Crosse: Symphony No.3 'Between Despair and Dawn': Orchestra: Score
Orchestra
[Sheet music]
Cadenza Music
Symphony No.3 'Between Despair and Dawn'
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Johann Strauss Jr.: An Der Schönen Blauen Donau Op. 314: Orchestra: Miniature
Orchestra
Eulenburg
Waltz-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und M...
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Waltz-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Johann Strauss Jr.: Donauweibchen Waltz Op.427: Orchestra: Score and Parts
Orchestra
Bosworth
Donauweibchen Waltz Op.427
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Magnus Lindberg: Kinetics: Orchestra: Instrumental Work
Orchestra
Wilhelm Hansen
This work was written with a mix between computer technology and the more tradit...
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This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord.Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.
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Donald Crockett: Wedge: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Wedge
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Peter Maxwell Davies: Unbroken Circle (Miniature Score): Ensemble: Miniature
Orchestra
[Study Score / Miniature]
Chester
Composed in homage to William Glock this single movement has something of the c...
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Composed in homage to William Glock this single movement has something of the character of a slow fugue on a theme deeply imbued with minor thirds. The woodwinds (including bass clarinet in B flat) and strings are considered aspairs in balance with each other and with the piano.Unbroken Circle was first performed in June 1984 during the Bath Festival by the London Sinfonietta conducted by Diego Masson.Score (miniature). Duration c.5mins.
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Magnus Lindberg: Corrente No.2: Orchestra: Score
Orchestra
[Score]
Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...
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Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
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Kalanus Op. 48 (GADE NIELS WILHELM)
Orchestra
[Sheet music]
Barenreiter
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloist...
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Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloists, choir and orchestra” op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne” (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy”, however, he later abandoned his plan and 'Kalanus” remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response./ Répertoire / Orchestre
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Joseph M. Martin: Whispers of the Passion: Orchestra: CD
Orchestra
Shawnee Press
The creative team that brought you The Lenten Sketches and Covenant of Grace now...
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The creative team that brought you The Lenten Sketches and Covenant of Grace now present a work filled with intensity and passion. In this work the silent witnesses to the last days of Christ speak in 5 soliloquies that testify to the timeless message of grace. These monologues are followed by beautiful musical moments that present new anthems as well as traditional Lenten hymns. This work designed primarily for Holy Week performance incorporates simple symbols (Palms Chalice Robe Crown of Thorns and Cross) to be presented as the work unfolds. Whispers of the Passion is supported by a complete line of products that will add a variety of options for churches of any size. Witha 30-35 minute performance time this flexible work can be integrated into a regular service or can even be done progressively over the weeks leading up to Good Friday. Reflect upon the gift of grace and the price of redemption as you experience the emotion of this inspired cantata.
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Franz Joseph Haydn: Symphony No.89 In F Hob. I: Orchestra: Score
Orchestra
Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...
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Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
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Joseph Weigl: Venere e Adone: Score
Orchestra
Venere e Adone
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Britta Byström: Screen Memories - Trumpet Concerto No.2: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orc...
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Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'täckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory. The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen (1968-69) by Danish composer Per Nørgård – a modern classic in which Nørgård presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of Nørgård. Nørgård in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”). Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso
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Joseph Haydn: Symphony D minor Hob. I: Orchestra: Score
Orchestra
[Sheet music]
Barenreiter
Along with Symphonies Nos. 79 and 81 Haydn?s D-minor Symphony Hob. I:80 belongs...
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Along with Symphonies Nos. 79 and 81 Haydn?s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince?s orchestra.Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn?s large choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?.Bärenreiter has already published the complete performance material forseveral ?Sturm und Drang? symphonies and all the London and Paris symphonies.
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Nikolai Rimsky-Korsakov: Sheherazade: Orchestra: Study Score
Orchestra
M.P. Belaieff Musikverlag
The sultan Shakriar convinced of the falshood and inconstancy of all women had ...
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The sultan Shakriar convinced of the falshood and inconstancy of all women had sworn an oath to put to death each of his wives after the first night. However the sultana Scheherazade saved her life by arousing his interest in the tales which she told him during 1001 nights. Driven by curiosity the sultan postponed her execution from day to day and at last abandoned his sanguinary design. Scheherazade told many miraculous stories to the sultan. For her tales she borrowed verses from the poets and words from folk songs combining fairy-tales with adventures.
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Franz Joseph Haydn: Symphony No.26 In D minor - Lamentazione: Orchestra: Part
Orchestra
Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...
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Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
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Franz Joseph Haydn: Symphony No.26 In D minor - Lamentazione: Orchestra: Part
Orchestra
Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...
(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
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Gustav Holst: Invocation: Orchestra
Orchestra
Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd Webber.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Part
Orchestra
Barenreiter
Violin 1-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchest...
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Violin 1-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Part
Orchestra
Barenreiter
Violin 2-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchest...
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Violin 2-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Score
Orchestra
Barenreiter
Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts...
(+)
Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Part
Orchestra
Barenreiter
Viola-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral...
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Viola-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Part
Orchestra
Barenreiter
Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrch...
(+)
Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No. 92 In G Oxford: Orchestra: Part
Orchestra
Barenreiter
Wind Instruments-Based on the Henle Complete Edition of the Works of Joseph Hayd...
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Wind Instruments-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.
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Franz Joseph Haydn: Symphony No.26 In D minor - Lamentazione: Ensemble: Score
Orchestra
Barenreiter
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral part...
(+)
Based on the Henle Complete Edition of the Works of Joseph Haydn.Orchestral parts available in a large format (25.5 x 32.5 cm).Haydn?s Symphony No.26 received its nickname Lamentazione during his lifetime though it is unclear whether this stems directly from the composer. This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn?s day it was customary to play individual movements in church services and it may be assumed that these two movements were performed and possibly composed independently from each other.Continuing thecollaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works operas and symphonies Haydn?s Symphony No.26 is appearing based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all of the London and Paris symphonies has already been published.
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Felix Mendelssohn Bartholdy: Konzert Für Violine und Orchestre: Orchestra: Score
Orchestra
Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...
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E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
57.50 GBP - Sold by Musicroom UK
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A Sacred Cantata based on Early American Songs-From the composer who brought you...
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A Sacred Cantata based on Early American Songs-From the composer who brought you Tapestry of Light The Rose of Calvary and The Lenten Sketches comes a new work filled with the music of grace. The life of Christ is dramatically presented in this choral cantatathat tells the gospel story using American folk songs and hymns. Filled with time-honored tunes and texts this masterfully arranged work will connect with the congregation and choir alike.Divided into threesections-Ministry Humility and Victory-this cantata can be done progressively throughout Lent Holy Week and Eastertide or it can be performed as one large celebration of the life of Christ. The miracle and blessing of Christ'searthly ministry the humility of His passion and the victory of His resurrection fill this work with emotion and power. Thoughtful narration and spectacular orchestrations crown the cantata with variety and skill. Optionalmoments for congregational participation are included to incorporate your community of faith. A full line of support products is available.
324.99 GBP - Sold by Musicroom UK
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