This compilation features all of the traditional and best loved wedding music. Containing 53 of the most requested wedding melodies including examples of both classical and popular modern songs there will be somthing here to suit any wedding event. All the tracks are arranged for organ or other keyboard instrument and voice with complete lyrics for the hymns. Organists and pianists will find this volume a convenient collection and an essential addition to their music libraries. Ideal for public and private ceremonies this anthology of joyful music provides keayboardists and singers with ample performance options.

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 2 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Allegro' (Suzuki) 'Amaryllis' (Ghys) 'Anthem' (Traditional) 'Bells' (French Folk Song) 'Cinderella' (French Folk Song) 'Claire de Lune' (Lully) 'Folk Song' (Icelandic Folk Song) 'French Folk Song' (Traditional) 'Goodbye to Winter' (Folk Song) 'London Bridge' (Folk Song) 'Long Long Ago' (Bayly) 'Lullaby' (Schubert) ' Musette' (Anonymous) 'O Come Little Children' (Traditional) 'Prelude' (Charpentier). 'French Folk Song ' 'O Come Little Children ' and 'Prelude (from 'Te Deum')' are Federation Festivals 2016--2020 selections.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

The Planets-Written in 1995 as one part of Lorentzen's 'Suite of Seven Pieces for organ' Mercurius is a symbol of merchants trade and thiefs traditionally depicted with wings on his heels forever restless scurrying about. The music is divided into sequences of four resulting in a sense of weightlessness and hurried urgency. The first complete performance of 'The Planets' took place in 1996 and was given by Jens E. Christensen.

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue

Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works in both the traditional German free genres?such as preludes fantasias and toccatas?and stricter forms such as chorale preludes andfugues. During his most productive period (1708 14) he composed about a dozen pairs of preludes and fugues five toccatas and fugues and the Little Organ Book an unfinished collection of forty-six short chorale preludes thatdemonstrates compositional techniques in the setting of chorale tunes.Essential Organ Works Of Bach includes Toccata And Fugue In D Minor BWV 565 Passacaglia And Fugue In C Minor BWV 582 Concerto in A minor 'after Vivaldi' BWV 593 Fantasia in G 'Piéce d'Orgue' BWV 572 In dulci jubilo BWV 729 Liebster Jesu wir sind hier BWV 731 Prelude and Fugue in Eb BWV 552 Prelude and Fugue in G BWV 541 Vater unser im Himmelreich BWV 683 and Watchet auf ruft uns die Stimme BWV 645. A must-have collection for any organist!

Organ Works Volume 2: Twenty small Fugues and Freely Composed Organ PiecesTelemann?s organs works pay tribute to the contrapuntal art of the High Baroque while pointing to the age of Gluck Haydn and Mozart in their emphasis on melody.Easy to play Telemann?s organ music strikes a masterly balance between traditional stylistic elements and those of the burgeoning ?style galant?

Volume 3: Improvisation-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playing step-by-step.Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals and pedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist and Master of the Schola Cantorumof Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.

Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language rooted in the traditional sounds of Spain has not managed to reach a large audience outside the Iberian peninsula although he is often called ?a musician of European stature?.The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end all available sources in the libraries of Astorga Barcelona San Lorenzo de el Escoreal Felanitx/Mallorca Jaca and Montserrat have been examined and newly evaluated.If Cabanilles?s oeuvre consists primarily of tientos organ hymns and versets the third and final volume contains three versos three pasacalles two galliards two toccatas and such special forms as Paseos de tercer tono Diferencias de Fol as and a Jácara.Final volume of the three-volume Urtext editionNew selection of pieces and musical formsExtensive trilingual Foreword (Ger/Eng/Sp) on the works sources and previous editions as well as notes on registration and contemporary organ building

Seasonal classics gathered in this compilation of traditional and classical organ works for use in church and recital compiled and edited by Rollin Smith. These yuletide favourites by twenty-four different composers including Bach Brahms Franck Pachelbel and others. All set for Organ solo with an informative section of notes on the music offers background on each of the selections.

Easy liturgical organ music in an accessible modern style is always welcome and Nigel Ogden well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2 has composed fifteen new pieces for use within the communion service or other acts of worship.They are suitable both for traditional and electronic keyboard instruments and may be performed on single or multi-manuals with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy as well as tranquil melodies for reposeful moments of meditation and private devotion pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service which offers a really practical contribution to the repertoire of useful music for church organists.

Organ. With classic flair Donald Campfield has arranged for organ 10 of the most beloved traditional hymns for use as preludes postludes or hymn introductions. There is a hymn for almost every season including such standards as: Come Christians Join to Sing · Be Thou My Vision · A Mighty Fortress Is Our God · and more.

Vierne's six symphonies are stylistic highlights of the French organ symphony taking César Franck as their starting point. Vierne's sixth and last Organ Symphony op. 59 was written in summer 1930. In this work his well-known chromatic style verged on the traditional major-minor tonality.Evaluation of all available autograph manuscripts first printed editions and previously unpublished lettersWith a comprehensive critical commentary (Fr/Eng/Ger)Foreword (Fr/Eng/Ger) with detailed performance practice tipsNumerous illustrations and facsimile pages

Long ago popular styles have conquered the traditional pipe organ. Various characters have been espressed. The continuing succes of the first two editions of our series ?Jazz Inspirations for Organ?

Funeral Music For Organ edited and arranged by Wilco Bos. Includes Albinoni's Adagio Handel's Largo and the traditional Amazing Grace.