Cette suite de transcriptions propose des pièces au tempérament bien marqué, chacune d'elle étant un petit bijou en soi. L'extrême précision et fidélité des arrangements d'André Isoir les rend parfois difficile d'accès mais le résultat en est fraîcheur, spontanéité, virtuosité, musicalité. C'est là tout l'art de la transcription. A travers les oeuvres de du Fay, du Caurroy, Monteverdi, Purcell ou Charpentier, les organistes trouveront un réel plaisir à jouer ces pièces sur un orgue d'esthétique française ou classique. / Orgue

Création 09/09/2018 - Chartres, Grand Prix de Chartres d'interprétation, Cathédrale Notre Dame - Finale du Grand Prix Commanditaire Association des Grandes Orgues de Chartres Dédicace à Philippe Lefebvre et Patrick Delabre Notice A l'origine de Phteggomai se trouve un émerveillement : celui d'écouter la propagation d'un son projeté dans l'espace de la cathédrale de Chartres. Il y a là une expérience qui dépasse le simple plaisir acoustique ou esthétique, pour atteindre une émotion presque surhumaine, tant l'écoute, tout autant et même plus que la vue, nous permet de saisir, et d'être saisi par, les dimensions et la force transcendante de l'édifice. En grec ancien, le verbe phteggomai (?????????) signifie proférer, se faire entendre, proclamer à pleine voix. Ainsi le centre de gravité de l'orgue dans cette pièce est un jeu de cornet, plein et sonore, qui rebondit et se diffracte dans l'acoustique, s'anime, tourbillonne, et se métamorphosera peu à peu en une masse colossale qui semble atteindre les dimensions même de la cathédrale. La trajectoire de la pièce n'a rien cependant d'une trop évidente ligne droite : elle est aussi faite de nombreuses brisures, d'hésitations, de parenthèses. Au halo prolongeant les sons, créé par le lieu et par une forme de persistance rétinienne de l'oreille, je mêle de multiples traînes inventées, comme des queues de comètes imaginaires. C'est la même racine grecque qui est utilisée dans un verset fort mystérieux d'un psaume (Psaume 18, verset 5), évoquant la manière dont les cieux pourraient chanter la gloire de leur Créateur, jusqu'aux limites du monde. Pour les bâtisseurs des cathédrales, celles-ci n'étaient bien sûr pas seulement des temples de pierre : elles étaient aussi l'image même du cosmos. Ainsi, j'ai placé en tête de la partition de Phteggomai l'audacieuse traduction de ce même verset biblique qu'a donnée Paul Claudel : J'entends un son qui va jusqu'au bout, une parole jusqu'aux parois de l'univers pour la répercuter. Phteggomai est une commande de l'Association des Grandes Orgues de Chartres, pour la finale du Grand Prix d'interprétation. Elle est dédiée à Philippe Lefebvre et Patrick Delabre. Thomas Lacôte

A selection of three hymn tune preludes composed by Francis Jackson and arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Francis Jackson's Sixth Sonata arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Francis Jackson's Georgian Suite arranged for Organ. A charming suite in 18th-century style which can be played on manuals alone or with sparing use of pedals. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs.Jackson's creative output has continued since his retirement.

Drömmarna (The Dreams) saw the light of day in 1917. It is a short but intensive and sonorous work to a text by Jonathan Reuter (in Swedish) with a Finnish translation by Reijo Norio.

Dritter Theil des Clavier Übung bestehend in verschiedenen Vorspielen über die Catechismus -und andere Gesaenge, vor die Orgel. Clavier Übung IIIAux dépends de l'auteur (1739)Présentation de Philippe Lescat : Historique de l'édition - Répartition des préfaces de Bach - Le culte à Leipzig - Texte et musique des chorals. / Orgue / 112 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

Par STIER ANNEGRET / STIER GERALD / STIER GUDRUN. choralgebundene Orgelmusik - Verwendung / Anlässe: L Hautbois und Dank, Psalmvertonungen - Verwendung / Kirchenjahr: Advent, Epiphanias, Karwoche, Ostern und nachösterliche Freudenzeit, Pianoingsten, Wei cor achten -/ Répertoire / Orgue

Trinitais & Aposteltage. Par DRIESSLER JOHANNES. Trinitais And Aposteltage/ Répertoire / Orgue

Madame Marie-Louise Jaquet-Langlais and Dr. Fred Tulan have produced this collection to honor the 90th birthday of the composer and the 100th anniversary of the American Guild of Organists. This collection features the finalunpublished organ solo by Jean Langlais 'Pre'lude Gregorien ' as well as ten recently-composed organ solos in tribute to Langlais by such notables composer/organists as Jean Guillou Naji Hakim Antoine Tisne' George Bake JoyceJones Anthony Newman and Frederick Swann. This unique book also contains previously unpublished photographs of Langlais written memories by Langlais' students and colleagues and an essay by Dr. Tulan on Langlais Messiaen andtheir colleagues from L'Ecole de Coloristes. A valuable collection of challenging organ solos with important historical and musicological references. Spiral bound.

Lemare’s compositions are uneven in quality but the best are still active in the repertoire. The Toccata di Concerto is certainly full of fireworks and has the capacity to show the abilities of a great Organ. The upper parts have plenty of French toccata style but the theme in the pedals gives the piece substance as does the romantic chromatic interlude in the middle of the work.Organ virtuoso and composer Edwin Lemare was the world’s highest-paid Organist at the height of his career in the early 1900’s drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relativelyshort period he began the life of a travelling recitalist beginning with a hundred-recital tour of the USA and Canada in 1900 a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ allowing audiences in those less urban times to hear works played live that they might have heard no other way.

for Organ-Organ Music for Ascension of Christ Pentecost and Trinityhis volume edited by Andreas Rockstroh completes the organ music series for key times and occasions during the church year. As a collection of relatively easy 19th century works it presents a rich assortment of compositions and arrangements for worship and concerts and is entirely oriented towards the actual practice of church music addressing both part- and full-time organists.Preface and biographical notes on composers (German/English)Wide variety of both chorale-based and non-chorale based organ music from the 19th and early 20th centuriesHigh practicalrelevanceA treasure trove of inspiration that belongs on every organ stand!