Nine Beautiful Arrangements by Mona Rejino Hal Leonard Student Pi. Par . 9 superbes arrangements pour piano solo des titres de vos films Disney préférés ! Idéal pour les spectacles, les cours ou tout simplement pour s\'amuser ! Tirés de COCO : Proud Corazon - Remember Me (Lullaby) - Un Poco Loco - Tirés d\'ENCANTO : Dos Oruguitas - Surface Pressure - We Don\'t Talk About Bruno - Tirés de FROZEN II : All Is Found - Into the Unknown - Show Yourself. / Date parution : 2022-11-10/ Recueil / Piano

Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include ?A Million Dreams? (The Greatest Showman), ?Shotgun? (George Ezra), ?Havana? (Camila Cabello), ?Into the Unknown? (Frozen 2), ?Star Wars: Main Theme? (John Williams) and more. Demonstration tracks are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard./ Recueil / Piano

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.

Par BEETHOVEN LUDWIG VAN. Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op. 110. The initial sketches date from summer 1821: the work was completed by the end of the year and appeared in print the following summer – in an edition so riddled with mistakes that Beethoven angrily complained to the publisher. For this new edition Jonathan Del Mar consulted all known sources and came across previously unknown information in the course of his research. The edition appears with a meticulously edited and elegantly engraved musical text incorporating the latest findingsof scholarship, supplemented by a detailed Critical Commentary and notes on performance practice in Beethoven’s day. Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op. 110. The initial sketches date from summer 1821: the work was completed by the end of the year and appeared in print the following summer – in an edition so riddled with mistakes that Beethoven angrily complained to the publisher. For this new edition Jonathan Del Mar consulted all known sources and came across previously unknown information in the course of his research. The edition appears with a meticulously edited and elegantly engraved musical text incorporating the latest findingsof scholarship, supplemented by a detailed Critical Commentary and notes on performance practice in Beethoven’s day. / Niveau : 6 / Répertoire / Piano

9 superbes arrangements pour piano solo des titres de vos films Disney préférés ! Idéal pour les spectacles, les cours ou tout simplement pour s\'amuser ! Tirés de COCO : Proud Corazon - Remember Me (Lullaby) - Un Poco Loco - Tirés d\'ENCANTO : Dos Oruguitas - Surface Pressure - We Don\'t Talk About Bruno - Tirés de FROZEN II : All Is Found - Into the Unknown - Show Yourself. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / HAL LEONARD

Description Franz Liszt: Sonata In B Minor And Other Works For Piano Among Franz Liszt's many brilliant compositions for piano, few have been so admired and performed as the Sonata in B minor, long considered one of the greatest piano compositions of the 19th century. Songlist [Unknown] Andante Lagrimoso Ave Maria Ballade No.1 In D Flat Major Ballade No.2 In B Minor Benediction De Dieu Dans La Solitude Cantique D'amour Consolations Funerailles Harmonies Poetiques Et Religieuses: Hymne De L'enfant A Son Revil Invocation Legendes: Miserere D'apres Plaestrina Pater Noster Pensee Des Morts Sonata In B Minor St Francois D'assise. La Predication Aux Oiseaux St Francois De Paule Marchant Sur Les Flots

et autres inédits pour piano. Par HAHN REYNALDO. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn 's Piano Works remain unknown. Pièces D'Amour Et Autres Inedits Pour Piano, however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his Pianocompositions often contain expressions of his otherwise hidden emotions and moods. Suitable for intermediate standard pianists, Hahn 's Pièces D'Amour Et Autres Inedits Pour Piano provide pleasant and evocative short pieces, incorporating a range of expressions, rhythms and other musical features./ Répertoire / Piano

Par MUSSORGSKY MODEST. The death in 1873 of Mussorgsky's friend Victor Hartmann was the stimulus for the initial creation of what was to become one of the most vividly colourful works in the orchestral repertoire. However, Mussorgsky's original piano version of Pictures At An Exhibition was not even published until 5 years after his death, and remained almost unknown until Ravel's masterful orchestration of it in 1922. From then on it has become favourite in the orchestral repertoire. This is the piano version of Mussorgsky’s famous work./ Répertoire / Piano

Par HENSEL FANNY. Although best known as the sister of Felix Mendelssohn, Fanny Mendelssohn Hensel (1805-47) was a virtuoso pianist and a composer of considerable merit in her own right. Her oeuvre of more than 400 compositions remained largely unknown for more than a century after her untimely death, and her newly rediscovered reputation as a composer rests chiefly with her Piano music. This volume is the first American publication of her important early works. Reproduced directly from rare first editions, its contents include Vier Lieder für das Pianoforte, Op. 2, Op. 6, and Op. 8, in addition to two selections from Six Mélodies pour lePiano, Op. 4 and Op. 5./ Répertoire / Piano

Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

Beethoven's four-movement Sonata in A-flat major op. 26 belongs to his most popular works. It is dedicated to Prince Lichnowsky, one of his most generous patrons and the dedicatee of, for example, the Grande Sonate pathétique op. 13 and Symphony No. 2 op. 35. The work's initial drafts date from 1800-01 - it was first published in March 1802. This demanding sonata is highly varied in its form: it begins with a set of variations and contains the famous Marcia funebre sulla morte d'un Eroe as its third movement, earning it the nickname 'Sonata with the Funeral March?. The identity of the title's eroe (hero) remains unknown to the present day. The march was performed at Beethoven's funeral on 29 March 1827 in an arrangement for orchestra.For this Bärenreiter edition Jonathan Del Mar, possibly as one of the first editors of a modern edition, consulted the composer's autograph in the original. This enabled him to decipher details of Beethoven's handwriting in particular with regard to the exact notation of doubtful slurs. The result is a most reliable and thoroughly-researched musical text. Differing readings and editorial decisions are documented in the Critical Commentary. The edition has been finely engraved and includes practical page turns. Information on central issues of historical performance practice (pedalling, ornaments, tempo, dynamics, articulation) is provided in a detailed chapter. - Scholarly-critical Urtext edition based on most recent Beethoven research - Evaluation of Beethoven's autograph in the original - Elegant engraving with practical page turns - Informative Introduction (Eng / Ger) - Discussion of central performance practice issues (Eng / Ger) - Detailed Critical Commentary (Eng) / Piano