Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo

Par LOEB DAVID. There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense that the piano is the modern instrument repository for all keyboard music, the piccolo's potential repertoire is vastly enlarged. It was with this definition of the piccolo in mind that David Loeb wrote these works, though the piccoloist need not copy all of the performance techniques of the original instruments. This new collection for piccolo alone explicitly emphasizes explorations of different Asian instruments. It combines both previous Studies on East Asian Pipes (P-02, P-05), the Lyric Pieces (P-22) - works originally for the shinobue, ryuteki, and shakuhachi, and Of Dreams and Promises (P-18), a deeper look at the shinobue's abilities and sound./ Répertoire / Piccolo

Par LOEB DAVID. David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas.David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas./ Répertoire / Piccolo

Version 2 Avec Cd. Par FELDMANN WALTER. «sexe-tuor» was originally a failed attempt to compose a solo oboe piece for my noyé cycle. For the solo the name 'le sexe du noyé' was intended, and the few measures of sexe-tuor were my first attempt to compose a piece in which more complex rhythms would result in a kind of proportional multiplication of individual fragments from the sextet [hence the French sextuor] le retour du noyé. This proved to be monstrously complicated and absurd. Thus, the ten measures of the «sexe-tuor» fragment represent a capitulation in the face of these complications, presented as the interruption of an immovable column of air in a frozen multiphonic sound. In the event, the solution to the problemwas quite simple: Beginning with the composition of le sexe du noyé the proportionalities of the pitch levels and rhythmic values revealed significant rhythmic possibilities. sexe-tuor remains as it is: a solo piece that can function in another compositional context, as an intermezzo between other, larger works on a concert program. The 90 second piece of music can be played in two versions: either for solo piccolo or solo oboe./ Répertoire / Piccolo

Patricia Morris The essential collection of studies, warm-up exercises and technical information for all Piccolo players by Patricia Morris. A great companion to the Piccolo Practice Book.

La référence FP 316 de l'éditeur Fertile Plaine dont l'auteur célèbre est Casiez F./Soldano J.C., qui a pour titre Moderato cantabile ( flute piccolo et piano ), a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition

piccolo solo. Par WILSON IAN. English-German / Niveau : Intermédiaire à Avancé / Musique contemporaine / Date parution : 1905-07-03/ Répertoire / Piccolo

Voici une partition musicale pour Flûte Traversière et plus spécialement pour Piccolo que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est EOLE a été composée par le célèbre compositeur Artaud Pierre-Yves. C'est l'éditeur Billaudot sous la référence GB6360 qui a les droits pour éditer cette partition. / Piccolo / Partition

La référence GB4764 de l'éditeur Billaudot dont l'auteur célèbre est Boeuf Georges, qui a pour titre SEPT PRELUDES, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition

Par LOEB DAVID. This collection of pieces by David Loeb, written for piccolo alone, derive from melodies of the Sephardic tradition, an oral tradition remarkably well preserved despite dispersion and fragmentation of the Spanish Jewish community more than five centuries ago. The melodies display a remarkably hybrid aspect, with elements of Jewish, Islamic, Central European and indigenous Spanish musical traditions present in varying extents, always blended with consummate skill and taste. Some melodies seem Medieval, with comparatively static harmonic implications, while the more chromatic and harmonically active melodies suggest a close affinity with the Renaissance. In five movements: Por qué llorax blanca niña, Morena ma llaman, Ya viene el cativo, Nani, nani, Una matica de ruda./ Répertoire / Piccolo

Arr. Philip Sparke. Par SOUSA JOHN PHILIP. Eine praktische Sammlung mit 15 beliebten Märschen von John Philip Sousa, neu instrumentiert von Philip Sparke. Die Idee, die hinter dieser Sammlung von Sousas bekanntesten Märschen steckt, ist, heutige Blasorchester mit einer praktischen Ausgabe, ganz im Sinne von Sousas eigener Aufführungspraxis und Instrumentierung, auszustatten. Der englische Komponist Philip Sparke zeichnet für diese Neuinstrumentierung verantwortlich. Als Quelle dienten ihm Kopien von Sousas Originalpartituren und historische Aufnahmen. Die Partitur enthält viele nützliche Informationen. Philip Sparke gibt in seinem Vorwort wertvolle Hinweise zu Besetzung und Aufführungspraxis. Des weiteren sind eineausführliche Biographie von John Philip Sousa sowie zu jedem Marsch eine Werkbeschreibung enthalten. Diese wurden in fachkundiger Weise von Werner Probst verfasst. / Niveau : 3 / Marche / Répertoire / Piccolo

Par BOUTHIER CHRISTIAN. Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. À l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance à tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant. / Niveau : 2 / Pièce de concert / Répertoire / Piccolo