Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Maschera (A Masked Ball). It is presented here for solo Soprano Voice with Piano accompaniment in standard notation with added chord symbols.Scribe's libretto to Verdi's 'A Masked Ball' concerns the real-life assassination of King Gustave III of Sweden at a masked ball in 1792 but adds a love story to what was probably a political murder. The King Ricardo is in love with Amelia wife of his friend Renato. Renato warns the King to beware a plot to kill him. The King visits Ulrica the mystic and she says he will die by the next friendly hand he shakes. The plotdevelops and ends with an exploration of the concepts of innocence and remorse.

Kaija Saariaho's Leino Songs were premiered by Anu Komsi (Soprano) and Pia Värri (Piano) on 9 July 2007 in Kaarle's Church, Kokkola, Finland, as part of the Kokkola Opera Summer Festival and are dedicated to Anu Komsi.

Soprano/Accompagnement Piano.
Please note that Leino Songs for Soprano and Piano does not correspond exactly with Saariaho's work of the same name scored for voice and orchestra, and is therefore not suitable for use as a vocal score to that version. / Classique / Partition /

This work When Christ Was Born of Mary Free sets the words of a traditional carol dating from the 15th century sensitively in D minor for the verse moving to a more joyous F for the Chorus. Darke’s papers list this piece as having been scored for Soprano solo Chorus SATB and Piano. Harold E Darke was an English composer and Organist of international renown. Darke composed extensively for choir and Organ. In 1916 he established the Monday lunchtime Organ recitals at St Michael’s Cornhill which continue to this day the longest-running such series in the world. His setting of Christina Rosetti’s poem In the Bleak Midwinter created a melody and lilting Organ accompanimentthat has never fallen from favour. It is regarded as one of the greatest of Christmas carols.

The most comprehensive collection of Broadway selections ever organized specifically for the singer. Each of the five volumes in the series contains important songs chosen because they are appropriate fpr each voice. All selections are in their authentic, original form, and taken from the original vocal score. The songs in The Singer's Musical Theatre Anthology, written by such noted composers as Kurt Weill, Richard Rodgers, Stephen Sondheim, and Jerome Kern, are vocal masterpieces ideal for the auditioning, practicing or performing vocalists.

This vocal score for Patrick Hawes' 2013 work Prayer To A Guardian Angel is for Soprano with Piano accompaniment.

Written for the soprano Laura Wright this is an arrangement of the traditional folk song The Ash Grove.The Ash Grove by Patrick Hawes is from the album The Last Rose which went to No. 1 in the classical charts.

Instrumentation: S—Pf Format: Sheet Music Details: Soprano and Piano (German/Italian) Contents: Contents: Mia speranzo adorata! K416; Popoli di Tessaglia! K316; No, che no sei capace K419; Laudamus Te and Et incarnatus est (Mass in c minor K427)

This unique and exciting series gives you the chance to learn some of the greatest arias of the Opera tradition with full orchestral backing tracks! A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigours of the Opera.

This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II.Each piece is in Englishand has a limited vocal range as well as a piano accompaniment that is playable by a student pianist. The pieces include art songs folksongs humorous songs and suitable vintage popular songs and are all appropriate for contestsolos. The accompanying CD includes professionally-recorded accompaniments. Soprano Contents: Alice Blue Gown · April Showers · Butterflies (Schulz) · Cradle Song (Brahms) · Evening Prayer from Hansel and Gretel(Humperdinck) · The False Prophet (Scott) · Florian's Song (Godard) · Golden Slumbers (English folksong) · It Was a Lover and His Lass (Austin) · Ladybird (Schumann) · The Lilac Tree (Gartlin) · The Little Sandman (arr. Brahms) ·My Little Heart (Weckerlin) · The Nightingale (Alabieff) · Oh! Dear What Can the Matter Be? (16th Century) · Oh Pretty Birds (Rigel) · The Rosebush (Himmel) · The Sweetest Flower that Blows (Hawley) · Two Marionettes (Cooke) ·The Willow Song (16th Century) · The Willow Tree (arr. Reimann) · The Winter It Is Past (arr. Hopekirk).

Mi Tradì Quell?Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera 'Don Giovanni'. This work is scored for Soprano Voice with Piano Accompaniment. The lyrics are in Italian.

for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano

This all-in-one package includes the original Coloratura Arias for Soprano book from the G. Schirmer Opera Anthology along with three accompaniment CDs AND the corresponding Diction Coach book/three CD set.Diction Coach includes recorded diction lessons IPA and word for word translations. In addition to piano accompaniments playable on both your CD player and computer the enhanced accompaniment CDs also include tempoadjustment software for CD-ROM computer use.