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There There
BOUZOUKI
Viola, Piano
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Henryk Wieniawski: Reverie: Instrumental Work
Viola, Piano
PWM (Polskie Wydawnictwo Muzyczne)
In addition to the numerous violin pieces in H. Wieniawski's compositional outpu...
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In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano ''Reverie'' which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and apart from his regular concert activities took part in chamber concerts which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst Joachim Wieniawski and Piatti the cellist) performed together. Wieniawski who played the viola on that occasion presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour characteristic of his other compositions. (S. Kamasa)
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Franz Anton Hoffmeister: Concert D-Dur: Viola: Instrumental Work
Viola, Piano
G. Henle
Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most ...
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Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most important audition piece for Viola players. Yet it has been handed down in a complicated source tradition surviving ina single contemporary manuscript covered with many layers of markings. Our Piano reduction reconstructs for the first time the earliest textual layer in this source thereby coming as close as possible toHoffmeister‘s actual intentions. The reconstructed original is accompanied by a detailed critical commentary. Fingering and bowing marks have been added by no less a musician than Kim Kashkashian!
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Max Reger: Klarinettensonate Opus 107: Viola: Instrumental Work
Viola, Piano
G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...
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Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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Solos For The Viola Player Vla - Viola
Viola, Piano
[Score and Parts]
-
Intermediate
Schirmer
Description Solos For The Viola Player The purpose of this anthology is to ma...
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Description Solos For The Viola Player The purpose of this anthology is to make available to the viola player a substantial body of work, and introducing a valuable and enticing literature. Songlist Adagio (Arpeggione Sonata) [Schubert, Franz] Allegretto Grazioso [Bach, Carl Phillipp Emanuel] Andante (Violin-viola Duo No.2) [Mozart, Wolfgang Amadeus] Boston Fancy (Hornpipe) Choralprelude (O Mensch Bewein Dein Sunde Gross) [Bach, Johann Sebastian] German Dance (Landler) [Dittersdorf, Karl Ditters Von] I'm Just A-going Over Jordan March (Notturno) [Beethoven, Ludwig Van] Menuetto [Handel, George Frideric] Romance [Mehul, Etienne-nicolas] Shenandoah Tambourin [D'hervelois, Louis De Caix] Tema Con Variazioni (Couplets Des Folies D'espagne) [Marais, Marin] Verborgenheit (Renunciation) [Wolf, Hugo] Von Ewige Liebe (Love Is Forever) [Brahms, Johannes] Were You There?
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Jan Krtitel Vanhal: Concerto for Viola and Orchestra C major: Viola:
Viola, Piano
Barenreiter
The Bohemian composer Jan K titel Va hal/Johann Baptist Vanhal (1739 1813) settl...
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The Bohemian composer Jan K titel Va hal/Johann Baptist Vanhal (1739 1813) settled in Vienna around 1763. There he wrote several concertos for various instruments of which two for Viola have survived. Both are evidently not original compositions but arrangements by Va hal of some of his own works a common practice of that time. The Viola Concerto In C Major is based on Va hal's Cello concerto in the same key.Barenreiter's new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement.Performance material is available for hire.
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Pam Wedgwood C. Lumsden: Jackaroo: Viola: Instrumental Tutor
Viola, Piano
-
Beginner
Faber Music Limited
Have you ever heard of a Crocodillo Lazy Chimliroo or Fluttering Butterworm - n...
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Have you ever heard of a Crocodillo Lazy Chimliroo or Fluttering Butterworm - not to mention a Pythonippotamus? These are just some of the creatures that feature in Jackaroo an imaginative collection of pieces with a jazzy twist for the absolute beginner viola player. Using only open strings and first finger each piece introduces a new rhythmic or technical point with useful suggestion boxes for the teacher. The addition of words and lively accompaniments by Pam Wedgwood mean that each piece can be sung through first. There’s even the chance to draw your own imaginary animals too inspired by Drew Hillier’s wacky illustrations - how about aSnivelling Skunkpanze? This book will inspire young violists and inject a healthy dose of fun into Viola lessons.
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Wilkinson-Hart: First Repertoire For Viola 1: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Beginner
Faber Music Limited
From Haydn to Humperdinck show tunes to spirituals - variety is the spice of mu...
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From Haydn to Humperdinck show tunes to spirituals - variety is the spice of musical life and the essence of this book. Here there are 20 carefully graded pieces which skilfully explore the Viola's unique sonorities and provides superb introductory literature for the young player.
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Santa's Helper
Viola, Piano
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa! It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Viola is also written as solos or duets in accommodating keys for Violin, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along. The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone../ Recueil / Alto et Piano
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Solos for the Viola Player: Viola & Piano: CD
Viola, Piano
[CD]
Schirmer
The accompaniment CD for the folio featuring: Adagio (Schubert) ? Allegretto (C....
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The accompaniment CD for the folio featuring: Adagio (Schubert) ? Allegretto (C.P.E. Bach) ? Andante (Mozart) ? Boston Fancy (Hornpipe) ? German Dance (Dittersdorf) ? I'm Just A-Goin' over Jordan ?March (Beethoven) ? Menuetto (Handel) ? O Mensch Bewein Dein Sunde Gross ? Romance ? Shenandoah ? Tambourin ? Theme and Variations (Marais) ? Verborgenheit (Wolf) ? Von Ewiger Liebe (Brahms)? Were You There?
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Pam Wedgwood: Jurassic Blue: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Beginner
Faber Music Limited
If you thought dinosaurs were creatures of the past you'd better think again! V...
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If you thought dinosaurs were creatures of the past you'd better think again! Velociraptors Iguanadons and pterodactyls are brought back to life in Jurassic Blue a colourful collection of pieces with a jazzy twist. Following on from Jackaroo this book begins with a revision of the first finger and then moves on to second third and fourth fingers. Each piece introduces a new rhythmic or technical point with useful suggestion boxes for the teacher. There’s also the chance to create you own dinosaurs too inspired by Drew Hillier’s wacky illustrations plus pictures to colour in. With PamWedgwood’s lively accompaniments and the addition of words you can even sing along to Triceratops Rocks!
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Got Those Position Blues? (HUWS JONES EDWARD)
Viola, Piano
[Sheet music]
Faber Music Limited
Par HUWS JONES EDWARD. These nine jazzy pieces have been specially written to he...
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Par HUWS JONES EDWARD. These nine jazzy pieces have been specially written to help students work through technical difficulties with position changes in a fun and exciting way. Not only are they an excellent way to learn, there perfect for end of term concerts too. / Methods & Tutors / Etude / Alto et Piano
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Mary Cohen: Carol Stringfest: String Ensemble
Viola, Piano
Faber Music Limited
Carol Stringfest presents popular carols in flexible arrangements for string qua...
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Carol Stringfest presents popular carols in flexible arrangements for string quartet beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment to support less confident groups makes the series valuable to a wide range of abilities. Lyrics are also provided so there is something for everyone a must for Christmas!
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Menuet-Sarabande
Français
Viola, Piano
[Sheet music]
Billaudot
La référence EFM1686 1 de l'éditeur Billaudot dont l'auteur célèbre est Lov...
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La référence EFM1686 1 de l'éditeur Billaudot dont l'auteur célèbre est Lovreglio Eleuthère, qui a pour titre MENUET-SARABANDE, a été écrite et composée pour Alto et plus particulièrement pour Alto Et Piano. Cette partition musicale appartient à la catégorie Classique. / Alto Et Piano / Partition
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Sacred Alto Arias
Viola, Piano
Kevin Mayhew
/ Alto Et Piano
18.40 EUR - Sold by LMI-partitions
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