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Camille-Saint-Saens
ZITHER
|piano|
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Camille Saint-saens Piano Concerto No.2 In G Minor Op.22 - Two Pianos
2 Pianos, 4 hands
[Score and Parts]
Schirmer
Description Camille Saint-Saens: Piano Concerto No.2 In G Minor Op.22 (2-Pian...
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Description Camille Saint-Saens: Piano Concerto No.2 In G Minor Op.22 (2-Piano Score) Saint-Sa ns composed and first played this work in 1868. It is scored for pairs of Winds, Horns and Trumpets, plus Timpani and Strings.
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Karneval Der Tiere (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
Schott
Große Zoologische Phantasie Für Klavier Leicht Bearbeitet. Par SAINT-SAENS CAM...
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Große Zoologische Phantasie Für Klavier Leicht Bearbeitet. Par SAINT-SAENS CAMILLE. Comme un spécial ' bonbons ' les paroles charmants de Loriot sont inclus dans ce numéro, et il est donc double plaisir, jouant les mélodies accrocheuses par Saint-Saëns. / Get to know Classical Masterpieces / Répertoire / Piano
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Starke Töne - Fagott Und Klavier (BOISMORTIER JOSEPH BODIN DE / CAMILLE SAINT-SAENS)
Bassoon, Piano (duet)
[Sheet music + CD]
-
Easy
De Haske Publications
Ausgewählte Werke für den Junior- und D1-Bereich. Par BOISMORTIER JOSEPH BODIN...
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Ausgewählte Werke für den Junior- und D1-Bereich. Par BOISMORTIER JOSEPH BODIN DE / CAMILLE SAINT-SAENS . Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Répertoire / Basson et Piano
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Saint Saens, Camille : Best en 13 morceaux pour piano
Français
Piano solo
[Sheet music]
Durand
Classique / Partition / Camille Saint-Saëns en treize morceaux pour piano.
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El Carnaval De Los Animales
Piano solo
Schott
Travail populaire de Saint-Saëns le Carnaval des animaux a maintenant été pub...
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Travail populaire de Saint-Saëns le Carnaval des animaux a maintenant été publié comme une édition espagnole dans la série Get pour connaître les chefs-d'oeuvre classique. L'arrangement facile de piano de la ' fantasy zoologique grande ' est encadrée par les illustrations colorées, imaginatives et introduit chaque joueur de piano à le oeuvre orchestrale avec plaisir - avec les quarantièmes du lion, la gloussant des poulets, la bande de roulement lourd des éléphants, ou le saut des kangourous. / Piano
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Camille Saint-saens - Sonate Opus 166 - Hautbois Et Piano
Français
Oboe, Piano (duet)
Durand
?Musique française? is a series designed for students and teachers as well as p...
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?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. Saint-Saëns composed this sonata for oboe and piano near the end of his life. Oboists often tackle it quite early in the course of their studies as it is relatively playable by young instrumentalists.
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Romance, Op. 51 (SAINT-SAENS CAMILLE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in ...
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Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano
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35 Mélodies ? 35 Songs (High Voice) (SAINT-SAENS CAMILLE) (SAINT-SAENS CAMILLE)
High voice, Piano
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. Cette édition fait partie de Musique Vocale Française...
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Par SAINT-SAENS CAMILLE. Cette édition fait partie de Musique Vocale Française , une collection dédiée au repertoire vocale français - soit original soit transposé - et conçue pour les étudiants, les professeurs et les interprètes professionnels. Le recueil inclut 35 mélodies avec textes originaux et traductions an anglais, composées par Saint-Saëns tout au long de sa carrière. Par le choix des textes utilisés, il nous montre un goût littéraire très sûr. Il n?est pas toujours facile de voir clair dans le corpus des mélodies du compositeur ; on relève cependant quelque cent-vingt ?uvres. Camille Saint-Saëns est de ceux qui donnèrent à la mélodie française ses lettres de noblesse, ouvrant la voie à la génération qui la porta à son plus haut niveau, celle de Gabriel Fauré et d?Henri Duparc. / Date parution : 2023-03-11/ Répertoire / Voix Haute et Piano
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Six études pour la main gauche seule op. 135 (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
Barenreiter
Par SAINT-SAENS CAMILLE. Saint-Saëns? etudes for the left hand were written in ...
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Par SAINT-SAENS CAMILLE. Saint-Saëns? etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which were printed in 1913 were originally entitled ?Petites pieces? by Saint-Saëns in his manuscript and indeed the cycle, which the composer himself described as ?charming? and ?amusing?, lacks any rigour of an etude collection. Particularly the ?Bourrée? quickly enjoyed great popularity. The edition is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume IV/3. An insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation, a Critical Commentary (Eng) as well as an elegant music engraving make this collection of little gems the perfect addition to the piano repertoire. - First Urtext edition - Musical text based on ?Camille Saint-Saëns ? ?uvres instrumentales complètes? - With an insightful Foreword (Fr/Eng/Ger) on the genesis and interpretation and a Critical Commentary (Eng) / Date parution : 2022-11-29/ Etude / Piano
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Caprice Airs Danois 2 Pianos (Benfeld) (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Proserpine Entr'Acte 2 Pianos (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Septuor 2 Pianos (Benfeld) (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Menuet Et Gavotte 2 Pianos (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Wedding Cake Op. 76 Caprice-Valse Pour Deux Pianos (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Valse Caprice (SAINT-SAENS CAMILLE / YSAYE EUGENE)
Violin and Piano
[Sheet music]
Hal Leonard
for Violin and Piano. Par SAINT-SAENS CAMILLE / YSAYE EUGENE. Originally, Camill...
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for Violin and Piano. Par SAINT-SAENS CAMILLE / YSAYE EUGENE. Originally, Camille Saint -Saëns created this work for piano in 1877 under the title 'Etude en form de Valse,' Op.52/6. In 1901, Ysaye reworked this piece for violin and piano and published it as 'Caprice d'après l'Etude en forme de Valse de Saint-Saëns.' Ysae created a veritable masterpiece for violin, far more popular now than the original piano version. It has taken its rightful place in the virtuoso violin literature. This work is on the concert and recorded repertory of virtually every major violinist and a compulsory work at most major competitions. / Date parution : 2021-11-03/ Répertoire / Violon et Piano
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Introduction Et Rondo Capriccioso, Op. 28 Pour Violon Et Orchestre (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Scherzo 2Pft 4H (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
IMC (International Music Co.)
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos 4 Mains
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Symphonies N. 3 En Ut Mineur, Op. 78 Pour Deux Piano A Quatre Mains (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
Durand
Pour Deux Piano A Quatre Mains. Par SAINT-SAENS CAMILLE. / Répertoire / 2 Piano...
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Pour Deux Piano A Quatre Mains. Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos
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Introduction And Op. 28 2Pft 4H (SAINT-SAENS CAMILLE)
2 Pianos, 4 hands
[Sheet music]
IMC (International Music Co.)
Par SAINT-SAENS CAMILLE. / Répertoire / 2 Pianos 4 Mains
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Cinq Poèmes de Ronsard (SAINT-SAENS CAMILLE)
Piano, Voice
[Sheet music]
Durand
pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Cami...
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pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. En 1921, année de sa mort, il finalise les Cinq Poèmes de Ronsard. Avec les Trois Vieilles Chansons, composées la même année, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charles Gounod, Georges Bizet ou encore Jules Massenet avaient déjà puisé. / Date parution : 2022-01-14/ Répertoire / Chant et Piano
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Trois Vieilles Chansons (SAINT-SAENS CAMILLE)
Piano, Voice
[Sheet music]
Durand
pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Cami...
(+)
pour chant et piano. Par SAINT-SAENS CAMILLE. Tout au long de sa carrière, Camille Saint-Saëns compose quelque cent cinquante mélodies. Peu de temps avant de sa mort en 1921, il fait ses adieux à la mélodie en nous livrant les Trois Vieilles Chansons. Avec les Cinq Poèmes de Ronsard, composés en 1921, ce recueil nous montre Saint-Saëns revenant à la poésie des XVe et XVIe siècles à laquelle Charles Gounod, Georges Bizet ou encore Jules Massenet avaient déjà puisé. / Date parution : 2022-01-14/ Répertoire / Chant et Piano
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented somethi...
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano
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LE CYGNE (SAINT-SAENS CAMILLE / LEBOUC CHARLES-JOSEPH (Arr)
Cello, Piano
[Sheet music]
Durand
Par SAINT-SAENS CAMILLE / LEBOUC CHARLES-JOSEPH (Arr.). Peu après sa compositio...
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Par SAINT-SAENS CAMILLE / LEBOUC CHARLES-JOSEPH (Arr.). Peu après sa composition en 1886, Camille Saint-Saëns demanda à Auguste Durand que Le Carnaval des Animaux, qu'il considérait comme une fantaisie parodique, ne paraisse qu'à titre posthume. Il pensait probablement que ce divertissement ternirait le sérieux du reste de son ?uvre. Le Carnaval a donc été publié en février 1922, deux mois après la mort du compositeur. Le compositeur contrevient néanmoins aux restrictions qu'il avait imposées: en 1886, Charles-Joseph Lebouc obtient l'autorisation de publier une transcription pour piano et violoncelle de l'avant-dernier morceau de l'?uvre : 'Le Cygne'. Cet arrangement, qui devient un morceau de bravoure pour violoncelle, connaît un immense succès./ Répertoire / Violoncelle et Piano
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The Carnival of the Animals (SAINT-SAENS CAMILLE)
Piano solo
[Sheet music]
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Easy
Schott
Par SAINT-SAENS CAMILLE. 'Get to know classical masterpieces': Within this serie...
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Par SAINT-SAENS CAMILLE. 'Get to know classical masterpieces': Within this series you will find a simple arrangement for piano of The Carnival of the Animals, a wonderful composition by Camille Saint-Saëns. As they are presented in this ?great zoological fantasy?, we hear the animals getting together to celebrate a carnival party. With explanatory texts and fully coloured illustrations, the edition is aimed at young and adult pianists. The easily playable arrangements and original pieces provide an ideal introduction to this work. / Date parution : 2022-05-17/ Répertoire / Piano
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Camille Saint-Saëns: The Best of Camille Saint-Saens en treize morceaux: Piano
Piano solo
[Sheet music]
Durand
en treize morceaux pour piano-Thirteen Pieces for Piano by Camille Saint-Saens ...
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en treize morceaux pour piano-Thirteen Pieces for Piano by Camille Saint-Saens including some of his most popular and renowned works including Danse Macabre and the Swan from Carnival of The Animals
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Introduction Et Rondo Capriccioso Op. 28 (SAINT-SAENS CAMILLE)
Violin and Piano
Schott
Par SAINT-SAENS CAMILLE. Saint-Saëns ajouté considérablement le répertoire d...
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Par SAINT-SAENS CAMILLE. Saint-Saëns ajouté considérablement le répertoire du violon: y compris deux sonates, trois concertos et un certain nombre de petits ouvrages avec accompagnement piano ou orchestre. C'est en partie en raison de son amitié avec le violoniste espagnol Pablo de Sarasate/ Répertoire / Violon et Piano
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