SKU: SU.80401320
TTBB Chorus, a cappella Duration: 3' 45 Composed: 2001 Published by: Paulus Publications (SP404) Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: SU.YR4319V1
TTBB & piano Composed: 2002 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: SU.YR6410
TTBB and piano Composed: 2001 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please contact sales@subitomusic.com.
SKU: CF.CM9779
ISBN 9781491164501. UPC: 680160923410. Key: E major. Text: Rudyard Kipling.
This classic poem by Rudyard Kipling can, at first, sound like a series of stipulations for manhood. While it is all wonderful advice, I chose to set this text in a way that gradually transitions from if you can to simply, you can!As the choir moves into the contrapuntal section at m. 37, I imagine each section of the choir cheering the other sections on as they strive for their own personal greatness. The basses kick off the cheers of you can at m. 45, with the whole choir joining at m. 49, leading into the rousing final section of the result of strong personal choices: Yours is the earth, and everything that's in it.If optional text is needed for your ensemble from m. 58 to the end, consider You'll know the race is run or a text of your choosing. .
SKU: BA.BA07416
ISBN 9790006559206. 27 x 19 cm inches. Text Language: Latin.
Based on the well-known bible text “Sing unto the Lord a new song†(Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.â€MÃ¥rten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmenâ€, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.
SKU: JK.01563
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Harmonic anthem for a cappella mixed men's chorus (TTBB), recently developed for Ray Smith and BYU Synthesis 2010.Composer: Mildred T. Pettit Arranger: Charles Cardin Lyricist: Naomi Randall Difficulty: Medium Performance time: 2:30Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
SKU: JK.01548
John 13:34-35, 1 John 4:11.
Hymn arranged for men's chorus (TTBB) and piano, as recorded by Eclipse, with scriptural text taken from John 13:34-35 and music by Luacine Clark Fox. Composer: Luacine Clark Fox Arranger: Derek Furch Text: John 13:34-35 Difficulty: Easy Performance time: 2:20References: John 13:34-35, 1 John 4:11.
SKU: BP.2103B
Full score and parts for flute I,II; oboe I, II; clarinet in B-flat I,II; bassoon I, II; horn in F I,II (III, IV); trumpet in B-flat I, II; trombone I, II; tuba; percussion I, II; harp (optional); violin I, II; viola, cello; double bass.
SKU: BP.CU1041B
Full score and parts for flute, oboe, b-flat clarinet, bassoon, horn in F I and II, trombone, bass trombone, harp, violin I and II, viola, cello and double bass.
SKU: HL.49003214
ISBN 9790220117282. UPC: 888680784249. 8.25x11.75x0.052 inches. Latin.
Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices.The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace.Gavin Bryars.
SKU: BP.BP2238B
Printed product. Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include: The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.
SKU: HL.14027314
SKU: GI.WW1877
UPC: 785147030669. English. Text Source: American Folk Song.
A lively song that is quintessentially American. Excellent vocal writing makes the arrangement both rowdy and well-constructed. Accessible to many choirs and a blast to learn and sing! Available here for TTBB voices.
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